發(fā)布時(shí)間：2018-12-26 08:33

【摘要】：贈(zèng)序文創(chuàng)作自唐代開始進(jìn)入到了繁榮階段,到了中唐時(shí)期,贈(zèng)序文的發(fā)展越來越成熟。作為古文運(yùn)動(dòng)主要倡導(dǎo)者之一的柳宗元,現(xiàn)存贈(zèng)序文46篇,在贈(zèng)序文的創(chuàng)作上具有突出的貢獻(xiàn)。本文以柳宗元贈(zèng)序文為研究對(duì)象,追源溯流,通過對(duì)柳宗元贈(zèng)序文文本的具體研究,解析柳宗元贈(zèng)序文中的藝術(shù)特征和思想內(nèi)涵,共分為四部分:緒論部分對(duì)“贈(zèng)序文”的概念進(jìn)行了具體的界定,總結(jié)贈(zèng)序文的發(fā)展概況和研究現(xiàn)狀。第一章對(duì)柳宗元贈(zèng)序文的主題分類進(jìn)行了詳細(xì)分析。歸納總結(jié)出其具體主題為送官員類、送文人學(xué)子類、送僧人道士類、送處士類這四個(gè)類別,并對(duì)這四種類型所呈現(xiàn)的不同特征與情感內(nèi)涵進(jìn)行了分析。第二章重點(diǎn)論述柳宗元贈(zèng)序文的藝術(shù)特點(diǎn)。主要從立意突起新穎、結(jié)構(gòu)精裁密致、語言冷峭峻潔、修辭精當(dāng)自然四個(gè)方面入手,以贈(zèng)序文文本分析為主,由外而內(nèi),深入作品探究柳宗元贈(zèng)序文所具有的獨(dú)特的藝術(shù)技巧。柳宗元的贈(zèng)序文大多脫去了辭藻華麗的外在形式,著眼于描繪現(xiàn)實(shí),贈(zèng)序文的內(nèi)容豐富多樣,文章的創(chuàng)作手法也富于變化。第三章重點(diǎn)論述柳宗元贈(zèng)序文的思想內(nèi)涵。從關(guān)注現(xiàn)實(shí)的儒家思想、貶謫時(shí)期的佛道思想、以儒為主的三教融合思想和提倡“文以明道”的文學(xué)思想四個(gè)方面具體展開論述。柳宗元的贈(zèng)序文闡明了其人生哲學(xué)與文學(xué)觀念,本章結(jié)合當(dāng)時(shí)的具體社會(huì)背景和其人生經(jīng)歷,對(duì)其贈(zèng)序文所體現(xiàn)的思想內(nèi)涵進(jìn)行了深入分析。
[Abstract]:The creation of preface began to flourish in the Tang Dynasty, and the development of the preface became more and more mature in the middle Tang Dynasty. Liu Zongyuan, one of the main advocates of the ancient prose movement, has made outstanding contributions to the creation of prefaces. This article takes Liu Zongyuan gift preface as the research object, tracing back to the history, through the concrete research to the Liu Zongyuan gift preface text, analyzes the artistic characteristic and the thought connotation in the Liu Zongyuan gift preface. It is divided into four parts: the introduction defines the concept of "gift preface" concretely, and summarizes the development and research status of gift preface. The first chapter makes a detailed analysis of the theme classification of Liu Zongyuan's preface. This paper summarizes the specific themes of these four categories: sending officials, sending scholars, sending monks and Taoists, and sending officials, and analyzes the different characteristics and emotional connotations of these four types. The second chapter focuses on the artistic characteristics of Liu Zongyuan's preface. Mainly from four aspects of novel idea, fine structure, sharp and sharp language and natural rhetoric, this paper mainly analyzes the preface text, and probes deeply into the unique artistic skills of Liu Zongyuan's gift preface. Liu Zongyuan's preface takes off the ornate external form and focuses on depicting the reality. The content of the preface is rich and varied, and the writing technique of the article is also rich in variety. The third chapter focuses on the ideological connotation of Liu Zongyuan's preface. It is discussed from the following four aspects: Confucianism, Buddhism and Taoism during relegation, the integration of the three religions mainly Confucianism and the literature thought of advocating "literature with Ming Dao". Liu Zongyuan's gift preface clarifies his philosophy of life and literary concept. This chapter analyzes the ideological connotation of the preface of his gift based on the specific social background and his life experience at that time.
【學(xué)位授予單位】：長春師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.2

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