高平《舞狂》音樂分析與演奏研究
發(fā)布時(shí)間:2018-01-04 20:32
本文關(guān)鍵詞:高平《舞狂》音樂分析與演奏研究 出處:《武漢音樂學(xué)院》2013年碩士論文 論文類型:學(xué)位論文
【摘要】:本文以當(dāng)代音樂家高平博士的鋼琴作品《舞狂》作為研究對(duì)象。試圖從皮亞佐拉的探戈音樂入手,通過對(duì)探戈節(jié)奏、鋼琴對(duì)探戈重奏樂器的模擬等各方面要素進(jìn)行綜合的研究。總結(jié)出《舞狂》是如何運(yùn)用皮亞佐拉的探戈音樂的。在此基礎(chǔ)上,,筆者試圖結(jié)合自己的演奏實(shí)踐對(duì)該作品演奏上進(jìn)行闡述,挖掘作曲家貫穿全曲的探戈音樂特征,揭示其演奏中所表達(dá)探戈音樂意義。 本文共分為三個(gè)部分: 第一章以皮亞佐拉作為時(shí)間軸,概述介紹皮亞佐拉之前的探戈音樂和皮亞佐拉的探戈音樂。 第二章著眼于《舞狂》的音樂分析,概括介紹整體特征之后深入到音樂細(xì)節(jié),從探戈節(jié)奏、鋼琴對(duì)探戈重奏樂器的模擬以及《舞狂》與皮亞佐拉音樂元素的運(yùn)用多方面闡述《舞狂》的音樂特征。 第三章根據(jù)第二章中探討過的內(nèi)容,從演奏的角度多方面地闡述《舞狂》。
[Abstract]:Based on the contemporary musician Dr. Gaoping piano works < > dance crazy as the research object. Attempts to start from Piazzolla's Tango music, the tango rhythm, comprehensive research on the Piano Quartet instrument simulation Tango elements of all aspects. Summed up the dance crazy is how to use the < > Piazzolla tango music. On the basis of the author tries to combine the practice, own of the works played on elaborate tango music composer through mining feature music, reveals its playing in expression of tango music.
This article is divided into three parts:
The first chapter introduces the time axis as Piazzola, before Piazzolla tango music and Piazzolla tango music.
The second chapter focus on analysis of < > mad dance music, summed up after the introduction of the overall characteristics of music into the details, from tango rhythm, musical instruments piano quartet to simulate the tango dance crazy and < > and Piazzolla music elements using multi aspects of music features. > < dance.
The third chapter according to the discussion in chapter second, many aspects of this "mad dance from the perspective of playing.
【學(xué)位授予單位】:武漢音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J624.1;J614
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 馬小蕓;;試析皮亞佐拉的現(xiàn)代鋼琴作品[J];人民音樂;2007年08期
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