本文關(guān)鍵詞：時(shí)間與空間的魔術(shù)數(shù)字媒體影像的視聽語言表現(xiàn)　出處：《北京交通大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 數(shù)字媒體 時(shí)間表達(dá) 空間表達(dá) 視聽語言 剪輯 沉浸感

【摘要】：摘要：數(shù)字媒體影像是在空間里展現(xiàn)時(shí)間,在時(shí)間中延續(xù)空間的藝術(shù)。創(chuàng)作者們不斷擴(kuò)展著數(shù)字媒體這一最新的影像表現(xiàn)形式。從畫面造型新、影像剪輯、視角變換等方面,不斷的突破現(xiàn)實(shí)時(shí)空對影像時(shí)空的制約,改變著傳統(tǒng)視聽語言在數(shù)字媒體影像中的表現(xiàn)形態(tài)。數(shù)字媒體影視的敘述在時(shí)間和空間的運(yùn)用上有著極大的自由,將傳統(tǒng)電影中的各項(xiàng)理論,實(shí)驗(yàn)性的運(yùn)用在數(shù)字媒體上,創(chuàng)造了種種新穎并超出常規(guī)的鏡頭組合的理論,使得人們對對時(shí)空把握有了更具個(gè)性化的改變,各種視聽語言的創(chuàng)新隨之源源而來。本課題選取當(dāng)代國內(nèi)外數(shù)字媒體影像在視聽上具有前衛(wèi)手法的作品,包含游戲、動(dòng)畫、數(shù)字廣告等新媒體,從理論和實(shí)踐的雙重角度對它們的鏡頭蒙太奇與聲畫關(guān)系進(jìn)行細(xì)致梳理,努力尋求媒體藝術(shù)創(chuàng)作者們?nèi)诤狭擞耙粼氐膭?chuàng)造性非線性敘事方式,在創(chuàng)作時(shí)空敘事方式上的突破和發(fā)展,通過深入剖析表現(xiàn)手法的獨(dú)特創(chuàng)新之處,尋求符合現(xiàn)代審美的前衛(wèi)視聽風(fēng)格。本題將深層發(fā)掘視聽語言中時(shí)空敘事關(guān)系上的思維創(chuàng)新,以尋求電影、動(dòng)畫、游戲、廣告等所具有吸引觀眾的優(yōu)勢的潛在規(guī)律性,并為當(dāng)代數(shù)字媒體藝術(shù)創(chuàng)作發(fā)展提供指導(dǎo)理論思考和創(chuàng)作實(shí)踐的范本。
[Abstract]:Abstract: digital media image is in space show time, continuity in time and space in art. The creator of the digital media are expanding the latest image form. From the picture modeling, image editing, view transformation, continuous spatio-temporal breakthrough for video reality restrict, changing the traditional audio-visual the language in the digital media images of the form. The digital media video narrative used in time and space on the great freedom, the traditional film theory, experimental use in digital media, has created the novel and beyond the conventional lens combination theory, and makes people to grasp the space-time a more personalized, innovative variety of audio-visual language. This paper takes contemporary flow in domestic and international digital media image has the avant-garde techniques in audio-visual works, including Games, animation, digital advertising and other new media, meticulous combing lens montage and sound picture about the relationship between them from the perspectives of both theory and practice, creative nonlinearnarrative seek media artists fusion of audio and video elements, breakthrough and development in the creation of spatial narrative, through in-depth analysis of unique expression innovation, seeking with modern aesthetic avant-garde audio-visual style. This article will explore innovative thinking deep narrative audio-visual language of relations, to seek film, animation, games, rule of the advertisement is to attract people's advantage, and provide guidance for theoretical thinking and creative practice for contemporary digital media art development.

【學(xué)位授予單位】：北京交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J905

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉茜茜;;論電影的獨(dú)特語言:運(yùn)動(dòng)性——以《太陽照常升起》為例[J];湖北師范學(xué)院學(xué)報(bào)(哲學(xué)社會科學(xué)版);2011年05期

2 吳W氀，

本文編號：1428664