發(fā)布時間：2018-07-08 16:21

  本文選題：主旋律電影 + 女性形象　； 參考：《西南大學》2013年碩士論文

【摘要】：本文是一篇以新時期以來主旋律電影女性形象為研究課題的論文�？v觀整個中國電影歷史的發(fā)展,中國電影中的女性形象長期處于不被重視、不被表現(xiàn)的尷尬境地,其主體性也長期隱沒于男權文化的壓制之下,無論是商業(yè)類型電影、文藝片亦或者主旋律電影,中國電影中的女性形象都沒能被真正的塑造在銀幕之上。隨著新時期的到來,伴隨改革開放與文藝理論的雙重激勵,中國的電影事業(yè)重整旗鼓,涌現(xiàn)出大量優(yōu)秀的影片。其中主旋律電影的創(chuàng)作也在電影的歷史舞臺中占據(jù)了重要的位置,作為電影形象中重要組成部分——女性形象,在新時期開始也逐漸沖破歷史樊籬,成為電影所關注、所書寫的對象。 本文從新時期以來主旋律電影女性形象的多元化漸變入手,運用女性主義批評以及類型學等相關理論,對25年間具有代表性的主旋律電影女性形象進行了系統(tǒng)的梳理,通過文本分析女性形象的類別和刻畫手法,深層剖析女性意識在新時期以來主旋律電影中的重構,并進一步探究造成這種銀幕女性變遷的社會和文化多重語境。 本文從三個層面對新時期以來中國主旋律電影女性形象進行分析闡釋。將中國電影中的女性形象與主旋律電影中的女性對比研究,深入的探尋中國主旋律電影中女性形象的構成與轉型軌跡；中國主旋律電影的發(fā)展之路是特殊的,它與政治、社會、歷史都有深層次的交織,而主旋律電影中的女性形象塑造不僅僅有電影創(chuàng)作內部自覺,電影之外的多重影響共同造就了主旋律電影中的女性形象。新時期以來,在政治、社會與文化的多重語境下,主旋律電影中的女性以不同的形象重新站立在電影之中,本文中從政治、社會、文化三重語境探析主旋律電影中女性形象變化的動因,利用女性意識形態(tài)分析等相關理論對中國主旋律中女性形象進行系統(tǒng)的研究,從多角度全面剖析女性這一性別屬性在主旋律電影中與社會、政治、戰(zhàn)爭、家庭等之間關系,試圖以主旋律電影中女性形象的重建為中國電影對女性的塑造建立可互通的橋梁。
[Abstract]:This paper is a research topic of the theme film female image since the new period. Throughout the development of Chinese film history, the female image in Chinese film has long been neglected and not embarrassed by performance, and its subjectivity has long been hidden under the suppression of patriarchal culture, regardless of the commercial type of film. Literary and artistic films or theme films, Chinese films in the female image can not be really shaped on the screen. With the arrival of the new era, with the dual encouragement of reform and opening up and literary theory, China's film industry has regrouped and a large number of excellent films have emerged. Among them, the creation of the main theme film also occupies an important position in the historical stage of the film. As an important part of the film image, the female image has gradually broken through the historical barrier in the new period and become the focus of the film. The object written. This paper starts with the diversification of the female image of the main theme film in the new period, applies feminist criticism and typology and other relevant theories, and systematically combs the female image of the representative theme film in 25 years. Through the text analysis of the types and techniques of female images, this paper deeply analyzes the reconstruction of female consciousness in the main melody movies since the new period, and further explores the social and cultural context that causes this kind of female changes on screen. This paper analyzes and interprets the female images of Chinese main theme films in three aspects since the new period. This paper makes a comparative study of the female images in Chinese films and the women in the main melody movies, and probes into the composition and transition track of the female images in the Chinese main melody movies. The development of the Chinese theme movies is special, and it is different from politics and society. History is deeply intertwined, and the female image shaping in the main melody film has not only the internal consciousness of the film creation, but also the multiple influences outside the film together to create the female image in the main melody movie. Since the new era, in the context of politics, society and culture, the women in the main theme film stand in the film with different images. In this paper, from the political, social, This paper probes into the causes of the change of female image in the theme film, and makes a systematic study of the female image in the main melody of China by using the related theories such as the analysis of female ideology, etc. This paper comprehensively analyzes the relationship between the gender attribute of female and society, politics, war, family and so on in the main melody film from various angles, and attempts to build an interworking bridge for the shaping of women in the Chinese film with the reconstruction of the female image in the main melody film.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905

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本文編號：2108006