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西安“新唐風(fēng)”建筑色彩研究

發(fā)布時(shí)間:2018-11-12 09:59
【摘要】:色彩作為建筑的外衣是城市最重要的特征之一,它之于建筑,不僅僅是起防護(hù)和裝飾作用,經(jīng)過數(shù)千年的發(fā)展演變,色彩被賦予哲學(xué)、政治、宗教、文化等諸多內(nèi)涵,形成了獨(dú)立而完整的色彩文化。在當(dāng)今時(shí)代,建筑色彩更成為時(shí)代發(fā)展、社會變遷、城市風(fēng)情、地域文化的重要表征。繼承傳統(tǒng)建筑色彩,弘揚(yáng)地域文化,已成為現(xiàn)代建筑創(chuàng)作繼承傳統(tǒng)建筑理念的重要途徑。 改革開放之后,西安與其它的城市一樣,在城市建設(shè)迅速發(fā)展的同時(shí),也面臨著如何保持城市特色的問題。在保護(hù)古城風(fēng)貌基礎(chǔ)上,傳承深厚的文化底蘊(yùn),探尋傳統(tǒng)文化與現(xiàn)代建筑創(chuàng)作的融合點(diǎn),成為西安建筑師們進(jìn)行創(chuàng)作的共同出發(fā)點(diǎn)!靶绿骑L(fēng)”建筑創(chuàng)作就是以傳承古都西安唐代文化為出發(fā)點(diǎn),以塑造現(xiàn)代城市特色為目標(biāo)的一種大膽嘗試,同時(shí)也直接反映了創(chuàng)作者對中國傳統(tǒng)建筑文化的理解。從1979年初落成阿倍仲麻呂紀(jì)念碑開始,再到青龍寺復(fù)建、三唐工程、陜西歷史博物館,直至天人長安塔……“新唐風(fēng)”建筑成為西安城市發(fā)展的重要見證。建筑色彩是“新唐風(fēng)”建筑的重要組成部分,有著獨(dú)特的外在特征,并蘊(yùn)含深厚的文化內(nèi)涵。本論文即是對西安“新唐風(fēng)”建筑色彩特征、運(yùn)用傾向和創(chuàng)作理念進(jìn)行分析和評價(jià)的研究。 首先,概述“新唐風(fēng)”建筑發(fā)展概況。從社會和文化兩方面介紹“新唐風(fēng)”建筑產(chǎn)生的背景,回顧“新唐風(fēng)”建筑的發(fā)展歷程,總結(jié)“新唐風(fēng)”建筑的總體特征。 其次,提煉出西安“新唐風(fēng)”建筑獨(dú)特的色彩面貌特征。選取11處有代表性的“新唐風(fēng)”建筑為研究對象,采用資料查閱和實(shí)地調(diào)研結(jié)合的方法獲取建筑色彩信息,運(yùn)用色彩學(xué)相關(guān)知識進(jìn)行色彩信息的提取與分析,總結(jié)“新唐風(fēng)”建筑色彩的外在特征,即唐韻濃厚、紅色豐富、細(xì)節(jié)精妙,并從所調(diào)研的“新唐風(fēng)”建筑中得出其色彩發(fā)展呈現(xiàn)出由寫實(shí)到寫意的演變趨勢。 最后,分別從建筑歷史、城市設(shè)計(jì)、建筑設(shè)計(jì)的角度分析“新唐風(fēng)”建筑色彩與中國傳統(tǒng)色彩文化、西安城市色彩、西安當(dāng)代建筑創(chuàng)作的關(guān)系。從時(shí)代特征去看待“新唐風(fēng)”建筑對西安當(dāng)代建筑創(chuàng)作的影響及其啟示。文章揭示了在西安當(dāng)前歷史發(fā)展環(huán)境下,“新唐風(fēng)”建筑的色彩的價(jià)值,為在歷史城市環(huán)境下的現(xiàn)代建筑創(chuàng)作提供借鑒與啟發(fā),創(chuàng)造新思維。使現(xiàn)代建筑創(chuàng)作能更好的運(yùn)用傳統(tǒng)建筑文化的精華,,創(chuàng)作出具有西安城市特色的現(xiàn)代建筑。
[Abstract]:Color is one of the most important characteristics of the city as a cloak of architecture. It is not only protective and decorative in architecture, but also endowed with philosophy, politics, religion, culture and many other connotations after thousands of years of development and evolution. Formed an independent and complete color culture. In today's era, architectural color has become an important symbol of the development of the times, social changes, urban customs and regional culture. Inheriting the color of traditional architecture and carrying forward regional culture has become an important way for modern architectural creation to inherit traditional architectural idea. After the reform and opening up, Xi'an, like other cities, is faced with the problem of how to maintain the urban characteristics while the urban construction develops rapidly. On the basis of protecting the style and features of the ancient city, it is the common starting point for Xi'an architects to inherit the profound cultural background and explore the fusion point between traditional culture and modern architectural creation. The architectural creation of "New Tang Feng" is a bold attempt to carry on the Tang Dynasty culture of Xi'an, the ancient capital, and to shape the characteristics of modern cities. At the same time, it also directly reflects the creators' understanding of Chinese traditional architectural culture. From the beginning of 1979, the monument was completed to Azure Dragon Temple, the three Tang Dynasty Project, Shaanxi Museum of History, until the Tianren Changan Tower. "New Tang Feng" architecture has become an important witness to the development of Xi'an city. Architectural color is an important part of "New Tang style" architecture, with unique external characteristics and profound cultural connotation. This paper is to analyze and evaluate the color characteristics of Xi'an 's "New Tang style" architecture, using the tendency and creative idea. First of all, an overview of the architectural development of "New Tang Feng". This paper introduces the background of "New Tang Feng" architecture from social and cultural aspects, reviews the development course of "New Tang Feng" architecture, and summarizes the general characteristics of "New Tang Feng" architecture. Secondly, the unique color features of Xi'an "New Tang Feng" architecture are refined. In this paper, 11 representative buildings of "New Tang Feng" are selected as the research objects, and the information of building color is obtained by the method of combining the reference data with the field investigation, and the color information is extracted and analyzed by using the relevant knowledge of color science. This paper summarizes the external characteristics of the architectural color of "New Tang Feng", that is, Tang rhyme is strong, red is rich, details are subtle, and from the "New Tang Feng" architecture investigated, the development of its color presents an evolutionary trend from realism to freehand brushwork. Finally, the relationship between the architectural color of "New Tang style" and Chinese traditional color culture, Xi'an city color and Xi'an contemporary architectural creation is analyzed from the perspectives of architectural history, urban design and architectural design respectively. The influence of "New Tang Feng" architecture on Xi'an contemporary architectural creation and its enlightenment are viewed from the characteristics of the times. The paper reveals the value of the color of "New Tang Feng" architecture under the current historical development environment of Xi'an, which provides reference and inspiration for modern architectural creation under the historical city environment, and creates new thinking. So that modern architectural creation can better use the essence of traditional architectural culture to create modern architecture with Xi'an city characteristics.
【學(xué)位授予單位】:西安建筑科技大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:TU-86;TU115

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