張德祚報紙連載小說《銀河》研究
發(fā)布時間：2018-11-17 17:11
【摘要】：女性作家張德祚以1932年在《第一線》上發(fā)表的短片小說《徘徊》初登文壇,其后在長達60多年的時間里,一直活躍在文學、戲劇等多個領域,創(chuàng)作了120多篇的短篇小說、90多篇的長篇小說,劇本7部。其作品特點有:1.就龐大的作品數(shù)量來說,作者積極創(chuàng)作,篇幅遍及短中長篇;2.就作品題材來說,小說選材新穎,涉及現(xiàn)實和歷史,就作者的作品而言,可分為抒情小說、身邊小說、諷刺小說、從軍小說、大眾小說等類型;3.就作品形式來說,除了紙質書,還被做成了有聲小說傳播。張德祚既是一個賢妻良母,又是一個知識女性,正是她的雙重身份,始終支配著她的處世方式和行動原則。也正是因為如此,家庭敘述貫穿了她一生的小說創(chuàng)作。她的小說雖然深受廣大讀者青睞,卻由于政府將她列入親日派,學界對她鮮有評價,尤其是對早期小說的研究可以說是寥寥無幾。小說《銀河》作為本論文的研究對象,是張德祚的第一部報紙連載小說。本論文中,筆者結合她的生平及創(chuàng)作活動,運用社會歷史批評、傳記批評、精神分析批評等文學批評方法對該小說進行分析。通過該小說,揭示作者之后60多年創(chuàng)作生涯的主題意識。本論文首先通過以下三個方面考察作者是如何接近和批判父權,在批判的同時又是如何塑造一個理想中的男性形象:第一,批判封建的妻妾制度下的弊病;第二,對無能而無情的男性社會的批判。由于不能直接暴露和譴責日本的殖民統(tǒng)治,作者只能從封建殘余下手對其批判;第三,在這樣的批判下,作者創(chuàng)造了理想中的男性形象。其次,作品中出現(xiàn)了三名女性人物——沈英順、金明愛、吳嫻靜,她們作為受難者,努力掙扎,尋找逃離這種生活的出口,但是最終被歷史淹沒。沈英順出生在一個不合理的妻妾制度下的家庭,她時刻牢記自己的身份——她是小妾生的女兒,因此她認為自己會給別人帶來不幸,這種自卑心理導致她拒絕了自己喜歡的男人。金明愛在其父親去世后變成了孤兒,她貌美、聰慧、充滿自信,然而這些優(yōu)點卻成為了她日后不幸遭遇的元兇,致使她的生活走向悲劇。老處女吳嫻靜被樸鎮(zhèn)利用,不僅結婚生活不幸,還染上性病,導致懷上的孩子也被傳染。而后,老公外遇壓倒她最后一根稻草,最終使她精神崩潰。這一部分重點分析這三名女性受難者為什么會經歷如此不幸的、受難的一生�！躲y河》雖然是一部大眾戀愛小說,但是作者淡化了男主人公與女主人公的戀愛關系,內容上更加集中的敘述了生活在殖民地的女性們所受的苦難。作者通過刻畫她們的人生及所受挫折,反映當時社會的不合理性。在批判父權制度的同時,作者對女性自身的缺陷也進行批判,在多重角度中為殖民地女性指出了前進的方向,具有重要的研究意義。
[Abstract]:Zhang Dezuo, a female writer, first appeared in the literary world in 1932 with short film novel "wandering" published in the first Line. After that, she has been active in literature, drama and other fields for more than 60 years, and has written more than 120 short stories. More than 90 novels and seven plays. The characteristics of his works are as follows: 1. In terms of the large number of works, the author actively created, covering short, medium and long; 2. In terms of the subject matter of the works, novel material selection, involving reality and history, the author's works can be divided into lyric novels, side novels, satirical novels, military novels, popular novels and other types; 3. In terms of the form of the work, in addition to paper books, it is also made into sound novel dissemination. Zhang Dezuo is not only a good wife and good mother, but also a intellectual woman. It is precisely because of this, the family narration runs through her life novel creation. Although her novels are favored by many readers, because the government has included her in the pro-Japanese school, there is little comment on her in academic circles, especially in the early novels, which can be said to be very few. As the object of this thesis, the novel Galaxy is Zhang Dezuo's first newspaper serial novel. In this paper, the author combines her life and creative activities, using social and historical criticism, biographical criticism, psychoanalytic criticism and other literary criticism methods to analyze the novel. Through the novel, the author reveals the theme consciousness of his creative career for more than 60 years. Firstly, this paper examines how the author approaches and criticizes the patriarchal power through the following three aspects: first, criticizing the malaise under the feudal system of wife and concubine; Second, the criticism of the incompetent and ruthless male society. Since he could not directly expose and condemn the colonial rule of Japan, the author could only criticize it from the vestiges of feudalism. Thirdly, under such criticism, the author created the ideal male image. Second, three female characters-Shen Yingshun, Kim Myung-ai and Wu Tien-jing, who, as victims, struggle to find an outlet to escape this life, are eventually overwhelmed by history. Born into a family under an unreasonable system of wives and concubines, Shen kept her identity in mind-she was the daughter of a concubine, so she thought she would bring misfortune to others. The inferiority complex led her to reject the man she liked. Kim Ming-ai was orphaned after her father's death. She was beautiful, intelligent and confident, but these qualities became the culprit of her misfortune, leading her life to tragedy. Wu Hsieh-Jing, an old virgin, was exploited by Park Zhen, who not only got married, but also contracted sexually transmitted diseases, resulting in infected children. After that, her husband's affair overwhelmed her last straw and finally broke her mind. This part focuses on the analysis of why the three female victims have experienced such unfortunate, crucifixion life. Although the Galaxy is a popular love novel, the author has played down the relationship between the hero and the heroine. A more focused account of the plight of women living in the colonies. By depicting their life and frustration, the author reflects the irrationality of the society at that time. While criticizing the patriarchal system, the author also criticizes the defects of women themselves, and points out the direction of advancement for colonial women from many angles, which is of great significance in research.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.427
，
本文編號：2338524
[Abstract]:Zhang Dezuo, a female writer, first appeared in the literary world in 1932 with short film novel "wandering" published in the first Line. After that, she has been active in literature, drama and other fields for more than 60 years, and has written more than 120 short stories. More than 90 novels and seven plays. The characteristics of his works are as follows: 1. In terms of the large number of works, the author actively created, covering short, medium and long; 2. In terms of the subject matter of the works, novel material selection, involving reality and history, the author's works can be divided into lyric novels, side novels, satirical novels, military novels, popular novels and other types; 3. In terms of the form of the work, in addition to paper books, it is also made into sound novel dissemination. Zhang Dezuo is not only a good wife and good mother, but also a intellectual woman. It is precisely because of this, the family narration runs through her life novel creation. Although her novels are favored by many readers, because the government has included her in the pro-Japanese school, there is little comment on her in academic circles, especially in the early novels, which can be said to be very few. As the object of this thesis, the novel Galaxy is Zhang Dezuo's first newspaper serial novel. In this paper, the author combines her life and creative activities, using social and historical criticism, biographical criticism, psychoanalytic criticism and other literary criticism methods to analyze the novel. Through the novel, the author reveals the theme consciousness of his creative career for more than 60 years. Firstly, this paper examines how the author approaches and criticizes the patriarchal power through the following three aspects: first, criticizing the malaise under the feudal system of wife and concubine; Second, the criticism of the incompetent and ruthless male society. Since he could not directly expose and condemn the colonial rule of Japan, the author could only criticize it from the vestiges of feudalism. Thirdly, under such criticism, the author created the ideal male image. Second, three female characters-Shen Yingshun, Kim Myung-ai and Wu Tien-jing, who, as victims, struggle to find an outlet to escape this life, are eventually overwhelmed by history. Born into a family under an unreasonable system of wives and concubines, Shen kept her identity in mind-she was the daughter of a concubine, so she thought she would bring misfortune to others. The inferiority complex led her to reject the man she liked. Kim Ming-ai was orphaned after her father's death. She was beautiful, intelligent and confident, but these qualities became the culprit of her misfortune, leading her life to tragedy. Wu Hsieh-Jing, an old virgin, was exploited by Park Zhen, who not only got married, but also contracted sexually transmitted diseases, resulting in infected children. After that, her husband's affair overwhelmed her last straw and finally broke her mind. This part focuses on the analysis of why the three female victims have experienced such unfortunate, crucifixion life. Although the Galaxy is a popular love novel, the author has played down the relationship between the hero and the heroine. A more focused account of the plight of women living in the colonies. By depicting their life and frustration, the author reflects the irrationality of the society at that time. While criticizing the patriarchal system, the author also criticizes the defects of women themselves, and points out the direction of advancement for colonial women from many angles, which is of great significance in research.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.427
，
本文編號：2338524
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