本文選題：戲曲過門 + 曲式補(bǔ)充�。� 參考：《南京藝術(shù)學(xué)院學(xué)報(bào)(音樂與表演版)》2011年01期

【摘要】：人們對(duì)于過門之于戲曲音樂乃至整個(gè)戲曲的形成發(fā)展和改革轉(zhuǎn)型的影響等知之甚少。本文認(rèn)為:過門是對(duì)戲曲音樂曲式的創(chuàng)造和補(bǔ)充,是板腔體戲曲音樂形成發(fā)展的前提性因素之一和新時(shí)期以來傳統(tǒng)板腔體戲曲音樂向歌劇化戲曲音樂改革轉(zhuǎn)型的標(biāo)志性音樂樣式。"傳統(tǒng)的戲曲過門過時(shí)、妨礙戲曲發(fā)展"、"應(yīng)該以西方歌劇描寫性音樂替代傳統(tǒng)過門"等觀點(diǎn)失當(dāng),應(yīng)當(dāng)實(shí)施區(qū)別性改革,在保護(hù)中發(fā)展。
[Abstract]:People have little knowledge about the influence of the formation, development and reform of the opera music and even the whole opera. This article holds that the entrance is the creation and supplement of the musical form of the opera music, one of the precondition factors for the formation and development of the plate opera music and the traditional opera music from the new period to the opera music. "Traditional opera is out of date and hinders the development of traditional opera". "It should take the alternative of the western opera to replace the tradition of the traditional opera" and other viewpoints. We should carry out the different reform and develop in the protection.

【作者單位】： 象山縣文化館;
【分類號(hào)】：J607
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本文編號(hào)：1828138