1940年代重慶流寓作家創(chuàng)作研究
[Abstract]:In the 1940s, Chinese New Literature presented the overall spatial transfer characteristics due to the arrival of the War of Resistance against Japan. After the two central cities of New Literature, Beijing and Shanghai, fell one after another, Chongqing, located in the southwest of China, became the center of modern Chinese literature in the 1940s because of its special political status. With the outbreak of the War of Resistance and the westward shift of the literary center, countless writers were displaced from their homes and exiled to the southwestern border of the motherland. In the midst of war and exile, they were displaced and separated from death, plunged into the abyss of misfortune. The great contrast of life before and after shows the significance of Chongqing instead of Beijing and Shanghai as a literary center, and also reveals the characteristics of modern literature. Therefore, this paper will study and explain the creation of Liuyu writers in Chongqing in 1940s, and try hard to probe into the common heart course of Liu Yu writers in Chongqing. From the writer's identity and life experience, the text theme of the writer's creation and the artistic style and so on, the author carries on the grasp, in order to display the close relation of the place of flow and the place of living, the person of flow and the article of flow. In the introduction part, this paper mainly introduces the research contents and basic methods of the thesis, the research survey of related issues, and the characteristics and value of the research. The text is divided into four chapters: the first chapter discusses the formation of Chongqing literature flow phenomenon in the 1940s and the common psychological experience of Liu Yu writers after arriving in Chongqing. In 1937, the Anti-Japanese War broke out, and the National Government went from Nanjing to Wuhan in order to maintain its ruling security. Eventually, Chongqing moved to Chongqing, which became the political, economic and cultural center of China at that time. Therefore, the formation of the phenomenon of "Liu Yu" in Chongqing has the opportunity of being established as the capital of the times, and the writers of Liu Yu come into being under this kind of opportunity. The second chapter mainly introduces the theme of the article. In Liu Yu's works, the enlightenment discourse and class discourse before the war turned to the era discourse of saving the nation from the War of Resistance, which reflected the awakening and burst of the writer's consciousness of life and national consciousness under the special environment of the war. In the third chapter, the author mainly discusses the aesthetic tendency and creative strategy of the scholars due to the influence of the times. Chongqing, as the rear area of the War of Resistance against Japan, is also the place where literature needs to play its own social function. Therefore, seeking the popularization and popularization of literature has become the common criterion of art workers in wartime. The fourth chapter expounds the interaction between Liuyu writers and Chongqing literature in the 1940s. The writers wrote about Chongqing, China, and the War of Resistance against Japan, leaving a rich cultural heritage for Chongqing literature and modern Chinese literature. At the same time, Chongqing was a city inhabited during the war. It also provides writers with valuable creative materials and valuable spiritual wealth. In wartime, the characteristic of modern Chinese literature was developing in the interaction between city and people, and even after the writer left Chongqing, it also had far-reaching significance and influence.
【學(xué)位授予單位】:遼寧大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類(lèi)號(hào)】:I206.6
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