論梵高的“孤僻”個(gè)性與其藝術(shù)創(chuàng)作的關(guān)系
發(fā)布時(shí)間：2018-08-09 15:34
【摘要】：藝術(shù)創(chuàng)作與藝術(shù)家性格之間的關(guān)系，是我這篇論文的主要探討點(diǎn)。藝術(shù)創(chuàng)作作為藝術(shù)家的一種行為，是藝術(shù)家性格的外延，傳達(dá)著藝術(shù)家的意識(shí)形態(tài)和心理狀態(tài)。心理學(xué)家弗洛伊德的著作《創(chuàng)作家與白日夢(mèng)》，就是站在精神分析的角度解釋文學(xué)與藝術(shù)，他的主要觀點(diǎn)是“藝術(shù)是被壓抑的本能的升華的結(jié)果”。在我這篇論文里也穿插著弗洛伊德的理論，主要目的是透過(guò)這些理論來(lái)解釋梵高性格與其藝術(shù)創(chuàng)作的關(guān)系。 本文第一章主要以弗洛伊德和榮格的心理學(xué)理論作為切入點(diǎn)，分析了“人格”（個(gè)性）的形成階段和特征。第二章主要是根據(jù)弗洛伊德和榮格的理論從四個(gè)方面探尋梵高孤僻個(gè)性形成的原因。首先，自梵高出生以來(lái)，缺乏母愛，成年時(shí)，生活又接連不順，他稱自己是“一切的局外人”，這種經(jīng)歷讓他的性格孤獨(dú)怪癖；其次，伴隨梵高出生的宗教信仰，本是他的精神寄托，但是宗教的規(guī)矩和形式性的規(guī)則與他對(duì)上帝的虔誠(chéng)和狂熱格格不入，這也使他的內(nèi)心更加孤獨(dú)，最終和宗教決裂，藝術(shù)成了他的另一寄托；第三，梵高愛情的屢次失敗，打擊他自信心的同時(shí)也讓他缺乏安全感。這種失敗和梵高自己的性格分不開，梵高個(gè)性偏執(zhí)、怪癖，在愛情面前過(guò)于激烈和執(zhí)著，但又缺乏承擔(dān)責(zé)任的能力，失敗是顯而易見的事情。他在以后的繪畫中渴望這種相伴的情侶關(guān)系，他筆下的《老情侶》就是例子，他們相依相伴，但卻總略帶憂傷；最后從他的藝術(shù)淵源探究他藝術(shù)變化發(fā)展的過(guò)程。 文章最重要的一部分是分析梵高繪畫的藝術(shù)意蘊(yùn)和他性格之間的關(guān)系。首先，他自出生就無(wú)法擺脫的宗教情懷讓他的作品具有一種宗教性，這種宗教性被學(xué)者稱為“不是宗教畫的‘宗教畫’”；其次，梵高的痛苦經(jīng)歷讓他的畫具有一定的哀傷性，這種哀傷性，梵高自己稱之為“深沉的悲痛”，，本文主要從他的人物畫和自然景物兩個(gè)方面來(lái)體現(xiàn)他的哀傷性；第三，從梵高的孤寂心性來(lái)解析他的“瘋狂”的色彩，對(duì)梵高來(lái)說(shuō)激烈的色彩就是最震撼的吶喊，表達(dá)出內(nèi)心的壓抑。梵高曾經(jīng)說(shuō)：“我越是年老丑陋、令人討厭、貧病交加，越要用鮮艷華麗、精心設(shè)計(jì)的色彩為自己雪恥�！钡谒�，從梵高“狂躁”的心理來(lái)找尋他的筆觸躍動(dòng)的原因，梵高的筆觸有自己很強(qiáng)的特性，有自己獨(dú)特的審美價(jià)值；最后，總結(jié)梵高“孤僻”個(gè)性與其藝術(shù)感染力之間的關(guān)系。 文章的最后，是從梵高繪畫中所得到的體會(huì)，主要分為三個(gè)部分。首先，潛意識(shí)作為藝術(shù)創(chuàng)作的內(nèi)在動(dòng)力，激發(fā)著藝術(shù)的創(chuàng)作靈感并影響著藝術(shù)家的直覺(jué)思維；其次，藝術(shù)家善于用多種手法在畫面中加強(qiáng)情感表達(dá)，情感表達(dá)是藝術(shù)家創(chuàng)作過(guò)程中不可或缺的因素。梵高的作品中，最突出的特點(diǎn)就是毫無(wú)掩飾的傾注著他的所有對(duì)生活的感受，表達(dá)著他最真摯的感情；第三，“痛苦體驗(yàn)”制約著藝術(shù)家的性格影響著藝術(shù)創(chuàng)作，個(gè)體每個(gè)成長(zhǎng)階段的經(jīng)歷都會(huì)影響著其人格特征，痛苦經(jīng)歷更是像一根炭筆，在性格特征中留下深深的畫痕，尤其是藝術(shù)家，在之后的藝術(shù)表達(dá)中，總是會(huì)不經(jīng)意的流露出這種痕跡。
[Abstract]:The relationship between artistic creation and the character of the artist is the main point of my thesis. As an act of the artist, artistic creation is the extension of the artist's character and conveys the artist's ideology and psychological state. The works of psychologist Freud, the creator and daydream, are explained from the perspective of Psychoanalysis. The main point of literature and art is that "art is the result of the sublimation of an oppressed instinct". In my paper, Freud's theory is also inserted, the main purpose of which is to explain the relationship between Van Gogh's character and his artistic creation through these theories.
The first chapter mainly takes Freud and Carl Jung's psychological theory as a breakthrough point to analyze the formation and characteristics of "personality" (personality). The second chapter is mainly based on the theory of Freud and Carl Jung to explore the reasons for the formation of Van Gogh's isolated personality from four aspects. First, since Van Gogh was born, the lack of maternal love, adulthood, and life. He called himself "the outsider of all", and the experience made his character solitude; and then, with the religious belief of Van Gogh, he was his spiritual sustenance, but the rules and formal rules of religion were incompatible with his devotion and fanaticism to God, which made his heart more lonely, and finally, Third, the failure of Van Gogh's self confidence and Van Gogh's own character, Van Gogh's paranoia and quirks, too intense and persistent in the face of love, but a lack of ability to bear responsibility, and the obvious failure is obvious. In his future paintings, he longed for the companionship of the companionship. His writing of the old lovers was an example. They were accompanied by each other, but they were always a little sad; finally, he explored the process of his artistic change from his artistic origin.
The most important part of the article is to analyze the artistic meaning of Van Gogh's painting and the relationship between his character. First, the religious feelings that he can't get out of his birth have made his works a religion, which is called "religious painting" by scholars. Secondly, the painful experience of Van Gogh makes his paintings have one. The sad nature, this kind of sadness, Van Gogh himself called it "deep grief", this article mainly reflects his sadness from two aspects of his figure painting and natural scenery. Third, from Van Gogh's lonely heart to analyze his "Crazy" color. To Van Gogh, the exciting color is the most shocking cry and expression of the heart. Van Gogh once said: "the more I am old and ugly, disagreeable, poor and ill, the more you want to use bright and gorgeous, carefully designed color for his own shame." fourth, from Van Gogh's "manic" psychology to find the reason of his strokes, Van Gogh's strokes have their own strong characteristics, their own unique aesthetic value; finally, the general The relationship between Van Gogh's "eccentric" personality and artistic appeal.
The last of the article is from the experience gained in Van Gogh's painting, which is divided into three parts. First, the subconscious is the internal motive force of the artistic creation, arousing the artistic creation inspiration and affecting the artist's intuition thinking; secondly, the artist is good at strengthening emotional expression in the painting surface with various techniques, and the emotional expression is the artist's creation. The most important factor in the process is that in Van Gogh's works, the most prominent feature is the undisguised pouring of all his feelings of life, expressing his most sincere feelings; third, "pain experience" restricts the artist's character to influence artistic creation, and the experience of each individual growth stage affects his personality characteristics. The painful experience is more like a carbon pen, leaving deep marks in the character characteristics, especially the artist, in the later art expression, always unwittingly reveal such traces.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
本文編號(hào)：2174536
[Abstract]:The relationship between artistic creation and the character of the artist is the main point of my thesis. As an act of the artist, artistic creation is the extension of the artist's character and conveys the artist's ideology and psychological state. The works of psychologist Freud, the creator and daydream, are explained from the perspective of Psychoanalysis. The main point of literature and art is that "art is the result of the sublimation of an oppressed instinct". In my paper, Freud's theory is also inserted, the main purpose of which is to explain the relationship between Van Gogh's character and his artistic creation through these theories.
The first chapter mainly takes Freud and Carl Jung's psychological theory as a breakthrough point to analyze the formation and characteristics of "personality" (personality). The second chapter is mainly based on the theory of Freud and Carl Jung to explore the reasons for the formation of Van Gogh's isolated personality from four aspects. First, since Van Gogh was born, the lack of maternal love, adulthood, and life. He called himself "the outsider of all", and the experience made his character solitude; and then, with the religious belief of Van Gogh, he was his spiritual sustenance, but the rules and formal rules of religion were incompatible with his devotion and fanaticism to God, which made his heart more lonely, and finally, Third, the failure of Van Gogh's self confidence and Van Gogh's own character, Van Gogh's paranoia and quirks, too intense and persistent in the face of love, but a lack of ability to bear responsibility, and the obvious failure is obvious. In his future paintings, he longed for the companionship of the companionship. His writing of the old lovers was an example. They were accompanied by each other, but they were always a little sad; finally, he explored the process of his artistic change from his artistic origin.
The most important part of the article is to analyze the artistic meaning of Van Gogh's painting and the relationship between his character. First, the religious feelings that he can't get out of his birth have made his works a religion, which is called "religious painting" by scholars. Secondly, the painful experience of Van Gogh makes his paintings have one. The sad nature, this kind of sadness, Van Gogh himself called it "deep grief", this article mainly reflects his sadness from two aspects of his figure painting and natural scenery. Third, from Van Gogh's lonely heart to analyze his "Crazy" color. To Van Gogh, the exciting color is the most shocking cry and expression of the heart. Van Gogh once said: "the more I am old and ugly, disagreeable, poor and ill, the more you want to use bright and gorgeous, carefully designed color for his own shame." fourth, from Van Gogh's "manic" psychology to find the reason of his strokes, Van Gogh's strokes have their own strong characteristics, their own unique aesthetic value; finally, the general The relationship between Van Gogh's "eccentric" personality and artistic appeal.
The last of the article is from the experience gained in Van Gogh's painting, which is divided into three parts. First, the subconscious is the internal motive force of the artistic creation, arousing the artistic creation inspiration and affecting the artist's intuition thinking; secondly, the artist is good at strengthening emotional expression in the painting surface with various techniques, and the emotional expression is the artist's creation. The most important factor in the process is that in Van Gogh's works, the most prominent feature is the undisguised pouring of all his feelings of life, expressing his most sincere feelings; third, "pain experience" restricts the artist's character to influence artistic creation, and the experience of each individual growth stage affects his personality characteristics. The painful experience is more like a carbon pen, leaving deep marks in the character characteristics, especially the artist, in the later art expression, always unwittingly reveal such traces.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 王建軍;鄧太平;;馬蒂斯的繪畫藝術(shù)之我見[J];數(shù)位時(shí)尚(新視覺(jué)藝術(shù));2011年02期
本文編號(hào)：2174536
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