發(fā)布時(shí)間：2018-01-11 08:17

  本文關(guān)鍵詞：合作式網(wǎng)絡(luò)文藝批評(píng)范式的建構(gòu)　出處：《中州學(xué)刊》2017年07期 　論文類型：期刊論文

  更多相關(guān)文章： 網(wǎng)絡(luò)文藝 數(shù)字媒介 合作式批評(píng) 交互主體性

【摘要】：中國(guó)批評(píng)界現(xiàn)有的各類按主體劃分的文藝批評(píng)形態(tài)——學(xué)者批評(píng)、讀者批評(píng)、作家批評(píng)、編者(編輯)批評(píng)等,在網(wǎng)絡(luò)文藝批評(píng)領(lǐng)域發(fā)揮各自優(yōu)勢(shì),取得了一定成績(jī),其雜語紛爭(zhēng)局面也自有其積極意義。但它們?cè)谂�評(píng)實(shí)踐中遭遇的問題更為突出,每一種批評(píng)主體的個(gè)體行為都很難達(dá)到有效闡釋網(wǎng)絡(luò)文藝現(xiàn)象的目的。也許,建構(gòu)讀者、作者、編者、學(xué)者"四方主體合作式批評(píng)",是一條值得探索的道路。這一新的文藝批評(píng)范式具有"金字塔形合作式話語生產(chǎn)"和"環(huán)形合作式話語生產(chǎn)"兩種具體操作形式。
[Abstract]:China criticism of existing various according to the division of the main literary criticism form -- scholar criticism, reader criticism, criticism writer, editor (Editor) criticism, play their respective advantages in the field of network literary criticism, has made some achievements, the miscellaneous language also has its own situation of several positive sense. But they are in the critical problems encountered in practice is more prominent, the individual behavior of each of the subject of criticism are difficult to achieve the effective interpretation of the phenomenon of network. Perhaps, the construction of the reader, author, editor, scholar "Quartet cooperative criticism", is a worth exploring road. This new literary criticism paradigm has "Pyramid cooperation type of discourse production" and "ring cooperative discourse production" two kinds of specific forms.

【作者單位】： 杭州師范大學(xué)人文學(xué)院;
【分類號(hào)】：I206
【正文快照】： 一個(gè)時(shí)期以來,中國(guó)網(wǎng)絡(luò)文藝無論在藝術(shù)層面還是在產(chǎn)業(yè)層面都已經(jīng)展現(xiàn)出快速發(fā)展的態(tài)勢(shì)。網(wǎng)絡(luò)文藝是當(dāng)代依托于數(shù)字新媒介進(jìn)行生產(chǎn)、傳播、接受的新型文藝形態(tài)。在一定程度上,中國(guó)網(wǎng)絡(luò)文藝已經(jīng)打破和改變印刷文化時(shí)代既定的文藝存在方式、文藝類型、文藝文本和文藝觀念。目前,，

本文編號(hào)：1408792