發(fā)布時(shí)間：2018-06-15 07:45

  本文選題：蓮花紋樣 + 表現(xiàn)形式��； 參考：《武漢紡織大學(xué)》2017年碩士論文

【摘要】：藝術(shù)與宗教是緊密聯(lián)系,不可分割的。蓮花是佛教藝術(shù)中極為重要的象征符號(hào),它作為一種裝飾手法,在佛教裝飾中運(yùn)用非常廣泛,作為佛教教義的物化形象,它具有十分重要的宗教意義。中國(guó)自古以來(lái)就喜愛(ài)蓮花,用蓮的形象作為裝飾紋樣,后佛教傳入,蓮花紋飾被運(yùn)用的更為廣泛,佛經(jīng)中關(guān)于蓮花的故事多之又多,虔誠(chéng)的信徒賦予了它們更為深刻的內(nèi)涵意義,不管是它的外形還是內(nèi)涵都被人們所喜愛(ài)。眾所周知,佛教是印度發(fā)源并傳至中國(guó),蓮花紋飾在佛教未傳入之前是不具有宗教意義的,佛教傳入中國(guó)之后,蓮花紋飾才開(kāi)始帶有宗教色彩。蓮花紋飾在歷史的發(fā)展中被越來(lái)越多的人關(guān)注并運(yùn)用在了各種不同的載體上,如生活用品、陶瓷、金銀器、紡織品等。其次佛教與中國(guó)本土儒、道思想相互碰撞融合,蓮花紋飾的內(nèi)在含義也不斷的演化出更多的吉祥寓意。從符號(hào)學(xué)的角度來(lái)看,蓮花紋飾作為一種符號(hào)象征具有一定的符號(hào)特性,是歷時(shí)性與共時(shí)性的結(jié)合,歷時(shí)性變化共時(shí)性也會(huì)隨之發(fā)生變化,所以蓮花紋飾具有每個(gè)時(shí)代所帶給它的時(shí)代特點(diǎn)和民族特征。隨著時(shí)代的變遷,科技的發(fā)展,大家開(kāi)始用新的眼光審視世界,但是傳統(tǒng)紋飾卻并沒(méi)有在新思潮的影響下銷(xiāo)聲匿跡,人們喜愛(ài)具有傳統(tǒng)元素的設(shè)計(jì)作品。蓮花紋飾作為傳統(tǒng)紋飾的重要組成部分經(jīng)常被運(yùn)用在當(dāng)代設(shè)計(jì)中,它蘊(yùn)含了中國(guó)獨(dú)有的文化,有其獨(dú)特的符號(hào)內(nèi)涵和意境特征。這種符號(hào)內(nèi)涵和意境特征對(duì)于當(dāng)代設(shè)計(jì)來(lái)說(shuō),體現(xiàn)在對(duì)它內(nèi)在意義的傳承與融合和外形的提煉與演化上。民族的就是世界的,世界的也是民族的,放眼現(xiàn)代,我們?cè)趧?chuàng)作時(shí)應(yīng)該更加的用心,將自己的信仰與思想傾注于作品之中,設(shè)計(jì)出有靈魂、有思想的作品,傳承和發(fā)揚(yáng)中華傳統(tǒng)文化。
[Abstract]:Art and religion are inextricably linked. Lotus is an extremely important symbol in Buddhist art. As a decorative technique, it is widely used in Buddhist decoration. As a materialized image of Buddhist doctrine, it has very important religious significance. Since ancient times, China has loved lotus flowers, using the image of lotus as decorative patterns, the introduction of post-Buddhism, the use of lotus patterns more widely, and there are many stories about lotus flowers in the Buddhist sutras. Devout believers give them deeper connotations, both in shape and in meaning. As we all know, Buddhism originated from India and spread to China. Lotus ornaments had no religious significance before Buddhism was introduced into China. After Buddhism was introduced into China, lotus ornaments began to have religious color. Lotus ornaments have been paid more and more attention in the development of history and applied to various kinds of carriers, such as daily necessities, ceramics, gold and silver ware, textiles and so on. Secondly, Buddhism and Chinese local Confucianism and Taoism collide with each other, and the inner meaning of lotus decoration evolves more auspicious implication. From the semiotics point of view, as a symbol, lotus ornaments have certain symbolic characteristics, which are the combination of diachronic and synchronic, and diachronic changes and synchronic changes will also occur. So the lotus ornaments have the characteristics of the times and the national characteristics brought to it by each era. With the change of the times and the development of science and technology, people began to look at the world with a new vision, but the traditional decoration has not disappeared under the influence of the new trend of thought, people love the design works with the traditional elements. As an important part of traditional decoration, lotus decoration is often used in contemporary design. It contains unique Chinese culture and has its unique symbolic connotation and artistic conception characteristics. The connotation and artistic conception of this symbol are embodied in the inheritance and fusion of its intrinsic meaning and the refinement and evolution of its shape for contemporary design. National is the world, the world is also national, look at the modern, we should create more attentively, put their beliefs and thoughts into the work, design a soulful, thoughtful works, Inherit and develop Chinese traditional culture.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU238

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本文編號(hào)：2021269