發(fā)布時(shí)間：2018-07-08 20:51

  本文選題：穿越劇 + 敘事�。� 參考：《南京師范大學(xué)》2013年碩士論文

【摘要】：任何藝術(shù)作品都脫離不開時(shí)間與空間兩個(gè)因素。穿越劇相較于其他類型電視劇所體現(xiàn)出的創(chuàng)新點(diǎn)便在于對時(shí)間與空間的突破上,穿越劇如何在多個(gè)時(shí)空中講故事達(dá)到敘述完美已然成為一個(gè)值得探討的問題。對“穿越”這一元素的初次運(yùn)用并不是電視劇藝術(shù),早些時(shí)候在文學(xué)與電影中都有過嘗試,其對時(shí)空表達(dá)和參與敘事方面均有建樹。然而,電視劇作為一種繼文學(xué)與電影之后的不同藝術(shù)樣式,對時(shí)間與空間的理解與表達(dá)上是存在著很大的差異性的。因此,穿越劇從電視劇的本體特點(diǎn)出發(fā),在時(shí)間與空間上如何合理組織故事情節(jié)以及二者在敘事上起到何種作用,這些問題都是穿越劇的時(shí)空敘事上值得研究的。 本文以“穿越劇”為研究對象,結(jié)合對穿越劇發(fā)展歷程與現(xiàn)狀的分析,探究穿越劇自身在時(shí)間與空間敘事上的獨(dú)特性。以結(jié)構(gòu)主義敘事學(xué)中的時(shí)間與空間的相關(guān)學(xué)理為主要理論支柱,分析我國穿越劇敘事中時(shí)間與空間的藝術(shù)表達(dá),對穿越劇現(xiàn)存問題給予合理的原因闡釋,并嘗試由穿越劇的時(shí)空敘事規(guī)律來探索電視劇時(shí)空處理的特點(diǎn),提出對穿越劇乃至電視劇創(chuàng)作有價(jià)值的建議。 文章通過導(dǎo)論與第一章對我國穿越劇的發(fā)展歷程與現(xiàn)狀問題的梳理與評價(jià),找出所遇的“失當(dāng)”與時(shí)空觀的獨(dú)特性,分析穿越劇中時(shí)間與空間兩個(gè)元素在參與敘事時(shí)所體現(xiàn)的藝術(shù)特性與作用。在上述基礎(chǔ)上,嘗試探究出穿越劇在時(shí)空敘事上的“失當(dāng)”的原因,探尋穿越劇的創(chuàng)作空間和發(fā)展趨向,以期給穿越劇相應(yīng)的可行性意見,促進(jìn)電視劇的積極創(chuàng)作,以利于電視劇產(chǎn)業(yè)的發(fā)展。
[Abstract]:Any work of art can not be separated from two factors: time and space. Compared with other types of TV dramas, the innovation of traversing drama lies in the breakthrough of time and space. How to tell stories in many time and space to achieve the perfect narration has become a problem worth discussing. The first application of the element of "traversing" is not the art of teleplay, but has been tried in literature and film earlier, and it has made achievements in the aspects of space and time expression and participation in narration. However, as a kind of different artistic style after literature and film, there are great differences in the understanding and expression of time and space. Therefore, based on the Noumenon characteristics of TV drama, how to organize the story in time and space and how to play a role in narrative, these problems are worthy of study in time and space narration of traversing drama. This paper takes the traversing drama as the research object, combining with the analysis of the development course and the present situation of the traversing drama, explores the unique features of the traversing drama in time and space narration. Based on the related theories of time and space in structuralist narratology, this paper analyzes the artistic expression of time and space in the narrative of traversing drama in China, and gives a reasonable explanation of the existing problems of traversing drama. It also tries to explore the characteristics of teleplay space-time processing from the space-time narrative law of traversing drama, and puts forward valuable suggestions to the creation of traversing drama and even TV drama. Based on the introduction and the first chapter, the author combs and evaluates the development course and current situation of traversing drama in China, and finds out the uniqueness of the misbehavior and the view of time and space. This paper analyzes the artistic characteristics and functions of the time and space elements in the narration. On the basis of the above, this paper tries to explore the reasons for the misrepresentation of the traversing drama in time and space, and explore the creative space and development trend of the traversing drama, in order to give the corresponding feasible opinions to the traversing drama and to promote the active creation of the TV series. In order to promote the development of TV play industry.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 黃昌林;;論電視敘事時(shí)間的藝術(shù)性處理[J];成都大學(xué)學(xué)報(bào)(社會科學(xué)版);2007年02期

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本文編號：2108702