【摘要】：清代順康、雍乾四朝詞壇同畫題詞規(guī)模空前,其群體同畫唱和規(guī)模同樣如此。順康詞壇群體題畫唱和主題注重表達(dá)易代之際士人的舊闕之思和亂世之悲。從康熙后期至雍乾朝,群體同畫唱和主題逐漸演變?yōu)樽非箝e雅生活、抒發(fā)修齊治平之志的內(nèi)容。
[Abstract]:In the Qing Dynasty, Shunkang, Yongqian four dynasties with painting inscription scale unprecedented, its group with painting singing scale the same. Shunkang ci group theme and theme pay attention to express the generation of scholars' old lack of thinking and troubled times of grief. From the late Kangxi period to the Yong Qiandynasty, the theme of singing with the group gradually evolved into the pursuit of leisure and elegant life, expressing the content of Qi Zhiping's will.
【作者單位】： 上海理工大學(xué)社會(huì)科學(xué)學(xué)院;武漢大學(xué)文學(xué)院;
【基金】：國家社科基金一般項(xiàng)目“清雍乾詞壇研究”(項(xiàng)目批準(zhǔn)號(hào):15BZW079)的階段成果
【分類號(hào)】：I207.23
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本文編號(hào)：2429647