本文選題：雙簧管 + 音準(zhǔn)�。� 參考：《中央音樂(lè)學(xué)院》2017年碩士論文

【摘要】：音準(zhǔn)的概念顧名思義就是每個(gè)音符音高的準(zhǔn)確度,其可以說(shuō)是音樂(lè)旋律之根本。雙簧管在演奏時(shí)對(duì)于音準(zhǔn)控制還是有一些難度的,所以我認(rèn)為很有必要探討一下。本文就雙簧管演奏時(shí)音準(zhǔn)問(wèn)題而論,主要是從客觀、主觀兩個(gè)大角度出發(fā),分別在樂(lè)器管體,按鍵系統(tǒng),特殊指法,簧片調(diào)整,氣息運(yùn)用,口型控制,內(nèi)心聽(tīng)覺(jué)和樂(lè)隊(duì)配合等這些方面的闡述上,分析了導(dǎo)致雙簧管在演奏時(shí)音不準(zhǔn)的諸多原因,并且給出了一些可以解決問(wèn)題的辦法。目的就是為了能夠演奏出更加悅耳動(dòng)聽(tīng)的音樂(lè)。
[Abstract]:The concept of timbre, as its name implies, is the accuracy of the pitch of each note, which can be said to be the root of the musical melody. Oboes have some difficulty with pitch control when playing, so I think it's important to explore. In this paper, as far as the sound level of oboe is concerned, it is mainly from the objective and subjective aspects of the instrument body, keystroke system, special finger, Reed adjustment, breath application, and mouthshape control. On the aspects of inner hearing and band cooperation, this paper analyzes the reasons that lead to the incorrect tone of the oboe in playing, and gives some solutions to the problem. The purpose is to be able to play more pleasant music.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J621.3

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本文編號(hào)：2083966