【摘要】：在社會的不斷前進中,文化意識形態(tài)不斷發(fā)生著變革,影響著中國音樂電影的創(chuàng)作。新中國成立初期,在意識形態(tài)一元化的格局影響下,音樂電影創(chuàng)作在收聚民心、鞏固政權(quán)上發(fā)揮了重要作用。"文革"結(jié)束后,市場經(jīng)濟涌入與長期的國家文化形態(tài)一元化格局產(chǎn)生了強烈碰撞,音樂電影創(chuàng)作回歸自我,具有紀實性美學的傾向。新世紀,國家的文化意識形態(tài)走向了多元化,意識形態(tài)與市場經(jīng)濟的碰撞產(chǎn)生了深刻的社會矛盾,為中國音樂電影創(chuàng)作提供了更有廣度和深度的拓展空間。音樂電影作為意識形態(tài)與商品經(jīng)濟的雙刃劍,要想實現(xiàn)其更好發(fā)展,我們只有緊跟時代的脈搏,從文化意識形態(tài)的角度上深層次挖掘社會矛盾,更好挖掘音樂電影創(chuàng)作的素材,創(chuàng)作出更多更優(yōu)秀的音樂電影作品。
[Abstract]:With the development of society, the cultural ideology is changing constantly, which influences the creation of Chinese music film. In the early days of the founding of New China, under the influence of a unified ideology, music and film creation played an important role in gathering people's hearts and consolidating political power. " After the end of the Cultural Revolution, the influx of market economy and the unification of the national cultural form produced a strong collision, and the music and film creation came back to itself, with the tendency of documentary aesthetics. In the new century, the country's cultural ideology has moved towards pluralism, and the collision between ideology and market economy has produced profound social contradictions, which has provided a more extensive and deep expansion space for Chinese music and film creation. Music film, as a double-edged sword of ideology and commodity economy, in order to achieve its better development, we must closely follow the pulse of the times, dig into social contradictions from the angle of cultural ideology, and better tap the materials for music film creation. Create more and better music films.
【作者單位】： 鄭州大學西亞斯國際學院;
【基金】：河南省科技計劃項目“高校文化與城市文化的互動發(fā)展研究”(項目編號:152400410169)的階段成果
【分類號】：J951
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本文編號：2390200