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國(guó)產(chǎn)小妞電影類型創(chuàng)作研究

發(fā)布時(shí)間:2018-06-28 04:55

  本文選題:國(guó)產(chǎn)小妞電影 + 類型范式。 參考:《廣西師范學(xué)院》2017年碩士論文


【摘要】:小妞電影是中國(guó)電影市場(chǎng)上出現(xiàn)的一種新興電影類型!斗浅M昝馈穼⑦@一好萊塢講述都市年輕女性生活愛情的電影類型引入了中國(guó),隨后《失戀33天》《北京遇上西雅圖》等票房黑馬更是將小妞電影本土化,也帶來了可觀的電影收入。對(duì)這一電影類型的研究有助于更好地解構(gòu)類型電影,并得到創(chuàng)作中的啟示。雖然小妞電影來自于好萊塢,但本土化之后的國(guó)產(chǎn)小妞電影已經(jīng)具有了其自身類型化的范式與觀念。對(duì)其研究主要就是為了總結(jié)這些特點(diǎn),并對(duì)今后國(guó)產(chǎn)小妞電影的類型創(chuàng)作起到一定指導(dǎo)作用,因此研究?jī)?nèi)容包括如下幾個(gè)方面:引言部分主要包含該選題的背景、目前關(guān)于國(guó)產(chǎn)小妞電影的相關(guān)研究情況以及研究的目的意義和方法。第一章,梳理國(guó)產(chǎn)小妞電影的發(fā)展歷程,并從當(dāng)下所有的國(guó)產(chǎn)小妞電影中,根據(jù)題材內(nèi)容分析出四大類別,通過與相似的電影類型的辨析,給國(guó)產(chǎn)小妞電影一個(gè)更加準(zhǔn)確的界定。第二章,從定型化的人物、公式化的情節(jié)和圖解式的視聽語言三個(gè)方面入手,綜合概括國(guó)產(chǎn)小妞電影的類型化范式。其中,受到格雷馬斯符號(hào)矩陣的啟示,主要總結(jié)出該類型電影中四種不同類型人物的特點(diǎn);從報(bào)復(fù)愛情、療救治愈、追尋真善美三個(gè)主要行動(dòng)概括其公式化的情節(jié);國(guó)產(chǎn)小妞電影基本具有以小妞主人公進(jìn)行敘事,描述都市和當(dāng)下敘事時(shí)空,情感細(xì)膩、色彩絢麗,并融合了許多漫畫元素等視聽語言特色。第三章,從表層語法進(jìn)入深層語義,在類型化的范式背后挖掘出國(guó)產(chǎn)小妞電影隱含的類型化觀念。從藝術(shù)形式上兼具現(xiàn)實(shí)主義和浪漫主義觀念,從思想層面包含女性獨(dú)立、男女平等和非“唯愛情”的觀念。而在積極觀念的對(duì)立面,國(guó)產(chǎn)小妞電影同時(shí)也表現(xiàn)出浪漫主義下的感傷情緒和中國(guó)女性的隱忍與焦慮情緒等。第四章,探尋國(guó)產(chǎn)小妞電影的突破路徑。由于遵循產(chǎn)業(yè)化的創(chuàng)作模式,類型電影在發(fā)展進(jìn)程中必然會(huì)出現(xiàn)一些瓶頸,國(guó)產(chǎn)小妞電影也不例外。國(guó)產(chǎn)小妞電影要更好發(fā)展就需要從思維、題材、技能等多方面尋找更多方法進(jìn)行改善,從而使其電影類型得到長(zhǎng)足發(fā)展。結(jié)語部分則簡(jiǎn)要總括研究結(jié)論,對(duì)國(guó)產(chǎn)小妞電影的類型創(chuàng)作和發(fā)展提出一定期望。
[Abstract]:Chick film is a new type of film emerging in the Chinese film market. "perfect" has introduced this Hollywood film about the life and love of young urban women into China. Subsequently, 33 days of lovelorn, Beijing Met Seattle, and other box office black horse is the localization of chick film, but also brought considerable film revenue. The research on this type of film is helpful to deconstruct the film and get the inspiration in creation. Although the chick film comes from Hollywood, the native domestic chick film has its own paradigm and concept. The main purpose of the research is to sum up these characteristics, and to play a guiding role in the future type creation of domestic chick movies. Therefore, the research content includes the following aspects: the introduction mainly contains the background of this topic. At present about the domestic chick movie related research situation and the research goal significance and the method. The first chapter, combing the development of domestic chick movies, and from all the current domestic chick movies, according to the content of the theme analysis of four categories, through the analysis of similar film types, Give domestic chick film a more accurate definition. In the second chapter, from three aspects of stereotyped characters, formulaic plot and graphic audiovisual language, it generalizes the typological paradigm of domestic chick movies. Among them, inspired by Graymas symbol matrix, this paper summarizes the characteristics of four different types of characters in this type of film, summarizes its formulaic plot from three main actions: revenge love, cure and cure, pursuit of truth, goodness and beauty. The domestic chick film basically has the narration with the chick protagonist, describes the city and the present narrative time and space, the emotion is exquisite, the color is gorgeous, and has fused many cartoon elements and so on audio-visual language characteristic. Chapter three, from the surface grammar to the deep semantic, excavates the domestic chick film hidden typology idea behind the typification paradigm. From the artistic form both realism and romanticism, from the ideological level including female independence, equality between men and women and non-" love only "concept. In the opposite of the positive concept, the domestic chick film also shows the sentimental emotion under the romanticism and the tolerance and anxiety of the Chinese women. Chapter four, explore the breakthrough path of domestic chick film. Due to the industrialization of creative mode, type movies in the development process will inevitably appear some bottlenecks, domestic chick film is no exception. In order to better develop the domestic chick film, we need to find more ways to improve it from the aspects of thinking, subject matter, skill and so on, so as to make its film type develop rapidly. The conclusion briefly summarizes the conclusion of the study, and puts forward some expectations for the creation and development of domestic chick films.
【學(xué)位授予單位】:廣西師范學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J904

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 李攀;;焦慮的“小妞”:中國(guó)小妞電影中女性形象體認(rèn)[J];山東女子學(xué)院學(xué)報(bào);2016年01期

2 張旭;;當(dāng)代國(guó)內(nèi)小妞電影的本土化措施與發(fā)展[J];重慶三峽學(xué)院學(xué)報(bào);2015年06期

3 原文泰;;《滾蛋吧!腫瘤君》:小妞電影的新拓展[J];當(dāng)代電影;2015年09期

4 段嵐麗;;國(guó)產(chǎn)“小妞電影”新發(fā)展與疑似女性主義書寫[J];西部廣播電視;2015年07期

5 張娜;;《小時(shí)代》系列電影的女性主義解析[J];電影文學(xué);2015年06期

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