發(fā)布時(shí)間：2019-05-09 19:13

【摘要】：梅堯臣是宋代詩(shī)風(fēng)的開創(chuàng)者之一,創(chuàng)始革新的地位和眾多的詩(shī)歌數(shù)量使梅堯臣受到了學(xué)術(shù)界的廣泛關(guān)注。當(dāng)前對(duì)梅堯臣的研究已經(jīng)取得了豐碩的成果,然而,卻少有人以敘事的視角來審視梅堯臣的詩(shī)歌,有鑒于此,筆者在研究梅堯臣詩(shī)歌時(shí),選擇了梅堯臣敘事詩(shī)作為題目。換個(gè)角度審視梅堯臣的詩(shī)歌,可以發(fā)現(xiàn)更多梅堯臣詩(shī)歌的特質(zhì),對(duì)梅堯臣“開山祖師”的地位有更加細(xì)致的理解。與此同時(shí),還能對(duì)宋代文學(xué)的發(fā)展?fàn)顩r進(jìn)行更加深入的了解和認(rèn)識(shí)。第一章,主要介紹梅堯臣以前敘事詩(shī)概況。敘事詩(shī)發(fā)展到了宋代,頗有成就,在豐富的題材中以政治民生題材較引人注目。在創(chuàng)作手法上,情節(jié)曲折、敘事詳略得當(dāng)、虛實(shí)結(jié)合,為后人提供了豐富的借鑒。第二章,主要探討梅堯臣敘事詩(shī)的內(nèi)容。梅堯臣至少有170首敘事詩(shī),按內(nèi)容可將其分為七類:政治民生、交游往來、日�，嵤隆⒀顼媻蕵�、記游記行、男女愛情及其他。其中又以政治民生、交游往來、宴飲娛樂、記游記行、日�，嵤逻@五類數(shù)量多、有代表性,因此對(duì)這五類內(nèi)容進(jìn)行了重點(diǎn)的分析論述。總體來說,梅堯臣敘事詩(shī)在內(nèi)容上具有瑣碎繁多的特點(diǎn),充滿了生活氣息,這也正是宋代詩(shī)歌生活化傾向的表現(xiàn)。第三章,主要探討梅堯臣敘事詩(shī)的敘事藝術(shù)。不同的時(shí)代有不同的制題特色,詩(shī)題發(fā)展到了宋代,制題方式發(fā)生了轉(zhuǎn)變:敘事信息的豐富、符號(hào)化人物的舍棄、長(zhǎng)篇詩(shī)題的大量涌現(xiàn)是梅堯臣敘事詩(shī)詩(shī)題轉(zhuǎn)變的三個(gè)特點(diǎn)。在敘事過程中,“事”的中心地位相較于前代得到凸顯。在結(jié)構(gòu)上,梅堯臣敘事詩(shī)呈現(xiàn)出多樣化的起承轉(zhuǎn)合藝術(shù),或以事直起,風(fēng)起云涌;或以議為結(jié),彰顯理性;或以事直錄,敘述平實(shí);或有意求曲,跌宕起伏。在敘事手法上,實(shí)筆與虛筆,簡(jiǎn)筆與繁筆,正筆與諧筆交叉運(yùn)用,筆法眾多,精彩的敘事藝術(shù)更體現(xiàn)了梅堯臣在敘事上的擅長(zhǎng)。第四章,主要探討梅堯臣敘事詩(shī)的意義與價(jià)值。源遠(yuǎn)流長(zhǎng)的敘事傳統(tǒng)的不斷沉淀,為梅堯臣創(chuàng)作敘事詩(shī)積累了豐富的經(jīng)驗(yàn),提供了借鑒意義。梅堯臣在繼承前代敘事傳統(tǒng)的基礎(chǔ)上,又融合了時(shí)代的特色,積極以“敘”尋求創(chuàng)新,使其敘事詩(shī)具有獨(dú)特的藝術(shù)風(fēng)貌。梅堯臣詩(shī)歌對(duì)宋代詩(shī)風(fēng)產(chǎn)生了重要的影響,對(duì)糾正西昆體的雕靡浮艷、促進(jìn)宋詩(shī)散文化發(fā)揮了重要作用,從敘事詩(shī)的角度入手,能夠?qū)γ穲虺肌伴_山祖師”的地位評(píng)價(jià)獲得更加深刻的解釋。
[Abstract]:Mei Yaochen was one of the founders of poetry style in Song Dynasty. Mei Yaochen received extensive attention from academic circles because of the position of founding innovation and a large number of poems. At present, the research on Mei Yaochen has made fruitful achievements, however, few people examine Mei Yaochen's poetry from the perspective of narration. In view of this, the author chooses Mei Yaochen's narrative poem as the title when studying Mei Yaochen's poetry. Looking at Mei Yaochen's poetry from another angle, we can find more characteristics of Mei Yaochen's poetry and have a more detailed understanding of Mei Yaochen's position as "Kaishan ancestor". At the same time, we can also have a deeper understanding and understanding of the development of literature in Song Dynasty. The first chapter mainly introduces the general situation of Mei Yaochen's narrative poems before. Narrative poetry developed to Song Dynasty and made great achievements. Among the rich themes, the theme of political people's livelihood is more noticeable. In the creative techniques, the plot twists and turns, the narrative details are slightly appropriate, the combination of false and real, provides a rich reference for future generations. The second chapter mainly discusses the content of Mei Yaochen's narrative poetry. Mei Yaochen has at least 170 narrative poems, which can be divided into seven categories according to their contents: political and people's livelihood, communication, daily trifles, banquets and entertainment, travel notes, love between men and women and others. Among them, the five categories of political and livelihood, friendship, banquets and entertainment, travel notes and daily trifles are large and representative, so the five kinds of contents are analyzed and discussed in detail. On the whole, Mei Yaochen's narrative poetry has many trivial and numerous characteristics in content, which is full of life flavor, which is also the expression of the life tendency of Song Dynasty poetry. The third chapter mainly discusses the narrative art of Mei Yaochen's narrative poems. Different times have different characteristics of theme-making. Poetry developed into Song Dynasty, and the way of topic-making has changed: the rich narrative information, the abandonment of symbolized characters, and the emergence of a large number of long poems are the three characteristics of the transformation of Mei Yao-Chen's narrative poems' poetry title, which is characterized by the rich narrative information, the abandonment of symbolized characters and the emergence of a large number of long poems. In the process of narration, the central position of things is more prominent than that of the previous generation. Structurally, Meyaochen's narrative poems present a variety of inherited and conformational arts, either from the point of view of matter, or from discussion to reason, or from direct record of events to plain narration, or from the intention of seeking music, and from ups and downs to ups and downs. In the narrative technique, the real pen and the false pen, the simple pen and the complex pen, the positive pen and the harmonious pen cross use, the writing method is numerous, the wonderful narrative art even more reflects Mei Yaochen's ability in narration. The fourth chapter mainly discusses the significance and value of Mei Yaochen's narrative poetry. The continuous precipitation of the narrative tradition, which has a long history, has accumulated rich experience and provided reference significance for Mei Yaochen to write narrative poems. On the basis of inheriting the narrative tradition of the previous generation, Mei Yaochen integrated the characteristics of the times and actively sought innovation with "narration", so that his narrative poetry had a unique artistic style. Mei Yaochen's poetry had an important influence on the poetic style of Song Dynasty, played an important role in correcting the sculpture of Xikun style and promoting Song poetry scattered culture, starting from the point of view of narrative poetry. It can get a deeper explanation for the status evaluation of Mei Yaochen's "Kaishan ancestor".
【學(xué)位授予單位】：沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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