【摘要】：自郭紹虞《肌理說》一文發(fā)表以來,學界都因襲其說,先入為主地將肌理說視為翁方綱詩學的核心觀念,在肌理說與當時不同詩學觀念的對立中把握不同層面的詩學問題,以致對翁方綱詩學的詮釋和評價產生諸多分歧意見。如果從考究翁方綱詩學的取法之途與落腳之點入手,就會看到翁方綱詩論的核心和重要成果是建構了一個以杜韓蘇黃元為宗尚的師法譜系,同時以"事境"概念為中心初步實現(xiàn)了學人詩觀念的建構,為清代后期的學人詩風吹響了理論號角。
[Abstract]:Since the publication of Guo Shaoyu's Theory of texture, the academic circles have inherited his theory, previewing it as the core concept of Weng Fanggang's poetics, and grasping the poetics problems at different levels in the opposition between the texture theory and the different poetic concepts at that time. As a result, Weng Fang Gang poetics interpretation and evaluation of many different views. If we start with the study of Weng Fanggang's poetics, we can see that the core and important achievement of Weng Fanggang's poetics is the construction of a genealogy of master law with du Han Su Huang Yuan as Zong Shang. At the same time, taking the concept of "circumstance" as the center, the author initially realized the construction of the concept of scholars' poetry, which sounded the theoretical horn for the scholars' poetic style in the late Qing Dynasty.
【作者單位】： 華南師范大學文學院;
【基金】：國家社科基金重大項目“清代文人事跡編年匯考”(13&ZD117)的階段性成果
【分類號】：I207.22
，

本文編號：2390710