【摘要】：甘肅河西地區(qū)的墓室壁畫與壁畫磚被人們稱為“大戈壁里的地下藝術(shù)宮”。1972—1973年嘉峪關(guān)新城魏晉墓的發(fā)現(xiàn)成為人類文明史上的重大發(fā)現(xiàn)，魏晉墓室壁畫是研究魏晉時期繪畫的重要依據(jù)，具有重要的藝術(shù)價值和文化意義。 魏晉墓葬畫所處的河西走廊地區(qū)，不僅有獨特的自然風(fēng)貌，同時又有悠久而豐厚的文化傳承，既是東西方文明的交匯點，又是少數(shù)民族與漢民族文明沖突和融合的展開地，這一時期的壁畫磚真實的反映了當(dāng)時的社會現(xiàn)實，同時從另一個側(cè)面更為形象地揭示了當(dāng)時的社會風(fēng)貌，，折射出歷史的影像。嘉峪關(guān)新城魏晉墓室壁畫磚具有獨特的構(gòu)圖、簡潔的線條表現(xiàn)、獨具匠心的設(shè)色方式、自然純樸的寫實風(fēng)格、巧妙的藝術(shù)構(gòu)思、純樸的地方特色和高度的藝術(shù)概括等藝術(shù)特色，在中國藝術(shù)史和中國文化史上占據(jù)著重要地位。 嘉峪關(guān)新城魏晉墓室壁畫磚的興盛及形成其藝術(shù)特色具有深刻的文化淵源和背景。河西地區(qū)史前巖畫藝術(shù)傳統(tǒng)的承繼形成了兩者的文化淵源關(guān)系，河西漢畫為嘉峪關(guān)新城魏晉墓室壁畫的創(chuàng)作提供了范本，河西地區(qū)多元文化的交匯與融合對魏晉墓室壁畫產(chǎn)生了重要影響，建安以來文藝各領(lǐng)域的變革和創(chuàng)作所形成的審美文化對魏晉墓室壁畫的表現(xiàn)內(nèi)容也產(chǎn)生了深刻影響。 研究在河西走廊這塊特殊的地域文化環(huán)境下形成的壁畫磚及其藝術(shù)特色，可以豐富魏晉時期墓葬畫的內(nèi)容和資料，對研究魏晉時期的繪畫藝術(shù)風(fēng)格和社會歷史文化以及繼承和發(fā)展傳統(tǒng)藝術(shù)有著重要的理論價值，有利于優(yōu)秀民族文化的傳承和民族深層文化內(nèi)涵的挖掘。
[Abstract]:The tomb murals and mural bricks in Hexi area of Gansu Province are called "the underground art palace in the Great Gobi" .1972-1973 the discovery of the tomb of Wei and Jin dynasties in Jiayuguan New City became a major discovery in the history of human civilization. The murals of Wei and Jin tombs are the important basis for studying painting in Wei and Jin dynasties, and have important artistic value and cultural significance. The tomb paintings of Wei and Jin dynasties in Hexi Corridor area not only have unique natural features, but also have a long and rich cultural heritage. They are not only the meeting point of the eastern and western civilizations, but also the place of the clash and fusion of the civilizations of the minority and the Han nationality. The mural brick of this period reflects the social reality of that time, at the same time, it reveals the social style of that time more vividly from another side, and reflects the historical image. Jiayuguan New City, Wei and Jin Dynasty tomb room mural brick has unique composition, succinct line expression, unique color setting method, natural and simple realistic style, ingenious artistic conception, simple local characteristics and high artistic generalization, etc. It occupies an important position in the history of Chinese art and Chinese culture. Jiayuguan New City, Wei and Jin dynasties tomb mural brick prosperity and form its artistic characteristics have a profound cultural origin and background. The inheritance of the tradition of prehistoric rock painting in Hexi area has formed a cultural origin relationship between the two. The painting of Hexi Han Dynasty provides a model for the creation of murals in the tomb of Wei and Jin dynasties in Jiayuguan New City. The intersection and fusion of various cultures in Hexi region have had an important influence on the murals of the tomb rooms in Wei and Jin dynasties, and the aesthetic culture formed by the changes and creations in various fields of literature and art since Jian'an has also exerted a profound influence on the performance of murals in the tomb rooms of the Wei and Jin dynasties. The study of mural bricks and their artistic features formed in the special regional cultural environment of the Hexi Corridor can enrich the contents and materials of the tomb paintings in the Wei and Jin dynasties. It has important theoretical value to study the painting art style and social history culture in Wei and Jin dynasties, and to inherit and develop the traditional art, which is beneficial to the inheritance of excellent national culture and the excavation of the deep cultural connotation of the nation.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J218.6;K879.41

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 公阿寧;嘉峪關(guān)魏晉壁畫墓中的百姓服裝研究[D];南開大學(xué);2012年

2 周潤山;河西地區(qū)魏晉十六國墓葬研究[D];鄭州大學(xué);2013年

本文編號：2209256