傳統(tǒng)繪畫與粉彩裝飾之工筆花鳥形式語言比較
發(fā)布時(shí)間：2018-08-02 11:55
【摘要】：現(xiàn)代粉彩工筆花鳥裝飾是在繼承中國(guó)傳統(tǒng)工筆花鳥畫的基礎(chǔ)上發(fā)展壯大起來的,兩者在形式語言上存在著相似性,但又有顯著差異。二者相同之處表現(xiàn)在豐富多樣的構(gòu)圖、以線造型的技法和注重寫實(shí)的色彩等各方面,不同之處則表現(xiàn)在適形的構(gòu)圖、材料的質(zhì)感和復(fù)雜的工藝等方面。
[Abstract]:Modern fine brushwork flower and bird decoration is developed on the basis of inheriting Chinese traditional fine brushwork flower and bird painting. There are similarities in formal language between them, but there are significant differences between them. The common features of the two are the rich and diverse composition, the technique of line modeling and the emphasis on realistic color, while the differences are in the conformal composition, the texture of materials and the complex process, and so on.
【作者單位】： 景德鎮(zhèn)陶瓷學(xué)院;
【分類號(hào)】：J527
本文編號(hào)：2159348
[Abstract]:Modern fine brushwork flower and bird decoration is developed on the basis of inheriting Chinese traditional fine brushwork flower and bird painting. There are similarities in formal language between them, but there are significant differences between them. The common features of the two are the rich and diverse composition, the technique of line modeling and the emphasis on realistic color, while the differences are in the conformal composition, the texture of materials and the complex process, and so on.
【作者單位】： 景德鎮(zhèn)陶瓷學(xué)院;
【分類號(hào)】：J527
【相似文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 王苗苗;雍正粉彩花鳥裝飾與傳統(tǒng)工筆花鳥畫的異同[D];景德鎮(zhèn)陶瓷學(xué)院;2007年
，本文編號(hào)：2159348
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