發(fā)布時(shí)間：2018-06-16 01:32

  本文選題：傳統(tǒng) + 窗飾　； 參考：《中南林學(xué)院》2005年碩士論文

【摘要】：我國(guó)的古代建筑,由于具有自己鮮明的特征而成為東方古建筑的突出代表之一,在世界建筑發(fā)展史中占有特殊的地位。伴隨建筑的起源而發(fā)明的窗,在我國(guó)古代建筑文化中顯得相當(dāng)活躍,至今仍作為一種對(duì)傳統(tǒng)文化的傳承方式,大量反映在當(dāng)代建筑與室內(nèi)裝飾之中。在全球化速度加快的現(xiàn)代,對(duì)我國(guó)傳統(tǒng)窗飾藝術(shù)及其在當(dāng)代室內(nèi)設(shè)計(jì)中應(yīng)用的研究,無(wú)疑具有十分重要的現(xiàn)實(shí)意義。 本課題試圖從傳統(tǒng)窗飾藝術(shù)和當(dāng)代室內(nèi)裝飾藝術(shù)的相互關(guān)系出發(fā),以實(shí)地考察、測(cè)繪和史料相結(jié)合,采用了舉例、分析、歸納、總結(jié)等方法,系統(tǒng)分析了我國(guó)傳統(tǒng)窗飾藝術(shù)的主要內(nèi)容與形式,并結(jié)合當(dāng)代室內(nèi)裝飾與室內(nèi)陳設(shè),以及在家具造型設(shè)計(jì)中的傳統(tǒng)窗飾藝術(shù)形態(tài),對(duì)我國(guó)的傳統(tǒng)窗飾藝術(shù)進(jìn)行了深入探討,研究了傳統(tǒng)窗飾藝術(shù)在當(dāng)代室內(nèi)裝飾中的實(shí)踐與探索,同時(shí)結(jié)合設(shè)計(jì)創(chuàng)作實(shí)例,對(duì)我國(guó)傳統(tǒng)窗飾藝術(shù)在現(xiàn)代室內(nèi)裝飾中的形態(tài)特征、裝飾手法進(jìn)行了分析探討,試圖總結(jié)出其中的規(guī)律來指導(dǎo)實(shí)踐。 本文中的個(gè)人觀點(diǎn)一方面來自實(shí)地考察的切身體會(huì)和設(shè)計(jì)創(chuàng)作的工作實(shí)踐,另一方面參閱了相關(guān)論著和當(dāng)代經(jīng)典室內(nèi)設(shè)計(jì)作品,力圖講解詳細(xì),所以本人在文中繪制了大量的可資當(dāng)代室內(nèi)裝飾創(chuàng)作借鑒的窗飾圖案。
[Abstract]:The ancient architecture of our country, because of its own distinctive characteristics, has become one of the outstanding representatives of the ancient buildings in the East, and occupies a special position in the history of the development of architecture in the world. The window invented with the origin of architecture is very active in the ancient architectural culture of our country. It is still reflected in the contemporary architecture and interior decoration as a way of inheriting the traditional culture. With the acceleration of globalization, it is undoubtedly of great practical significance to study the traditional window decoration art and its application in contemporary interior design in China. Based on the relationship between traditional window decoration art and contemporary interior decoration art, this subject attempts to use examples, analysis, induction, summary and other methods to combine field investigation, mapping and historical materials. This paper systematically analyzes the main contents and forms of the traditional window decoration art in China, and discusses deeply the traditional window decoration art in our country, combining with the contemporary interior decoration and interior furnishings, and the traditional window decoration art forms in the furniture modeling design. This paper studies the practice and exploration of the traditional window decoration art in the contemporary interior decoration. At the same time, combining with the design and creation examples, this paper analyzes and probes into the form characteristics and decoration techniques of the traditional window decoration art in the modern interior decoration of our country. Try to sum up the rules to guide practice. On the one hand, the personal views in this paper come from the experience of on-the-spot investigation and the working practice of design creation. On the other hand, I refer to the related works and contemporary classic interior design works, trying to explain them in detail. So I draw a large number of contemporary interior decoration design reference window patterns.
【學(xué)位授予單位】：中南林學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：TU241

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 武峰;中國(guó)傳統(tǒng)窗飾藝術(shù)在現(xiàn)代建筑空間中的應(yīng)用與研究[D];山東建筑大學(xué);2011年

2 王曉;傳統(tǒng)木雕花板藝術(shù)研究及其在現(xiàn)代家居設(shè)計(jì)中的應(yīng)用[D];東北林業(yè)大學(xué);2011年

3 李迪迪;上海市民清民居中“窗”的研究[D];上海交通大學(xué);2009年

4 雷琳佳;明清時(shí)期平遙傳統(tǒng)民居大門研究[D];西安建筑科技大學(xué);2012年

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本文編號(hào)：2024603