本文選題：《驚座新書(shū)》 + 王兆云�。� 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：王兆云的《驚座新書(shū)》作為一部筆記小說(shuō),既有補(bǔ)史闕的紀(jì)實(shí)類(lèi)作品,也有昭勸誡的講究因果報(bào)應(yīng)類(lèi)作品,還有開(kāi)闊視野的記奇類(lèi)作品,以及追求娛樂(lè)消遣的笑謔類(lèi)作品。它題材豐富,內(nèi)容多樣,具有較高的文學(xué)價(jià)值。目前關(guān)于《驚座新書(shū)》的研究有少數(shù)書(shū)籍提及其性質(zhì),有兩篇論文考證了其版本及對(duì)“二拍”的影響。對(duì)《驚座新書(shū)》的價(jià)值及作者王兆云都有待深入全面研究。因此,本文從五方面對(duì)其進(jìn)行研究。第一部分:王兆云的生平、交游與著述。主要考證了王兆云的生平、交游情況及其著述。第二部分:《驚座新書(shū)》的性質(zhì)、內(nèi)容與所體現(xiàn)的創(chuàng)作觀念。從《驚座新書(shū)》的材料來(lái)源看,《驚座新書(shū)》是一部筆記小說(shuō)集。內(nèi)容主要分為鬼神志怪、奇人異士、詩(shī)文、地方風(fēng)俗物產(chǎn)四類(lèi),體現(xiàn)了作家教化勸誡與娛樂(lè)消遣的小說(shuō)創(chuàng)作觀念。第三部分:《驚座新書(shū)》的藝術(shù)特色。其一為隨意記錄與實(shí)錄原則,隨意記錄原則指《驚座新書(shū)》內(nèi)容繁雜,排序隨意。實(shí)錄原則指作者在創(chuàng)作時(shí)強(qiáng)調(diào)紀(jì)實(shí)性。其二為題材多樣與敘事藝術(shù),作品中含有多種題材,包括報(bào)恩抱冤、輪回轉(zhuǎn)世、命運(yùn)前定等。敘事藝術(shù)包括使用第三人稱(chēng)的敘事角度,采用順序、倒敘、插敘三種敘事手法,以及善用設(shè)置懸念、末生波瀾的敘事技巧。其三為語(yǔ)言樸實(shí)精煉,包括敘事語(yǔ)言與人物語(yǔ)言兩個(gè)方面。第四部分:《驚座新書(shū)》產(chǎn)生的原因以及《驚座新書(shū)》在明清時(shí)期的影響。原因包括政治因素與思想因素、世人對(duì)文言小說(shuō)的喜愛(ài)以及作者自身的愛(ài)好。影響包括明清文言小說(shuō)對(duì)《驚座新書(shū)》的選錄以及《驚座新書(shū)》對(duì)戲曲、“三言二拍”等白話小說(shuō)創(chuàng)作的影響。
[Abstract]:As a note-taking novel, Wang Zhaoyun's new book, which includes documentary works of supplementing Shi que, emphasizing karma and retribution, has broad horizons of strange works and funny works in pursuit of entertainment. Its subject matter is rich, the content is diverse, has the higher literature value. At present, there are a few books about the nature of the new book, and two papers have examined its version and its influence on the "second pat". The value of the new book and its author, Wang Zhaoyun, need to be thoroughly studied. Therefore, this article carries on the research from five aspects. The first part: Wang Zhaoyun's life, friends and writings. The main textual research of Wang Zhaoyun's life, friends and writings. The second part: the nature, content and creative idea of the new book. From the source of the new book, the book is a collection of notebooks. The contents are divided into four categories: ghosts and spirits, strange people, poems and articles, local customs and products, which embodies the writer's concept of novel creation of enlightenment, exhortation and entertainment. The third part: the artistic features of the new book. One is the principle of random recording and recording. The principle of actual record refers to the author's emphasis on documentary in his creation. The second is the variety of themes and narrative art, which contains various themes, including payback, reincarnation, destiny and so on. Narrative art includes the use of the third person narrative angle, the use of sequence, flashback, and narration three narrative techniques, as well as the use of suspense, the last wave of narrative skills. The third is simple and refined language, including narrative language and character language. The fourth part: the causes of the new book and the influence of the new book in the Ming and Qing dynasties. The reasons include political and ideological factors, the world's love of classical Chinese novels and the author's own love. The influences include the selections of classical Chinese novels in Ming and Qing dynasties and the influence of new books on drama, three words and two pas, and so on in vernacular novels.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.41

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本文編號(hào)：1919464