【摘要】：在社會(huì)的不斷前進(jìn)中,文化意識(shí)形態(tài)不斷發(fā)生著變革,影響著中國(guó)音樂(lè)電影的創(chuàng)作。新中國(guó)成立初期,在意識(shí)形態(tài)一元化的格局影響下,音樂(lè)電影創(chuàng)作在收聚民心、鞏固政權(quán)上發(fā)揮了重要作用。"文革"結(jié)束后,市場(chǎng)經(jīng)濟(jì)涌入與長(zhǎng)期的國(guó)家文化形態(tài)一元化格局產(chǎn)生了強(qiáng)烈碰撞,音樂(lè)電影創(chuàng)作回歸自我,具有紀(jì)實(shí)性美學(xué)的傾向。新世紀(jì),國(guó)家的文化意識(shí)形態(tài)走向了多元化,意識(shí)形態(tài)與市場(chǎng)經(jīng)濟(jì)的碰撞產(chǎn)生了深刻的社會(huì)矛盾,為中國(guó)音樂(lè)電影創(chuàng)作提供了更有廣度和深度的拓展空間。音樂(lè)電影作為意識(shí)形態(tài)與商品經(jīng)濟(jì)的雙刃劍,要想實(shí)現(xiàn)其更好發(fā)展,我們只有緊跟時(shí)代的脈搏,從文化意識(shí)形態(tài)的角度上深層次挖掘社會(huì)矛盾,更好挖掘音樂(lè)電影創(chuàng)作的素材,創(chuàng)作出更多更優(yōu)秀的音樂(lè)電影作品。
[Abstract]:With the development of society, the cultural ideology is changing constantly, which influences the creation of Chinese music film. In the early days of the founding of New China, under the influence of a unified ideology, music and film creation played an important role in gathering people's hearts and consolidating political power. " After the end of the Cultural Revolution, the influx of market economy and the unification of the national cultural form produced a strong collision, and the music and film creation came back to itself, with the tendency of documentary aesthetics. In the new century, the country's cultural ideology has moved towards pluralism, and the collision between ideology and market economy has produced profound social contradictions, which has provided a more extensive and deep expansion space for Chinese music and film creation. Music film, as a double-edged sword of ideology and commodity economy, in order to achieve its better development, we must closely follow the pulse of the times, dig into social contradictions from the angle of cultural ideology, and better tap the materials for music film creation. Create more and better music films.
【作者單位】： 鄭州大學(xué)西亞斯國(guó)際學(xué)院;
【基金】：河南省科技計(jì)劃項(xiàng)目“高校文化與城市文化的互動(dòng)發(fā)展研究”(項(xiàng)目編號(hào):152400410169)的階段成果
【分類(lèi)號(hào)】：J951
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本文編號(hào)：2390200