發(fā)布時間：2018-06-14 00:32

  本文選題：現(xiàn)代設(shè)計 + 傳統(tǒng)裝飾紋樣��； 參考：《大連工業(yè)大學(xué)》2013年碩士論文

【摘要】：擁有著幾千年悠久歷史的中國，在世界文明史上占有非常重要的地位，中國傳統(tǒng)紋樣可謂是古人智慧的結(jié)晶，是我國文明重要的組成部分。幾千年的藝術(shù)沉淀形成的精美紋飾是不可多得的藝術(shù)大寶庫，其應(yīng)用廣泛，風(fēng)格鮮明，創(chuàng)意獨特，是隨歷史時代流傳至今的文化遺產(chǎn)，是我們進(jìn)行藝術(shù)創(chuàng)作的活詞典�？v觀中國傳統(tǒng)圖案的歷史，可以讀出一個結(jié)論：盡管客觀存在是不以某個人的意志為轉(zhuǎn)移的，但中國的傳統(tǒng)文化所具有的風(fēng)格是有規(guī)律可以尋找的，是一種必然，我們只有站在巨人的肩膀上，進(jìn)行創(chuàng)新的同時融入現(xiàn)代審美元素，才能夠創(chuàng)作出具有民族與時代性的作品，為了這個目標(biāo)，系統(tǒng)的了解中國傳統(tǒng)紋樣的歷程，，挖掘傳統(tǒng)文化繼承發(fā)揚傳統(tǒng)文化是我們的責(zé)任與使命。中國的傳統(tǒng)紋樣是古人對自然規(guī)律的總結(jié)，是歷代勞動人民，工匠師，藝人智慧的結(jié)晶，留給我們歷史的精髓，創(chuàng)意獨特，風(fēng)格鮮明，技藝精湛，形式豐富多彩，將其與我們的現(xiàn)代藝術(shù)進(jìn)行融合，使我們的現(xiàn)代藝術(shù)設(shè)計更具有根基、文化性和社會性。 ①目的：通過對傳統(tǒng)紋樣的研究與認(rèn)識，總結(jié)出將傳統(tǒng)紋樣與現(xiàn)代設(shè)計連接的方式和方法，用現(xiàn)代的角度重新復(fù)活傳統(tǒng)的紋樣，立足于本民族的傳統(tǒng)文化中，結(jié)合西方的設(shè)計理論，在尊重傳統(tǒng)紋樣文化的同時，再發(fā)展和再傳承，研究有中國傳統(tǒng)特點及韻味的現(xiàn)代設(shè)計。論文主要是針對這一問題進(jìn)行的理論研究。 ②方法：不是單純的把古老的、傳統(tǒng)的東西原封不動的遺留使用，當(dāng)然保存是對的，這是一種對歷史的尊重，重點是怎樣進(jìn)一步傳承，重新解讀新時代大背景下對歷史的全新解讀，全新尊重法。論文從中國傳統(tǒng)裝飾紋樣入手，透過其形與意的轉(zhuǎn)化與傳達(dá)方式，挖掘深層文化內(nèi)涵，總結(jié)出適合現(xiàn)代的設(shè)計手法，從形與神上傳承傳統(tǒng)紋樣，使其形態(tài)和神韻得以整體的表現(xiàn)，注重意境的表達(dá)，用現(xiàn)代的設(shè)計方式方法以及材料技術(shù)，重現(xiàn)一種傳統(tǒng)意境與空間的感受。 ③結(jié)論：本文將從中國傳統(tǒng)紋樣的題材以及其分類進(jìn)行分析，探索紋樣圖案背后深層次內(nèi)涵，結(jié)合現(xiàn)代設(shè)計手法與發(fā)展方向進(jìn)行研究，總結(jié)出中國傳統(tǒng)與現(xiàn)代互相能夠交融的點。
[Abstract]:With a long history of thousands of years, China occupies a very important position in the history of world civilization. Chinese traditional patterns are the crystallization of ancient wisdom and an important part of Chinese civilization. The fine patterns formed by thousands of years of artistic precipitation are rare treasure-houses of art, which are widely used, distinctive in style and unique in creativity. They are the cultural heritage passed down with the historical times and the living dictionaries for our artistic creation. Looking at the history of Chinese traditional patterns, one conclusion can be read out: although the objective existence is not transferred by the will of one person, the style of Chinese traditional culture is regular and inevitable. Only when we stand on the shoulders of giants and innovate and incorporate modern aesthetic elements can we create works with a national and contemporary character. For this purpose, we systematically understand the course of Chinese traditional patterns. It is our duty and mission to excavate and inherit and carry forward the traditional culture. Chinese traditional patterns are the ancient summary of natural laws, the crystallization of the wisdom of the laboring people, craftsmen and entertainers in the past dynasties, leaving us the essence of history. They are unique in creativity, distinctive in style, exquisite in craftsmanship, and rich in form. By merging it with our modern art, our modern art design is more fundamental, cultural and social. 1 objective: through the research and understanding of traditional patterns, Summing up the way and method of connecting the traditional pattern with the modern design, reviving the traditional pattern with the modern angle, based on the traditional culture of our nation, combining the western design theory, while respecting the traditional pattern culture, Redevelop and inherit, study the modern design with Chinese traditional characteristics and lasting appeal. This paper mainly focuses on the theoretical research on this problem. 2 methods: not simply to leave old, traditional things intact, of course, it is right to preserve, this is a respect for history, The emphasis is on how to further inherit and reinterpret the new interpretation of history under the background of the new era and the new law of respect. This paper starts with the Chinese traditional decorative pattern, through the transformation and communication of its form and meaning, excavates the deep cultural connotation, summarizes the design method suitable for modern, inherits the traditional pattern from the shape and the spirit. So that its shape and charm can be the overall performance, pay attention to the expression of artistic conception, with modern design methods and materials technology, Conclusion: this paper will analyze the theme and classification of Chinese traditional patterns and explore the deep connotation behind them. Based on the research of modern design technique and development direction, this paper sums up the intermingling points of Chinese tradition and modern.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J522

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 干振瑋;龍紋圖象的考古學(xué)依據(jù)[J];北方文物;1995年04期

本文編號：2016213