發(fā)布時(shí)間：2018-07-10 18:21

  本文選題：試錯(cuò) + 大眾流行文化　； 參考：《電影評(píng)介》2017年14期

【摘要】：正2016年,中國(guó)電視業(yè)漸入制播分離、媒介融合的佳境,從政策到產(chǎn)業(yè)、從平臺(tái)到受眾、從人才流動(dòng)到節(jié)目類型,無(wú)不顯示出鮮明的癥候。傳統(tǒng)電視和網(wǎng)絡(luò)平臺(tái)與新媒體日趨密切的合作,推動(dòng)了電視行業(yè)的版權(quán)意識(shí)、IP觀念和制作水準(zhǔn)的轉(zhuǎn)變,電視節(jié)目的多元化和品質(zhì)內(nèi)涵得到強(qiáng)化,依靠單個(gè)IP制造話題的熱點(diǎn)降低。一、廣電監(jiān)管:容錯(cuò)-試錯(cuò)-糾錯(cuò)機(jī)制隨著影視節(jié)目為代表的大眾流行文化對(duì)中國(guó)社會(huì)廣泛的滲透和影響,文化問(wèn)題便成為國(guó)家宏觀政
[Abstract]:In 2016, China's television industry gradually entered into the separation of production and broadcasting, media convergence, from policy to industry, from the platform to the audience, from the flow of talent to the type of programs, all show distinct symptoms. The increasingly close cooperation between traditional television and network platforms and new media has promoted the change of IP concepts and production standards in the television industry, and the diversity and quality connotation of television programs have been strengthened. Rely on a single IP to create topics for hot spots to reduce. First, Radio and Television Supervision: Fault-Toleration-Trial-Error-Correction Mechanism. With the widespread penetration and influence of popular culture represented by film and television programs on Chinese society, cultural issues have become the macro government of the country.
【作者單位】： 中國(guó)藝術(shù)研究院電影電視藝術(shù)研究所;
【基金】：中國(guó)藝術(shù)研究院指定課題“2016年度中國(guó)電視藝術(shù)發(fā)展研究報(bào)告”部分研究成果
【分類號(hào)】：J992
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本文編號(hào)：2114267