【摘要】：士陶的發(fā)明,是人類文明發(fā)展史上的重要標(biāo)志,是淳樸的維吾爾族少數(shù)民族利用天然物,按照自我的意志,創(chuàng)造出來的土陶工藝制品。吾爾族土陶技藝所在的主要區(qū)域?yàn)樾陆S吾爾自治區(qū)的南部的喀什地區(qū)和東部的吐魯番地區(qū),其在不同地域呈現(xiàn)出不同的文化形態(tài)特征,由此構(gòu)成土陶工藝的多樣性。它揭開了人類利用自然、改造自然的新篇章。 論文以新疆維吾爾族模制法土陶燒制藝術(shù)特征為研究對(duì)象,通過去當(dāng)?shù)剡M(jìn)行調(diào)研訪談,并收集資料、國內(nèi)外陶器比較分析對(duì)新疆維吾爾族模制法土陶燒制藝術(shù)的相關(guān)背景、制作工藝等進(jìn)行了詳細(xì)的資料整合與歸類,并在此基礎(chǔ)上,分析相關(guān)資料圖片與史料記載,對(duì)新疆土陶中所蘊(yùn)含的民族多遠(yuǎn)文化因子,進(jìn)行逐層深入的研究與探討。 本文共分為五個(gè)章節(jié)進(jìn)行了闡述,第一章,為緒論,即新疆土陶概述,對(duì)新疆土陶的研究背景、現(xiàn)狀以及論文研究的基本構(gòu)思與不足之處做了介紹。第二章,通過對(duì)新疆維吾爾族土陶藝術(shù)的特殊地理歷史背景以及深厚的文化淵源,來探討其背后發(fā)展因素與地理歷史文化因素。第三章,對(duì)新疆維吾爾族模制法的造型種類與制作工藝流程做了一定的概述。第四章,主要從新疆土陶風(fēng)格特征、裝飾紋樣部位以及色彩來概述新疆土陶的風(fēng)格與裝飾特征。第五章,總體進(jìn)行介紹,中外對(duì)比顯示出其收藏價(jià)值,以及隨著時(shí)間的流逝,原有的土陶形制已銳減到寥寥幾種,珍貴的新疆土陶己處于瀕危狀態(tài),其技藝的復(fù)雜工序與傳承的后繼無人的尷尬境地來探析新疆維吾爾族土陶技藝及傳承與其收藏價(jià)值。 通過數(shù)月對(duì)新疆維吾爾族模制法土陶燒制以及藝術(shù)特征的基礎(chǔ)性研究,得出結(jié)論：新疆土陶藝術(shù)的發(fā)展并不是獨(dú)立的個(gè)體,它是新疆獨(dú)特的地理環(huán)境與人文歷史的產(chǎn)物,并與諸多的自然和社會(huì)因素有著密不可分的關(guān)聯(lián),特別是環(huán)境、民族、宗教和其時(shí)代等因素對(duì)新疆土陶獨(dú)特的藝術(shù)風(fēng)格特征的形成與發(fā)展產(chǎn)生了極大的影響。 同時(shí),本文期望此研究有助于理解新疆維吾爾族模制法土陶燒制藝術(shù),并幫助提升人們對(duì)維吾爾族民間傳統(tǒng)手工藝文化的認(rèn)知度,為新疆民間傳統(tǒng)手工藝文化體系的研究能盡微薄之力。
[Abstract]:The invention of Shi Tao is an important symbol in the history of human civilization. It is a kind of earthenware made by the simple Uygur ethnic minorities using natural objects and according to their own will. The main regions of Wuer nationality are Kashi area in the south of Xinjiang Uygur Autonomous region and Turpan area in the east of Xinjiang Uygur Autonomous region. It opens a new chapter in the use and transformation of nature. This paper takes the characteristics of Xinjiang Uygur clay pottery as the research object, through the local investigation and interview, and collects the data, the domestic and foreign pottery comparative analysis to Xinjiang Uygur Uygur Uygur mold method soil pottery firing art related background. On the basis of the detailed data integration and classification, this paper analyzes the relevant materials, pictures and historical records, and makes a deep research and discussion on the factors of the ethnic far and far culture contained in Xinjiang earthen pottery. This paper is divided into five chapters, the first chapter is the introduction, that is, the overview of Xinjiang earthen pottery, the research background, the current situation, the basic ideas and deficiencies of the paper are introduced. In the second chapter, through the special geographical historical background and deep cultural origin of Uygur pottery art in Xinjiang, the author discusses the development factors and geographical historical and cultural factors of Uygur pottery art. In the third chapter, the modeling types and manufacturing process of Xinjiang Uygur die-making method are summarized. The fourth chapter summarizes the style and decoration characteristics of Xinjiang earthen pottery from the aspects of style, decorative pattern and color. Chapter V, the overall introduction, the comparison between China and foreign countries shows that the collection value, and with the passage of time, the original earthen pottery system has been sharply reduced to a few, the precious Xinjiang earthen pottery has been in an endangered state. The complicated process and inheritance of Xinjiang Uygur pottery technology and its collection value are analyzed. Through several months' basic research on Xinjiang Uygur model pottery firing and its artistic characteristics, it is concluded that the development of Xinjiang's clay pottery art is not an independent individual, but a product of Xinjiang's unique geographical environment and humanistic history. And it is closely related to many natural and social factors, especially the environment, nationality, religion and its time, which have a great influence on the formation and development of the unique artistic style of Xinjiang earthenware. At the same time, this study is expected to be helpful to understand the Xinjiang Uygur art of clay pottery, and to promote people's awareness of Uygur folk traditional handicraft culture. For the study of Xinjiang folk traditional handicraft culture system can do a meager contribution.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TQ174.1;J527

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