新媒體環(huán)境下微紀(jì)錄片的特性探究
發(fā)布時(shí)間：2018-12-24 09:19
【摘要】：近幾年,隨著網(wǎng)絡(luò)技術(shù)的不斷提高、新媒體環(huán)境的急速發(fā)展,紀(jì)錄片也發(fā)生了許多的改變。在這種大環(huán)境的促使下,觀眾對(duì)時(shí)間、空間碎片化的需求越來越強(qiáng)烈,因而形成了快餐文化,越來越多的短小精煉將鴻篇巨制取而代之,從而走向?qū)捤�、零散的后現(xiàn)代方向。微紀(jì)錄片也在此環(huán)境下應(yīng)運(yùn)而生了。本文分為六個(gè)部分。第一部分引言,這一部分詳細(xì)的介紹了這篇論文的研究現(xiàn)狀、研究目的和意義,并闡述微紀(jì)錄片是在什么樣的需求下和環(huán)境中產(chǎn)生的。第二部分為論文的第一章,首先對(duì)微紀(jì)錄片的概念進(jìn)行梳理,并在此基礎(chǔ)上進(jìn)行界定。第二章則是通過對(duì)創(chuàng)作題材、創(chuàng)作主體、創(chuàng)作手法、全新的傳播模式以及敘事策略的轉(zhuǎn)變這四個(gè)方面進(jìn)行分析,來對(duì)比微紀(jì)錄片相比傳統(tǒng)紀(jì)錄片在網(wǎng)絡(luò)傳播上的優(yōu)勢(shì)有哪些。第三章通過對(duì)比微紀(jì)錄片和傳統(tǒng)紀(jì)錄片在敘事方式上的不同,總結(jié)并分析微紀(jì)錄片敘事策略上的轉(zhuǎn)變。第四章是本論文的重點(diǎn)章,本章通過分析各類微紀(jì)錄片,總結(jié)其在網(wǎng)絡(luò)傳播與敘事策略上的一些優(yōu)勢(shì)與轉(zhuǎn)變,分析并闡述了我國(guó)微紀(jì)錄片的特點(diǎn)。本章將對(duì)此進(jìn)行詳細(xì)的闡述。第五章是作者通過以上三章的內(nèi)容總結(jié)后,提出一些對(duì)新媒體環(huán)境下微紀(jì)錄片的前景展望,以及對(duì)微紀(jì)錄片發(fā)展的一些建議。
[Abstract]:In recent years, with the continuous improvement of network technology and the rapid development of new media environment, documentary has also undergone many changes. Under this kind of big environment, the audience's demand for time and space fragmentation is more and more intense, thus forming the fast food culture, more and more short and small refining will replace the monumental system, thus moving towards the loose, scattered post-modern direction. Microdocumentaries also came into being in this environment. This paper is divided into six parts. The first part of the introduction, this part of the detailed introduction of this paper research status, research purposes and significance, and explain what kind of microdocumentaries in the demand and environment. The second part is the first chapter of the thesis, firstly combing the concept of micro-documentary, and then defining it. The second chapter is to compare the advantages of microdocumentaries compared with traditional documentaries in the network communication through the analysis of the creation theme, the main body of creation, the creative techniques, the new communication mode and the change of narrative strategy. The third chapter summarizes and analyzes the changes of narrative strategies of microdocumentaries by comparing the differences between microdocumentaries and traditional documentaries. The fourth chapter is the key chapter of this paper. This chapter summarizes some advantages and changes in the network communication and narrative strategy by analyzing all kinds of micro-documentaries, and analyzes and expounds the characteristics of micro-documentaries in China. This chapter will elaborate on this in detail. After summarizing the contents of the above three chapters, the fifth chapter puts forward some prospects for microdocumentaries in the new media environment and some suggestions for the development of microdocumentaries.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J952
本文編號(hào)：2390448
[Abstract]:In recent years, with the continuous improvement of network technology and the rapid development of new media environment, documentary has also undergone many changes. Under this kind of big environment, the audience's demand for time and space fragmentation is more and more intense, thus forming the fast food culture, more and more short and small refining will replace the monumental system, thus moving towards the loose, scattered post-modern direction. Microdocumentaries also came into being in this environment. This paper is divided into six parts. The first part of the introduction, this part of the detailed introduction of this paper research status, research purposes and significance, and explain what kind of microdocumentaries in the demand and environment. The second part is the first chapter of the thesis, firstly combing the concept of micro-documentary, and then defining it. The second chapter is to compare the advantages of microdocumentaries compared with traditional documentaries in the network communication through the analysis of the creation theme, the main body of creation, the creative techniques, the new communication mode and the change of narrative strategy. The third chapter summarizes and analyzes the changes of narrative strategies of microdocumentaries by comparing the differences between microdocumentaries and traditional documentaries. The fourth chapter is the key chapter of this paper. This chapter summarizes some advantages and changes in the network communication and narrative strategy by analyzing all kinds of micro-documentaries, and analyzes and expounds the characteristics of micro-documentaries in China. This chapter will elaborate on this in detail. After summarizing the contents of the above three chapters, the fifth chapter puts forward some prospects for microdocumentaries in the new media environment and some suggestions for the development of microdocumentaries.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J952
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 高亮;占予川;;淺談當(dāng)代微紀(jì)錄片的概念及價(jià)值[J];東方企業(yè)文化;2013年02期
2 張同道;許喬;李敏;;2011年紀(jì)錄片網(wǎng)絡(luò)新媒體傳播研究報(bào)告[J];南方電視學(xué)刊;2012年02期
，本文編號(hào)：2390448
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