發(fā)布時(shí)間：2024-06-07 00:24

　　“一帶一路”倡議提出來以來,受到國內(nèi)外的廣泛關(guān)注。這一倡議在得到廣泛贊譽(yù)的同時(shí),也遭到了各種質(zhì)疑和誤解。有人說這個(gè)倡議預(yù)示著對(duì)非洲的侵略,也有人說這是當(dāng)年馬歇爾計(jì)劃的翻版等。因此,如何傳播中國文化、如何讓世界了解一帶一路的深刻內(nèi)涵,是一個(gè)亟待解決的問題。文化傳播有多種渠道:報(bào)紙、雜志、電視等,在眾多的傳播手段中,電影是一個(gè)不可或缺的方法。在此背景下,《功夫瑜伽》于2017年誕生。這部電影集冒險(xiǎn)、動(dòng)作、喜劇于一身,講述了一位中國考古學(xué)家被一張來自印度的千年地圖所吸引,在中印之間尋找神秘寶藏的故事。鑒于上述原因,該論文旨在分析《功夫瑜伽》是如何傳播中國文化、達(dá)到中印之間的文化融合的。該論文借助于定量、比較和定性的分析方法,依據(jù)霍夫斯泰德的個(gè)人主義和集體主義、不確定性的規(guī)避、男權(quán)和女權(quán)、權(quán)利距離四個(gè)文化維度展開分析。首先,文中使用定量分析方法對(duì)電影中人物的對(duì)話進(jìn)行計(jì)算和分析,得出每個(gè)人物在其文化維度中所占的數(shù)量和比重,然后采用比較的分析方法對(duì)《功夫瑜伽》中中印的差異性和相似性進(jìn)行對(duì)比研究,最后采用定性的分析方法對(duì)影片中中印的文化融合進(jìn)行分析探討。通過分析表明:《功夫瑜伽》在霍夫斯泰德的這四個(gè)...

【文章頁數(shù)】：91 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
abstract
Acknowledgements
CHAPTER ONE INTRODUCTION
    1.1 Research Background
    1.2 Purpose and Significance
    1.3 Methodology
    1.4 Structure
CHAPTER TWO LITERATURE REVIEW
    2.1 Previous Studies of Hofstede’s Cultural Dimensions
    2.2 Previous Studies of Kung-Fu Yoga
    2.3 Previous Studies of Cultural Integration
CHAPTER THREE THEORETICAL FRAMEWORK OF HOFSTEDE’S CULTURAL DIMENSIONS
    3.1 Individualism versus Collectivism
    3.2 Uncertainty Avoidance
    3.3 Masculinity versus Femininity
    3.4 Power Distance
CHAPTER FOUR CULTURAL INTEGRATION OF CHINA AND INDIA IN KUNG-FU YOGA BASED ON HOFSTEDE’S CULTURAL DIMENSIONS
    4.1 Analysis of Cultural Integration Based on Individualism versus Collectivism
        4.1.1 Comparative Analysis of Characters’ Dialogues of China and India
        4.1.2 Cultural Integration of China and India
    4.2 Analysis of Cultural Integration Based on Uncertainty Avoidance
        4.2.1 Comparative Analysis of Characters’ Dialogues of China and India
        4.2.2 Cultural Integration of China and India
    4.3 Analysis of Cultural Integration Based on Masculinity versus Femininity
        4.3.1 Comparative Analysis of Powerful Characters’ Gender and Status of China and India
        4.3.2 Cultural Integration of China and India
    4.4 Analysis of Cultural Integration Based on Power Distance
        4.4.1 Comparative Analysis of Characters’ Dialogues of China and India
        4.4.2 Cultural Integration of China and India
CHAPTER FIVE CONCLUSION AND SUGGESTIONS
    5.1 Major Findings
    5.2 Contributions
    5.3 Limitations and Suggestions
REFERENCES
APPENDIXES



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