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  本文關(guān)鍵詞：藝術(shù)性產(chǎn)品在傳播中的重構(gòu)問(wèn)題研究　出處：《電子科技大學(xué)》2009年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 傳播學(xué) 藝術(shù)性產(chǎn)品 解構(gòu) 重構(gòu) 網(wǎng)絡(luò)傳播工程

【摘要】： 本論文通過(guò)對(duì)藝術(shù)性產(chǎn)品的較全面的分析研究,探討了其在傳播過(guò)程前后所產(chǎn)生的變化,從而得出了該類(lèi)產(chǎn)品解構(gòu)、重構(gòu)的概念及范疇。論文論述了藝術(shù)性產(chǎn)品的解構(gòu)、重構(gòu)的具體內(nèi)涵和三個(gè)階段,包括它在傳媒工具過(guò)渡到當(dāng)今信息社會(huì),形成網(wǎng)絡(luò)傳播工程、具有工程學(xué)意義和高技術(shù)階段時(shí)的情況。同時(shí),討論了重構(gòu)對(duì)相關(guān)傳播學(xué)概念的拓展,重構(gòu)對(duì)生活哲學(xué)、政治文化以及商業(yè)實(shí)踐方面的典型影響和啟示。本篇論文建立在哲學(xué)上的邏輯思辨和統(tǒng)計(jì)數(shù)據(jù)的比較研究基礎(chǔ)之上,通過(guò)對(duì)具體藝術(shù)性產(chǎn)品在經(jīng)歷媒介前后所產(chǎn)生差異的調(diào)查以探尋“重構(gòu)”在影像學(xué)、廣告學(xué)、藝術(shù)美學(xué)等諸領(lǐng)域中的情況。 本論文對(duì)藝術(shù)性產(chǎn)品的重構(gòu)過(guò)程和啟示的分析,提供了在傳播學(xué)概念及哲學(xué)、文化學(xué)方面的一個(gè)新視角,有助于人們對(duì)哲學(xué)和文化層面上的一些困惑尋求新的解決方案,也有助于傳媒界、演藝界,甚至廣告界思考傳播效果及受眾心理,對(duì)社會(huì)民主的促進(jìn),對(duì)廣告及演藝策劃、營(yíng)銷(xiāo)思路及盈利空間方面具有指導(dǎo)和啟迪作用。同時(shí),作者也對(duì)傳統(tǒng)傳播學(xué),以及原教科書(shū)中某些觀點(diǎn)提出了不同的看法,指出這些觀點(diǎn)由于時(shí)代變遷而存在的表述及適用局限,從而,拓展傳播學(xué)在新時(shí)代的作用和意義。這些新的見(jiàn)解,拓寬了原有傳播過(guò)程理論及社會(huì)效果理論,具有一定理論意義。我們需要建立現(xiàn)代傳播學(xué)的理念,在理論上和思維上都有所創(chuàng)新,這也是本文研究的目的之一。
[Abstract]:Through the comprehensive analysis and study of the artistic products, this paper discusses the changes before and after the propagation process, and then obtains the deconstruction of this kind of products. This paper discusses the deconstruction of artistic products, the concrete connotation and three stages of reconstruction, including its transition from media tools to the information society today and the formation of network communication engineering. At the same time, the extension of reconstruction to the concept of related communication and the reconstruction of philosophy of life are discussed. The typical influence and enlightenment of political culture and business practice. This paper is based on the philosophical logical speculation and the comparative study of statistical data. Through the investigation of the differences between specific artistic products before and after experiencing the media, this paper explores the situation of "reconstruction" in the fields of imaging, advertising, art aesthetics and so on. This paper provides a new perspective on the concept and philosophy of communication and cultural science through the analysis of the reconstruction process and enlightenment of artistic products. It is helpful for people to seek new solutions to some puzzles in philosophy and culture, and also help the media, entertainment, and even advertising to think about the effects of communication and the psychology of the audience, and to promote social democracy. It has a guiding and enlightening effect on advertising and acting planning, marketing ideas and profit space. At the same time, the author also puts forward different views on traditional communication and some viewpoints in the original textbook. This paper points out the expression and application limitation of these views due to the changes of the times, so as to expand the role and significance of communication in the new era. These new views broaden the original theory of communication process and the theory of social effect. We need to establish the concept of modern communication and innovate in theory and thinking, which is one of the purposes of this paper.
【學(xué)位授予單位】：電子科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：G206

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

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本文編號(hào)：1429041