【摘要】：巖畫產生于文字之前,是人類歷史非常重要的實物資料。它為人類提供了很早期的記錄,對于許多其他領域的學科來說巖畫也有著不可替代的作用。柿子灘巖畫就是這么一處具有非常珍貴文物價值的遺址,位于山西省臨汾市吉縣縣城西南30公里的清水河北岸,與聞名全國的柿子灘遺址相距僅僅幾公里,但是自發(fā)現時日起一直乏人問津。自20世紀60年代末期中國巖畫大發(fā)現以來,柿子灘巖畫是中原農耕文化地區(qū)唯一一處現存的巖畫遺址。在眾多北方巖畫中,柿子灘巖畫不僅獨具特色,而且是構建中原農耕文化巖畫體系的一個重要組成部分。筆者在本科學習期間,曾跟隨山西省考古所柿子灘考古隊深入柿子灘遺址調查發(fā)掘,對柿子灘巖畫印象鮮明。在攻讀研究生學位期間曾先后兩次赴柿子灘巖畫遺址進行調研,希望能在前人基礎上做一些初步的探討和研究。本文將就兩個問題進行闡述：一、柿子灘巖畫所代表的文化內涵,二、對柿子灘巖畫的年代問題提出一個上限。 本文共分五個部分,即導論、柿子灘巖畫的內涵解析、巖畫的文化功能、年代以及結論部分,其中在每個部分下又分為三個小節(jié)。在第一章導論中,主要敘述了柿子灘巖畫的研究緣起、相關研究的學術動態(tài)、研究主題及研究方法；在第二章柿子灘巖畫的內涵解析部分,對其研究區(qū)域背景、概況、圖像的識別與考釋分別進行詳細的論述。這一部分也是本文的重點所在；在第三章里,筆者分別從巖畫的對象、地理位置及其原始宗教情結三個方面出發(fā),對柿子灘巖畫的文化功能進行闡述；第四章論述柿子灘巖畫的年代,其中包括鑒定巖畫年代的幾種方法、柿子灘巖畫斷代問題以及對其年代推斷三個部分。通過上文,筆者在最后一章中對本文所要解決的問題給出結論,并對全文進行概括性的總結,使高度得到提升,為將來進一步研究打下基礎。 通過全文比較研究,筆者得出如下結論：柿子灘巖畫是新石器時代晚期的作品,可能由處于漁獵采集與農業(yè)相間的柿子灘先民中的一個規(guī)模較小的族群繪制而成；這個族群有自己的宗教信仰,并形成了一定的禮儀規(guī)范；他們避開其他大的群體,把巖畫放到這么一個隱蔽的地方來,可能是屬于原始農業(yè)文化時期的事情。
[Abstract]:Rock painting is a very important material in human history before it was written. It provides an early record for mankind and plays an irreplaceable role in many other disciplines. Shizitan rock painting is such a site with very precious cultural relics value. It is located 30 kilometers southwest of Ji County, Linfen City, Shanxi Province, on the north bank of the Qingshuihe River. It is only a few kilometers away from the famous persimmon beach ruins throughout the country. But since the discovery of time, no one has been interested. Since the discovery of Chinese rock paintings in the late 1960s, Shizitan rock painting is the only existing rock painting site in the agricultural culture area of the Central Plains. Among the many rock paintings in North China, Shizitan rock painting is not only unique, but also an important part of the construction of agricultural culture rock painting system in the Central Plains. During my undergraduate study, the author followed the Shanxi Provincial Archaeological Institute of Persimmon Beach Archaeology team to investigate and excavate the persimmon beach site, and made a clear impression of the persimmon beach rock painting. During the period of studying for graduate degree, he went to the site of rock painting in Shizitan for investigation, hoping to do some preliminary research on the basis of predecessors. This article will elaborate on two questions: first, the cultural connotation represented by the rock paintings of persimmon beach; second, put forward a upper limit to the age of rock paintings of persimmon beach. This paper is divided into five parts, that is, introduction, persimmon beach rock painting connotation analysis, rock painting cultural function, age and conclusion part, in which each part is divided into three sections. In the first chapter, the author mainly describes the origin, academic trends, research themes and research methods of the rock paintings of persimmon beach. In the second chapter, the connotation of rock paintings of persimmon beach is analyzed, and the background and general situation of the research area are given. The recognition and interpretation of images are discussed in detail. In the third chapter, the author expounds the cultural function of the rock painting of Shizitan from three aspects: the object of rock painting, the geographical position and the original religious complex. The fourth chapter discusses the age of rock paintings in Shizitan, including several methods to identify the ages of rock paintings, the dating of rock paintings in Shizitan and the inferring of their ages. In the last chapter, the author gives a conclusion on the problems to be solved in this paper, and summarizes the full text in a general way, so as to improve the height and lay the foundation for further research. The author draws the following conclusion through the comparative study of the full text: the rock painting of Shizitan is a work of late Neolithic period, which may be drawn from a small ethnic group among the Persimmon beach ancestors in the intersecting of fishing and hunting and agriculture; This group has its own religious beliefs and has formed certain rules of etiquette; they avoid other large groups and put rock paintings in such a hidden place, which may belong to the primitive agricultural culture period.
【學位授予單位】：中央民族大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K879.4

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