后殖民視域下也斯小說的“香港書寫”
發(fā)布時(shí)間：2019-01-11 18:42
【摘要】：也斯是香港知名的學(xué)者型作家,他作品高產(chǎn)而涉獵廣泛,創(chuàng)作涉及小說、詩(shī)歌、散文等多個(gè)領(lǐng)域。詩(shī)人的敏銳觸角賦予也斯感性的創(chuàng)作靈感和靈動(dòng)的詩(shī)化語(yǔ)言,博學(xué)多思的精神氣質(zhì)又賦予其文字從容灑脫的美學(xué)特征。作為兩屆“香港中文文學(xué)雙年文學(xué)獎(jiǎng)”的獲得者,也斯的作品記錄、呈現(xiàn)香港人以及香港城市的歷史變遷和當(dāng)下面貌,豐富了讀者的閱讀體驗(yàn)和文化感知。也斯的小說創(chuàng)作一如其筆名,“也”、“斯”,以兩個(gè)無意的虛詞給予讀者無限的文化想象空間;亦或是繼承其父名的“斯”字,表明一種傳承與發(fā)展并駕齊驅(qū)的重像式文化態(tài)度。因此在剖析也斯小說的創(chuàng)作特征時(shí),拘泥于二元對(duì)立的理論框架只會(huì)陷入自相矛盾、漏洞百出的困境,應(yīng)以張弛有度的話語(yǔ)模式梳理其文本內(nèi)容,進(jìn)而拼接也斯小說不“破”不“立”的文化話語(yǔ)空間。也斯的學(xué)者身份使其擁有跨藝術(shù)、跨文類、跨國(guó)界的學(xué)思深廣度,更給予他小說包容兼并的創(chuàng)作特征。因此,其小說中包容、多元的文化思考與東西并存的香港書寫為后殖民批評(píng)提供了豐富的話題空間。本文將從“他者”、“文化地理”、“第三空間”等后殖民話語(yǔ)的理論角度切入,在后殖民視域中解構(gòu)也斯小說的敘事手法與文本內(nèi)容,以期在后殖民文化視角下反思也斯筆下的香港文化特征。本文引言部分對(duì)也斯的生平與小說創(chuàng)作歷程進(jìn)行梳理,對(duì)其小說作品的研究現(xiàn)狀做分析整理,并對(duì)本文的研究方法與思路作簡(jiǎn)要介紹;第一章以后殖民話語(yǔ)中的“他者”意象來剖析也斯小說中的具體書寫,主要突出他致力于東西對(duì)話、寬厚包容的文化立場(chǎng)和詭譎多變的敘事手法;第二章解讀也斯小說的都市內(nèi)外空間,將都市文化符號(hào)化,淡化了的“邊緣”與“中心”,建構(gòu)以建筑、粵劇、傳媒、色彩、美食為支點(diǎn)的文化地理版圖等,解讀也斯的后殖民文化思考;第三章承接上兩章也斯所建構(gòu)的后殖民文化思考,并與霍米·巴巴的“第三空間”理論相結(jié)合,將研究視野延展到整體的世界華文文學(xué)視域之中,在文化空間的遷徙中思考也斯的藝術(shù)創(chuàng)作自覺和作為知識(shí)分子的文化素養(yǎng)。
[Abstract]:Yas is a famous scholar writer in Hong Kong. His works are prolific and extensive. He writes novels, poems, prose and many other fields. The poet's keen tentacles give him sensual creative inspiration and intelligent poetic language, and the erudite and thoughtful spiritual temperament endows him with the aesthetic features of ease and ease of writing. As the winner of the two "Hong Kong Biennial Chinese Literature Awards", Yates' works record presents the historical changes and present features of the people of Hong Kong and the city of Hong Kong, and enriches the readers' reading experience and cultural perception. Yess's novel creation is like its pseudonym, "also", "Si", with two unintentional function words to give readers unlimited space for cultural imagination; Or inheriting his father's name, the word "Si" shows a cultural attitude of inheritance and development. Therefore, in analyzing the creative characteristics of Yess's novels, the theoretical framework of dualistic opposition will only fall into the dilemma of self-contradiction and inadequacies, and the text content should be combed with Zhang Chi's systematic discourse mode. And then splice the cultural discourse space of Yess's novels. Yath's academic status makes him have a cross-artistic, cross-cultural, cross-national depth of thought, but also gives him the creative characteristics of the inclusive merger of the novel. Therefore, the inclusive, pluralistic cultural thinking and east-west Hong Kong writing in his novels provide rich topic space for postcolonial criticism. From the perspective of "the other", "Cultural Geography", "the third Space" and other post-colonial discourse, this paper attempts to deconstruct the narrative techniques and textual content of Yess's novels in the post-colonial field of view. In order to reflect on the cultural characteristics of Hong Kong in the post-colonial culture perspective. In the preface part of this paper, the author combs the life of Yath and the course of his novel creation, analyzes and arranges the present research situation of his novels, and briefly introduces the research methods and ideas of this paper. In the first chapter, the image of "the other" in the colonial discourse is analyzed to analyze the concrete writing of Yess's novels, which mainly highlights his commitment to the dialogue between the East and the West, his tolerant cultural stand and his fickle narrative techniques. The second chapter interprets the inner and outer space of Yess's novels, symbolizes the urban culture, weakens the "edge" and "center", and constructs a cultural geography with architecture, Cantonese opera, media, color and food as its fulcrum. To interpret Yes' postcolonial culture; The third chapter carries on the postcolonial culture thought constructed in the last two chapters, and combines with Homi Baba's "the third space" theory, and extends the research field to the whole world Chinese literature horizon. In the migration of cultural space, we should think about the consciousness of artistic creation and the cultural accomplishment of intellectuals.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42
本文編號(hào)：2407341
[Abstract]:Yas is a famous scholar writer in Hong Kong. His works are prolific and extensive. He writes novels, poems, prose and many other fields. The poet's keen tentacles give him sensual creative inspiration and intelligent poetic language, and the erudite and thoughtful spiritual temperament endows him with the aesthetic features of ease and ease of writing. As the winner of the two "Hong Kong Biennial Chinese Literature Awards", Yates' works record presents the historical changes and present features of the people of Hong Kong and the city of Hong Kong, and enriches the readers' reading experience and cultural perception. Yess's novel creation is like its pseudonym, "also", "Si", with two unintentional function words to give readers unlimited space for cultural imagination; Or inheriting his father's name, the word "Si" shows a cultural attitude of inheritance and development. Therefore, in analyzing the creative characteristics of Yess's novels, the theoretical framework of dualistic opposition will only fall into the dilemma of self-contradiction and inadequacies, and the text content should be combed with Zhang Chi's systematic discourse mode. And then splice the cultural discourse space of Yess's novels. Yath's academic status makes him have a cross-artistic, cross-cultural, cross-national depth of thought, but also gives him the creative characteristics of the inclusive merger of the novel. Therefore, the inclusive, pluralistic cultural thinking and east-west Hong Kong writing in his novels provide rich topic space for postcolonial criticism. From the perspective of "the other", "Cultural Geography", "the third Space" and other post-colonial discourse, this paper attempts to deconstruct the narrative techniques and textual content of Yess's novels in the post-colonial field of view. In order to reflect on the cultural characteristics of Hong Kong in the post-colonial culture perspective. In the preface part of this paper, the author combs the life of Yath and the course of his novel creation, analyzes and arranges the present research situation of his novels, and briefly introduces the research methods and ideas of this paper. In the first chapter, the image of "the other" in the colonial discourse is analyzed to analyze the concrete writing of Yess's novels, which mainly highlights his commitment to the dialogue between the East and the West, his tolerant cultural stand and his fickle narrative techniques. The second chapter interprets the inner and outer space of Yess's novels, symbolizes the urban culture, weakens the "edge" and "center", and constructs a cultural geography with architecture, Cantonese opera, media, color and food as its fulcrum. To interpret Yes' postcolonial culture; The third chapter carries on the postcolonial culture thought constructed in the last two chapters, and combines with Homi Baba's "the third space" theory, and extends the research field to the whole world Chinese literature horizon. In the migration of cultural space, we should think about the consciousness of artistic creation and the cultural accomplishment of intellectuals.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42
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