發(fā)布時(shí)間：2018-06-01 22:56

  本文選題：初盛唐 + 別集序��； 參考：《貴州師范大學(xué)》2017年碩士論文

【摘要】：唐人別集序文在文獻(xiàn)學(xué)方面研究成果豐碩,但從文學(xué)方面入手展開研究者較少。本文以國(guó)圖藏善本初盛唐文人別集序文為基礎(chǔ),通過對(duì)唐宋兩代文人所撰初盛唐別集序文進(jìn)行比較研究,探尋其發(fā)展流變之本因。筆者認(rèn)為,若要探尋其流變本因,應(yīng)從其文體、文學(xué)史觀以及文學(xué)批評(píng)三方面變化進(jìn)行重點(diǎn)、深入、細(xì)致的比較研究方可達(dá)到。本文第一章即對(duì)唐宋人所撰初盛唐文人別集,以及別集序文相關(guān)整理成果進(jìn)行敘述。第二章探究唐宋兩代文人所撰初盛唐文人別集序的文體變化。作為文體的一種,別集序文本身便具有文學(xué)性,歷代序文亦各具特色,通過對(duì)唐宋兩代文人所作初盛唐別集序文體特色的比較分析,從中可歸納出別集序文的文體變化。具體分為四個(gè)部分:一是序文起源及其文體概念的論述;二是歷史視角的變化而引起唐宋文人對(duì)序文認(rèn)識(shí)的不同;三是從敘事程度分析序文文體變化;四是從議論程度分析序文文體變化。第三章研究初盛唐文人別集序文中所蘊(yùn)涵的文學(xué)史觀。序文中的論述多可見出作序者的文學(xué)史觀,通過對(duì)兩代文人文學(xué)史觀的比較,可觀一代文學(xué)史變化的原因。主要分為兩方面敘述:一是序文中體現(xiàn)出的唐人文學(xué)史觀念;二是序文中體現(xiàn)出的宋人文學(xué)史觀念。第四章是對(duì)唐宋兩代文人文學(xué)批評(píng)觀念變化的比較。具體分為兩部分:一是唐人所撰初盛唐別集序文文學(xué)批評(píng)觀念;二是唐人所撰初盛唐別集序文文學(xué)批評(píng)觀念。以別集序文作為研究素材,對(duì)唐宋兩代文學(xué)批評(píng)觀念變化進(jìn)行比較研究,可佐證前人對(duì)初盛唐文學(xué)批評(píng)的研究。也為后人研究唐宋文學(xué)批評(píng)夯實(shí)基礎(chǔ)。第五章是對(duì)由唐至宋別集序文變化原因的探究。主要分三個(gè)方面:一、唐代別集在宋代的傳播與接受,主要從規(guī)模宏大的藏書活動(dòng),以及宋人對(duì)唐代文學(xué)的追慕兩方面論述。二、科舉制度的加強(qiáng)與士大夫階級(jí)的出現(xiàn)對(duì)別集序文變化的影響。三、新古文運(yùn)動(dòng)的興起與儒學(xué)的復(fù)興對(duì)別集序文變化的影響。通過對(duì)以上所述內(nèi)容進(jìn)行研究,一是可補(bǔ)目前從文學(xué)角度研究唐人別集序的空白;二是可以從發(fā)展變化中發(fā)現(xiàn)規(guī)律,為研究唐宋文學(xué)提供相關(guān)例證;三是采用新材料、新方法、新思路為進(jìn)一步研究別集序文提供基礎(chǔ)。
[Abstract]:The preface of the collection of Tang Dynasty was fruitful in philology, but few researchers started from literature. Based on the preface of the early prosperous Tang Dynasty, this paper makes a comparative study on the prefaces of the early prosperous Tang Dynasty by the scholars of Tang and Song dynasties, and explores the reasons for its development and evolution. The author thinks that if we want to explore the cause of its evolution, we should focus on the changes of its style, view of literary history and literary criticism, and make a thorough and detailed comparative study in order to achieve it. The first chapter of this paper is to describe the early Tang Dynasty literati anthology, as well as the preface of the early Tang Dynasty and Song Dynasty. The second chapter probes into the stylistic changes of the literary genres of Tang and Song dynasties. As a kind of stylistic style, the preface of the different collections has its own literariness, and the prefaces of the past dynasties have their own characteristics. Through the comparative analysis of the stylistic characteristics of the prefaces of the early Tang and the Tang dynasties made by the literati of the Tang and Song dynasties, the stylistic changes of the prefaces of the different collections can be summed up. It is divided into four parts: first, the origin of preface and its stylistic concept; second, the change of historical angle of view, which leads to different understanding of preface by scholars in Tang and Song dynasties; third, the analysis of the stylistic change of preface from the angle of narration; The fourth is to analyze the style changes of preface from the degree of discussion. The third chapter studies the literary history view contained in the preface of the literati anthology in the early Tang Dynasty. Through the comparison between the literary history views of the two generations, the reasons for the changes of the literary history of the considerable generation can be seen in the expositions in the preface. It is mainly divided into two aspects: one is the concept of the Tang Dynasty literary history embodied in the preface, the other is the Song Dynasty literary history concept embodied in the preface. The fourth chapter is the comparison of literary criticism ideas between Tang and Song dynasties. It is divided into two parts: one is the concept of literary criticism of the preface of the early prosperous Tang Dynasty and the other is the literary criticism of the preface of the early prosperous Tang Dynasty. A comparative study of the changes of literary criticism concepts in Tang and Song dynasties can be carried out on the basis of the preface of different collections, which can support the previous studies on literary criticism in the early prosperous Tang Dynasty. It also laid a solid foundation for the later study of literary criticism in Tang and Song dynasties. The fifth chapter explores the reasons for the change of preface from Tang to Song Dynasty. It is mainly divided into three aspects: first, the spread and acceptance of the collection of the Tang Dynasty in the Song Dynasty, mainly from the large-scale collection of books, as well as the Song Dynasty literature in pursuit of two aspects. Second, the strengthening of the imperial examination system and the appearance of the literati class influence the change of the preface. Thirdly, the rise of Neo-ancient Chinese Movement and the revival of Confucianism influence the change of preface. Through the study of the above mentioned contents, firstly, it can fill the blank of the current research on the different order of Tang people from the literary point of view; second, it can discover the law from the development and change, and provide relevant examples for the study of Tang and Song literature; third, it can adopt new materials and new methods. The new idea provides the basis for further study of the preface of different sets.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.2

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本文編號(hào)：1966069