戰(zhàn)后日本電影的中國形象建構(gòu)
發(fā)布時間：2018-11-23 20:34
【摘要】：戰(zhàn)后日本電影的中國形象建構(gòu)是日本對中國認(rèn)識的參照和體現(xiàn)。通過分析日本面向中國形象主題的敘事,指出其在歷史修辭、文化態(tài)度與形象塑造層面呈現(xiàn)出的種種歧義。戰(zhàn)后日本電影圍繞中國形象進(jìn)行的抒寫,不僅成為日本體認(rèn)亞洲及自身形象的重要敘事坐標(biāo)之一,同時其中所呈現(xiàn)出的散點(diǎn)透視/主題偏移,恰恰反映了其返回亞洲歷史敘事過程中的民族文化改寫與現(xiàn)實(shí)政治考量。由此,以中國形象建構(gòu)作為理解日本電影內(nèi)涵的交點(diǎn)/焦點(diǎn),由點(diǎn)及面,涉及當(dāng)下國家形象的多義性塑造,最終指向未來文化競合(Cooperation-Competition)意義上的亞洲敘事。
[Abstract]:The construction of the Chinese image of Japanese films after the war is the reference and embodiment of Japan's understanding of China. By analyzing the narration of Japan's theme of Chinese image, this paper points out its various ambiguities in the aspects of historical rhetoric, cultural attitude and image creation. The expression of Japanese films around the image of China after the war has not only become one of the important narrative coordinates for Japan to recognize Asia and its own image, but also presents a scattered perspective / theme deviation. It precisely reflects the rewriting of national culture and realistic political considerations in the course of historical narration of his return to Asia. Therefore, taking the Chinese image construction as the intersection / focus to understand the connotation of Japanese film, from the point and the aspect, it involves the polysemous shaping of the present national image, and finally points to the Asian narrative in the sense of the future cultural competition (Cooperation-Competition).
【作者單位】： 上海師范大學(xué)人文與傳播學(xué)院;
【基金】：國家社科基金藝術(shù)學(xué)一般項(xiàng)目(15BC037)
【分類號】：J904
[Abstract]:The construction of the Chinese image of Japanese films after the war is the reference and embodiment of Japan's understanding of China. By analyzing the narration of Japan's theme of Chinese image, this paper points out its various ambiguities in the aspects of historical rhetoric, cultural attitude and image creation. The expression of Japanese films around the image of China after the war has not only become one of the important narrative coordinates for Japan to recognize Asia and its own image, but also presents a scattered perspective / theme deviation. It precisely reflects the rewriting of national culture and realistic political considerations in the course of historical narration of his return to Asia. Therefore, taking the Chinese image construction as the intersection / focus to understand the connotation of Japanese film, from the point and the aspect, it involves the polysemous shaping of the present national image, and finally points to the Asian narrative in the sense of the future cultural competition (Cooperation-Competition).
【作者單位】： 上海師范大學(xué)人文與傳播學(xué)院;
【基金】：國家社科基金藝術(shù)學(xué)一般項(xiàng)目(15BC037)
【分類號】：J904
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9 西m，
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