本文關(guān)鍵詞：南宋上梁文研究　出處：《西北大學》2017年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 南宋 上梁文 口頭文學

【摘要】：上梁文是建屋上梁時用以祝頌的文體。它具有豐富的人文色彩,蘊含著創(chuàng)作者自身的情感和精神思想。上梁文的發(fā)展經(jīng)歷了漫長的歲月。它在北宋開始定型,直到南宋才真正臻于至盛。南宋上梁文不論在創(chuàng)作數(shù)量、文學質(zhì)量還是文學風格、思想內(nèi)涵上都有創(chuàng)造性的發(fā)展。所以,文章將以南宋上梁文為分析對象,結(jié)合南宋特殊的歷史與政治環(huán)境,全面探究南宋上梁文的文學、文化內(nèi)涵。首先,文章以南宋歷史為宏觀架構(gòu),運用數(shù)學統(tǒng)計的方法,對上梁文進行歷史分期。在歷史分期的基礎(chǔ)上,文章考證上梁文具體創(chuàng)作時間,結(jié)合作者的生平,對上梁文進行微觀分析,并找出文人群體創(chuàng)作上梁文時的共同心理。如貶謫文人群體、理學家群體、僧人群體等等。他們創(chuàng)制的上梁文風格各異,其上梁文背后都承載著創(chuàng)作者獨特的思想內(nèi)涵。再者,文章以文學價值作為中心,通過文本研究,探究上梁文的文學內(nèi)涵和文人精神。第一是研究文學內(nèi)涵,從上梁文的形制、意象等藝術(shù)特征進行分析。第二是研究文人精神,對上梁文進行解構(gòu)化分析,提煉其中的色彩詞與意象詞,得出文人的色彩審美心理。除此之外,文章還著眼于文人仕隱的矛盾心理,研究這些文人群體共同的歸隱情結(jié)。最后,文章從文體學角度分析上梁文的文體特征。其結(jié)構(gòu)、體裁、審美對象、審美精神等都是文章主要的分析方向。除此之外,文章還對上梁文的口頭文學特征、正變二體等方面進行了分析。文章通過不同的角度,較為全面地概括了上梁文的文體結(jié)構(gòu)。上梁文既具有口頭文學的韻律和儀式性,又有宮廷文學的駢偶與富麗,在風格上呈現(xiàn)多元的趨勢。上梁文兼收并蓄,內(nèi)涵豐富,在個性化創(chuàng)作上開辟了新的道路,具有很高的研究價值。建屋上梁對于個體文人意義重大,通過上梁文研究,研究者可以更立體地觀察南宋文人的生活狀態(tài)。
[Abstract]:Shangliangwen is a style used to celebrate when building houses and beams. It has rich humanistic color and contains the creators' own emotional and spiritual thoughts. The development of Shangliangwen has experienced a long period of time. It began to form in the Northern Song Dynasty. It was not until the Southern Song Dynasty that it was really flourishing. No matter in the quantity of creation, the quality of literature or the style of literature, there was a creative development in the ideological connotation. Therefore, the article will take the text of the Shang Liang Dynasty in the Southern Song Dynasty as the object of analysis. Combined with the special historical and political environment of the Southern Song Dynasty, this paper comprehensively explores the literary and cultural connotations of the Southern Song Dynasty. Firstly, the article takes the history of the Southern Song Dynasty as the macro structure and applies the method of mathematical statistics. On the basis of historical staging, the article studies the specific creation time of Shangliang text, combined with the author's life, carries on the microscopic analysis to the Shangliang text. And find out the common psychology of the literati group when creating the Shang Liang Wen, such as the relegated literati group, the Neo-Confucianism group, the monk group and so on. In addition, the article takes the literary value as the center, through the text research, explores the literary connotation and the literati spirit. The first is to study the literary connotation. The second is to study the spirit of the literati, deconstructed analysis of the Shang Liang text, extract the color words and image words. In addition, the article also focuses on the contradiction of the literati hidden psychology, and studies the common reclusive complex of these literati groups. Finally. This paper analyzes the stylistic features of Shangliangwen from the stylistic point of view. Its structure, genre, aesthetic object, aesthetic spirit and so on are all the main analysis directions of the article. In addition, the article also analyzes the oral literary characteristics of Shangliangwen. Through different angles, the article summarizes the stylistic structure of Shangliang text, which has the rhythm and ritual of oral literature. There is also the court literature of the parallel and rich, in the style of a pluralistic trend. Shangliangwen eclectic, rich in connotation, opened up a new way in personalized creation. It is of great significance to individual literati to build the upper beam of the house. Through the study of the Shang Liang, the researcher can observe the life state of the literati in the Southern Song Dynasty more stereoscopically.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.2
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本文編號：1416696