黔渝地區(qū)苗族、土家族干欄民居裝飾對比研究
發(fā)布時間：2018-08-12 12:54
【摘要】：建筑是有地域性的,了解當(dāng)?shù)氐膫鹘y(tǒng)建筑文化是進行地域建筑設(shè)計的敲門磚。傳統(tǒng)的民居文化作為中國傳統(tǒng)建筑文化的一部分,而裝飾又是傳統(tǒng)建筑中重要的一個部分,也是民眾和傳統(tǒng)建筑交流最多、最為直觀的部分。因此,研究一個地區(qū)或一個民族的傳統(tǒng)裝飾具有現(xiàn)實意義和理論參考價值,特別是在全國建設(shè)社會主義新農(nóng)村的背景下,如何建設(shè)具有當(dāng)?shù)孛褡逄厣泥l(xiāng)土建筑,保護和挖掘當(dāng)?shù)鬲毺氐难b飾藝術(shù)文化,繼承和發(fā)揚本地民俗文化和獨特的傳統(tǒng)裝飾藝術(shù)是非常重要和關(guān)鍵的。 黔渝地區(qū)的苗族與土家族民居裝飾,具有豐富多彩的表現(xiàn)形式和耐人尋味的文化內(nèi)涵。本論文以此作為研究對象,從美術(shù)學(xué)、建筑學(xué)、設(shè)計藝術(shù)學(xué)、文化學(xué)、民俗學(xué)等多個學(xué)術(shù)視角出發(fā),對苗族、土家族民居的自然環(huán)境與人文背景、裝飾風(fēng)格特征、裝飾元素特征、裝飾文化內(nèi)涵方面進行對比分析研究,并以實地調(diào)查法、采訪以及對歷史文獻資料的查閱、橫向聯(lián)系比較法作為根本的研究方法,對兩個民族的民居的裝飾進行大量的考察和研究,不僅探討這兩個地區(qū)、兩個民族裝飾形成的各種物質(zhì)因素和其所內(nèi)涵的各種文化因素,更重要的是對其基本形態(tài)構(gòu)成、外部裝飾構(gòu)件、室內(nèi)裝飾風(fēng)格、裝飾元素的類型、裝飾題材的表現(xiàn)、裝飾材料與藝匠等進行對比研究。最后,通過對黔渝地區(qū)苗族、土家族干欄民居裝飾的對比,分析傳統(tǒng)民居裝飾在現(xiàn)代環(huán)境藝術(shù)設(shè)計中的發(fā)展趨勢和應(yīng)用方法,總結(jié)出民居裝飾在環(huán)境藝術(shù)設(shè)計中體現(xiàn)出來的地域性、民族性、人文性、個性化的趨勢。最后在直接引用、轉(zhuǎn)化應(yīng)用、意境的沿用、創(chuàng)造性應(yīng)用四個方面來對傳統(tǒng)民居裝飾進行創(chuàng)新,結(jié)合優(yōu)秀實例分析論證其可行性。本論文試圖探索出苗族與土家族傳統(tǒng)民居裝飾的傳承和發(fā)展,同時探究現(xiàn)代環(huán)境藝術(shù)設(shè)計體現(xiàn)民族傳統(tǒng)與地域文化內(nèi)涵的途徑。
[Abstract]:Architecture is regional, understanding the local traditional architectural culture is a stepping stone to regional architectural design. As a part of Chinese traditional architectural culture, the decoration is an important part of the traditional architecture, and it is also the most popular and intuitive part of the communication between the people and the traditional architecture. Therefore, it is of practical significance and theoretical reference value to study the traditional decoration of a region or a nation, especially under the background of building a new socialist countryside in the whole country, how to build a local building with local national characteristics, It is very important and key to protect and excavate the local unique decorative art culture, to inherit and develop the local folk culture and the unique traditional decorative art. The decoration of Miao and Tujia houses in Guizhou and Chongqing has rich and colorful forms and interesting cultural connotations. This paper takes this as the research object, from the art, architecture, design art, culture, folklore and other academic perspectives, the Miao, Tujia residential environment and humanistic background, decorative style characteristics, The characteristics of decorative elements and the connotation of decorative culture are compared and studied, and the basic research methods are field investigation, interview, reference to historical documents, and the method of horizontal relation comparison. A large number of investigations and studies have been carried out on the decoration of the houses of the two nationalities. It not only discusses the various material factors and cultural factors formed by the decoration of the two nationalities, but also, more importantly, the composition of their basic forms. The external decorative components, interior decoration styles, types of decorative elements, the performance of decorative themes, decorative materials and artisans were compared. Finally, by comparing the decoration of Miao nationality and Qianlan residence in Guizhou and Chongqing, this paper analyzes the development trend and application method of traditional residence decoration in modern environmental art design. The regional, national, humanistic and individualized trends of residential decoration in environmental art design are summarized. Finally, it innovates the traditional residential decoration in four aspects: direct citation, transformation and application, artistic conception and creative application, and proves its feasibility by combining with excellent examples. This paper attempts to explore the inheritance and development of the decoration of the Miao and Tujia traditional houses, and at the same time to explore the ways of modern environmental art design to reflect the connotation of national tradition and regional culture.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：TU241.5;TU238
本文編號：2179115
[Abstract]:Architecture is regional, understanding the local traditional architectural culture is a stepping stone to regional architectural design. As a part of Chinese traditional architectural culture, the decoration is an important part of the traditional architecture, and it is also the most popular and intuitive part of the communication between the people and the traditional architecture. Therefore, it is of practical significance and theoretical reference value to study the traditional decoration of a region or a nation, especially under the background of building a new socialist countryside in the whole country, how to build a local building with local national characteristics, It is very important and key to protect and excavate the local unique decorative art culture, to inherit and develop the local folk culture and the unique traditional decorative art. The decoration of Miao and Tujia houses in Guizhou and Chongqing has rich and colorful forms and interesting cultural connotations. This paper takes this as the research object, from the art, architecture, design art, culture, folklore and other academic perspectives, the Miao, Tujia residential environment and humanistic background, decorative style characteristics, The characteristics of decorative elements and the connotation of decorative culture are compared and studied, and the basic research methods are field investigation, interview, reference to historical documents, and the method of horizontal relation comparison. A large number of investigations and studies have been carried out on the decoration of the houses of the two nationalities. It not only discusses the various material factors and cultural factors formed by the decoration of the two nationalities, but also, more importantly, the composition of their basic forms. The external decorative components, interior decoration styles, types of decorative elements, the performance of decorative themes, decorative materials and artisans were compared. Finally, by comparing the decoration of Miao nationality and Qianlan residence in Guizhou and Chongqing, this paper analyzes the development trend and application method of traditional residence decoration in modern environmental art design. The regional, national, humanistic and individualized trends of residential decoration in environmental art design are summarized. Finally, it innovates the traditional residential decoration in four aspects: direct citation, transformation and application, artistic conception and creative application, and proves its feasibility by combining with excellent examples. This paper attempts to explore the inheritance and development of the decoration of the Miao and Tujia traditional houses, and at the same time to explore the ways of modern environmental art design to reflect the connotation of national tradition and regional culture.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：TU241.5;TU238
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，本文編號：2179115
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