本文選題：苗族 + 裝飾藝術(shù)�。� 參考：《南京林業(yè)大學(xué)》2008年碩士論文

【摘要】： 苗族是一個(gè)歷史悠久,充滿傳奇色彩的民族。他們所創(chuàng)造的民族文化獨(dú)具特色。其中苗族的裝飾藝術(shù)更是內(nèi)容豐富,文化底蘊(yùn)博大精深。苗族裝飾藝術(shù)瑰寶對(duì)于我們現(xiàn)代設(shè)計(jì)來說,不僅僅是可以挖掘的文脈,更重要的是,它是我們少數(shù)民族地區(qū)藝術(shù)文明發(fā)展的證明,是我們現(xiàn)代室內(nèi)設(shè)計(jì)的組成部分。延續(xù)傳統(tǒng)裝飾藝術(shù)是對(duì)傳統(tǒng)的尊重,是為現(xiàn)代設(shè)計(jì)發(fā)展尋找獨(dú)特而正確的方向。 湘西地區(qū)是苗族聚集地之一,研究該地區(qū)的苗族裝飾藝術(shù)對(duì)于我們研究整個(gè)苗族藝術(shù)有重要的意義。本文立足于湘西苗族區(qū)域環(huán)境的大背景,深入研究區(qū)域環(huán)境對(duì)湘西苗族裝飾的影響以及人們的意識(shí)形態(tài);從建筑裝飾、雕刻、材料、陳設(shè)品等方面結(jié)合現(xiàn)代室內(nèi)設(shè)計(jì)的發(fā)展趨勢(shì),進(jìn)行探索分析;以室內(nèi)設(shè)計(jì)中如何正確地引入湘西苗族裝飾元素為目的,以期能使湘西苗族裝飾文化在新的歷史時(shí)期得到健康、可持續(xù)的發(fā)展。 本文對(duì)三個(gè)具有典型的室內(nèi)設(shè)計(jì)案例進(jìn)行分析,通過對(duì)湘西苗族裝飾元素的實(shí)際應(yīng)用,總結(jié)該地區(qū)苗族裝飾藝術(shù)的特點(diǎn),以及與現(xiàn)代室內(nèi)設(shè)計(jì)的結(jié)合所需要面臨的“瓶頸”問題。 文章通過大量的圖片資料和實(shí)踐調(diào)查總結(jié)出了苗族家具的特點(diǎn)、苗族色彩的特點(diǎn),這為今后的研究奠定了基礎(chǔ),是本篇論文的一個(gè)可喜成果�；诿缱逖b飾藝術(shù)的藝術(shù)性和文化性,作者最后提出了發(fā)展苗族裝飾藝術(shù)的探討性建議。
[Abstract]:The Miao nationality has a long history and is full of legend. The national culture they have created is unique. Among them, the Miao decorative art is rich in content, culture rich and profound. Miao decorative art treasure for our modern design, not only can be excavated context, more importantly, it is our minority region art civilization development proof, is our modern interior design component. The continuation of traditional decorative art is to respect the tradition and to find a unique and correct direction for the development of modern design. Xiangxi area is one of the Miao nationality gathering places. It is of great significance to study the Miao decorative art in this area for us to study the whole Miao nationality art. Based on the background of the regional environment of the Miao nationality in western Hunan, this paper deeply studies the influence of the regional environment on the decoration of the Miao nationality in the west of Hunan and the ideology of the people. Combining with the development trend of modern interior design, this paper explores and analyzes the decoration elements of the Miao nationality in the interior design in order to make the decoration culture of the Miao nationality in the west Hunan healthy in the new historical period. Sustainable development This paper analyzes three typical interior design cases and summarizes the characteristics of the Miao decorative art in the area through the practical application of the decoration elements of the Miao nationality in the west of Hunan. And the combination with modern interior design needs to face the "bottleneck" problem. This paper sums up the characteristics of Miao furniture and the color of Miao nationality through a lot of picture data and practical investigation, which lays a foundation for future research and is a gratifying achievement of this paper. Based on the artistry and culture of the Miao decorative art, the author puts forward some suggestions for the development of the Miao decorative art.
【學(xué)位授予單位】：南京林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：TU238.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前5條

1 鄒晶晶;苗族裝飾藝術(shù)中女性紋飾研究[D];陜西師范大學(xué);2011年

2 樂磊;滿族裝飾藝術(shù)在室內(nèi)設(shè)計(jì)中的應(yīng)用研究[D];南京林業(yè)大學(xué);2011年

3 張濤;鳳凰古城古建筑裝飾藝術(shù)研究[D];廣東工業(yè)大學(xué);2012年

4 承君;湘西苗族民間家具裝飾圖案研究[D];中南林業(yè)科技大學(xué);2012年

5 謝歡顏;廣西少數(shù)民族建筑與服飾文化在家具上的應(yīng)用研究[D];廣西大學(xué);2012年

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本文編號(hào)：2016103