發(fā)布時(shí)間：2018-08-09 15:44

【摘要】：吳冠中作為20世紀(jì)乃至21世紀(jì)最有影響的畫家之一，雖然他的種種繪畫理論觀點(diǎn)與傳統(tǒng)國畫有些沖突，，受到很多人的抨擊。但是他通過自己的藝術(shù)實(shí)踐和創(chuàng)作，形成了以追求形式美為主題的水墨畫風(fēng)格；強(qiáng)烈的形式，打破傳統(tǒng)的表現(xiàn)手法，強(qiáng)調(diào)形式本身的意境之美。而他追求的繪畫形式美在水墨畫中的體現(xiàn)則是獨(dú)特的水墨形式構(gòu)成。本文從早年吳冠中中受到的國內(nèi)、國外的教育和影響出發(fā)，分析他形式美的創(chuàng)作理念形成的思想基礎(chǔ)。其次將他的水墨構(gòu)成理念回歸到他的水墨作品中，結(jié)合他的水墨作品闡釋他形式美體現(xiàn)的載體——水墨形式構(gòu)成元素。具體分析他在圍繞形式美的繪畫理念中，在水墨構(gòu)成元素做了哪些突破和創(chuàng)舉。這些創(chuàng)舉又給當(dāng)代中國畫壇里帶來社么樣的影響。
[Abstract]:Wu Guanzhong is one of the most influential painters in the 20th century and even the 21st century. However, through his own artistic practice and creation, he formed the style of ink painting with the theme of pursuing formal beauty; strong form, breaking the traditional expression techniques, emphasizing the beauty of artistic conception of form itself. His pursuit of formal beauty in ink painting is a unique form of ink composition. Based on the education and influence of Wu Guanzhong at home and abroad in his early years, this paper analyzes the ideological basis of the formation of his creative concept of formal beauty. Secondly, his concept of ink composition is returned to his ink painting works, and combined with his ink painting works, it explains the carrier of his formal beauty-the form of ink composition elements. Concretely analyzes what breakthrough and creation he made in the elements of ink and wash in the painting concept around the beauty of form. These innovations have brought about the influence of the society in the contemporary Chinese painting world.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 ;吳帶當(dāng)風(fēng)[J];大科技(百科探索);2008年08期

2 楊成寅;石濤畫論與西方現(xiàn)代主義[J];美術(shù);2000年08期

本文編號(hào)：2174567