本文關(guān)鍵詞：河北保定徐水高莊“音樂(lè)會(huì)”研究　出處：《河北大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：在河北省保定市徐水縣的高莊村,有一個(gè)流傳了五百余年且目前保存相對(duì)完好的民間鼓吹樂(lè)社,這就是高莊“音樂(lè)會(huì)”,屬冀中“音樂(lè)會(huì)”的北樂(lè)派。本文對(duì)高莊“音樂(lè)會(huì)”進(jìn)行了細(xì)致深入地剖析,從整體——細(xì)節(jié)——再到整體的方式層層深入,最后上升到文化的高度,全面展示高莊“音樂(lè)會(huì)”的真實(shí)面貌。 第一章緒論部分闡述了對(duì)高莊“音樂(lè)會(huì)”的研究目的和研究意義、對(duì)整個(gè)冀中“音樂(lè)會(huì)”以及目前高莊“音樂(lè)會(huì)”的學(xué)術(shù)研究現(xiàn)狀,筆者通過(guò)民族音樂(lè)學(xué)的調(diào)查方法對(duì)高莊“音樂(lè)會(huì)”進(jìn)行了田野考察,由此總結(jié)出選此為題的幾點(diǎn)創(chuàng)新之處。第二章的內(nèi)容是對(duì)高莊“音樂(lè)會(huì)”的歷史演革的介紹說(shuō)明,包括“音樂(lè)會(huì)”一詞的淵源、南樂(lè)會(huì)與北樂(lè)會(huì)在各方面的比較,以及從高莊流傳下來(lái)的文物和經(jīng)卷的記載挖掘高莊“音樂(lè)會(huì)”的歷史,包括其形成發(fā)展、打擊恢復(fù)的艱辛曲折的歷程。第三章對(duì)高莊“音樂(lè)會(huì)”的物質(zhì)構(gòu)成部分做了詳細(xì)地介紹,包括其九個(gè)組織部門(mén)各自的主要職責(zé)和負(fù)責(zé)人傳承情況,以及其中兩個(gè)核心部門(mén)——前壇與后壇的內(nèi)容構(gòu)成,包括在會(huì)人員、樂(lè)譜保存、經(jīng)卷保存、演奏樂(lè)器和法器的現(xiàn)狀研究。第四章是筆者在2014年正月十二至正月十九期間對(duì)“音樂(lè)會(huì)”實(shí)地考察活動(dòng)流程的詳細(xì)記錄及內(nèi)在本質(zhì),并對(duì)高莊“音樂(lè)會(huì)”的特征進(jìn)行總結(jié)概括。第五章從文化和社會(huì)兩個(gè)個(gè)角度剖析高莊“音樂(lè)會(huì)”的研究?jī)r(jià)值。第六章針對(duì)高莊“音樂(lè)會(huì)”現(xiàn)在的生存狀況,并對(duì)這種現(xiàn)狀產(chǎn)生的種種問(wèn)題給出了可行的保護(hù)措施,希望可以對(duì)民族文化事業(yè)的繁榮獻(xiàn)綿薄之力。 高莊“音樂(lè)會(huì)”即屬于鼓吹樂(lè)種,其意義又遠(yuǎn)遠(yuǎn)超出了樂(lè)種的范疇,它是中國(guó)傳統(tǒng)民間文化外在展示,我們可以通過(guò)它了解到被音樂(lè)這種外在形式所包裹的更多的歷史和文化內(nèi)涵,而這才是真正支撐它延續(xù)至今的內(nèi)在支撐。
[Abstract]:In Xushui County of Hebei province Baoding City High Village, there is a spread of more than five hundred years and currently preserved folk guichui music society, this is Gao Zhuang "concert", Hebei in the "concert" of North music. In this paper, Gao Zhuang "concert" conducted a detailed in-depth analysis, from the overall, details to the overall way of in-depth, finally to the high level of culture, a comprehensive display of Gao Zhuang "concert" real appearance.
The first chapter elaborates on Gao Zhuang "concert" on the purpose and significance, on the whole Hebei "concert" and the "high village concert" the status quo of academic research, the author through the investigation method of Ethnomusicology of Gao Zhuang "concert" undertook fieldwork, this paper summarizes some innovations chose this subject. The second chapter is on the "concert" of Zhuang's historical evolution of the introduction, including the origin of the concert "one word, compared with North music will Nanle in various aspects, as well as the material and books handed down from the high village records of the mining Gaozhuang" concert "the history, including its formation and development, hit recovery difficult and tortuous process. The third chapter of Gao Zhuang" concert "material component in detail, including the nine main responsibilities of the Organization Department of the responsible person and Inheritance, and one of the two core sectors -- before the altar and altar after the contents, including the personnel, music preservation, preservation of books, playing musical instruments and musical instruments. The fourth chapter is a detailed record of the month in 2014 twelve to nineteen month period of "concert" fieldwork activities and internal processes the essence and characteristics of high Zhuang "concert" summarizes the research value. The fifth chapter analyzes Gao Zhuang "concert" from the cultural and social angles were two. In the sixth chapter, according to Gao Zhuang "concert" now living conditions, problems and the status quo of the protection measures are feasible, the hope can the prosperity of national culture to contribute.
Gao Zhuang "concert" that belongs to the drum music, its significance far beyond the music category, it is Chinese external display of traditional folk culture, we can understand it to be the external form of music package more historical and cultural connotation, and this is the real support of the internal support it continues today.

【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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