發(fā)布時(shí)間：2018-07-06 15:30

  本文選題：人類學(xué)紀(jì)錄片 + 水族　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：水族作為我國(guó)西南一支重要的少數(shù)民族,擁有自身獨(dú)特的民族文化。水族最重要的傳統(tǒng)節(jié)日是端節(jié),節(jié)日期間的各類儀式不僅反映出他們的風(fēng)俗習(xí)慣,也蘊(yùn)含著有關(guān)其民族起源與變遷的歷史信息。人類學(xué)紀(jì)錄片的重要價(jià)值在于保留,本片選取端節(jié)作為展現(xiàn)水族傳統(tǒng)文化的線索,以紀(jì)錄片作為表現(xiàn)手段,試圖用人類學(xué)的方式記錄一個(gè)水族村寨在端節(jié)期間的儀式活動(dòng)。本次畢業(yè)創(chuàng)作的基本思路是采用紀(jì)實(shí)的手法忠實(shí)客觀的表現(xiàn)水族的傳統(tǒng)文化。在敘事上采用多線結(jié)構(gòu),以端節(jié)作為線索將不同板塊的內(nèi)容串聯(lián)在一起。在創(chuàng)作過程中,筆者更加深刻的體會(huì)到紀(jì)錄片既是“記錄當(dāng)下的事件從而成為明日的歷史”的一種影像志,也是一種拍攝者表達(dá)自身觀點(diǎn)的藝術(shù)手段。在作品中,筆者試圖通過藝術(shù)化的創(chuàng)作引起更多人對(duì)于水族以及其它少數(shù)民族文化傳承的關(guān)注,為保留中華民族的文化多樣性盡自身一份微薄之力。本文主要為四個(gè)部分:緒論部分主要闡釋作品的選題依據(jù)、相關(guān)領(lǐng)域的研究成果以及本作品的創(chuàng)新點(diǎn)。第二部分結(jié)合本次畢業(yè)作品分析了人類學(xué)紀(jì)錄片的創(chuàng)作理念。第三部分分析了人類學(xué)紀(jì)錄片以及本次畢業(yè)作品自身的藝術(shù)風(fēng)格。第四部分分析了本次畢業(yè)作品在敘事結(jié)構(gòu)、視聽語言上的特點(diǎn)。最后一部分作品創(chuàng)作過程概述部分說明了作品從前期策劃、器材準(zhǔn)備到拍攝地點(diǎn)與拍攝地點(diǎn)、人物的確定,還有后期的剪輯工作,并從中總結(jié)本次畢業(yè)作品創(chuàng)作的經(jīng)驗(yàn)與體會(huì)。
[Abstract]:As an important minority in southwest China, the aquarium has its own unique national culture. The most important traditional festival of aquatic people is Duan Festival. All kinds of rituals during the festival not only reflect their customs but also contain historical information about the origin and changes of their nationalities. The important value of anthropological documentary lies in the preservation. This film chooses Duan Festival as the clue to show the traditional culture of the aquarium and tries to record the ritual activities of an aquarium village during the festival by means of anthropology. The basic idea of this graduation creation is to use documentary techniques to faithfully and objectively express the traditional culture of the aquatic people. In narration, multi-line structure is adopted, and the content of different plates is connected together with the end segment as the clue. In the process of creation, the author deeply understands that documentary is not only a kind of image record of "recording the current events and thus becoming the history of tomorrow", but also an artistic means for photographers to express their own views. In the works, the author tries to arouse more people's concern for the cultural heritage of the aquarium and other ethnic minorities through artistic creation, so as to contribute to the preservation of the cultural diversity of the Chinese nation. This paper mainly consists of four parts: the introduction part mainly explains the basis of the selection of the work, the research results in related fields and the innovation of this work. The second part analyzes the creation idea of anthropology documentary with this graduation work. The third part analyzes the anthropology documentary and the art style of this graduation work. The fourth part analyzes the characteristics of the graduation works in narrative structure and audiovisual language. The last part describes the works from the early planning, equipment preparation to shooting location and shooting location, the determination of characters, as well as the later editing work, and summarizes the experience and experience of this work creation.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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本文編號(hào)：2103244