殷周青銅器紋飾的文化透視
發(fā)布時間：2018-08-28 16:14
【摘要】：殷周二代處于中國青銅文化的鼎盛時期,其為后人留下了數以萬計的青銅寶器。這些吉金瑰寶是殷周文化最為重要的載體之一,其或刻勒字銘,或鑄鏤文圖,為我們留下了關于殷周二代的歷史文化方面豐富而翔實的實物資料,彌補了研究殷周兩代歷史所面臨的文獻不足的缺陷。器型、銘文、紋飾是構成青銅器研究的的三大要素,自有宋一朝迄今,從金石學至今之考古學,對青銅器的研究雖歷經千年,但一直沒有擺脫重銘文輕紋飾的研究弊端——其或重紋飾在考古斷代中的器型分類,抑或糾纏在在探討饕餮紋、夔龍紋等一兩種紋飾的名實問題上,鮮有對青銅器紋飾的系統(tǒng)的整理考察和深層次的文化因子探究。青銅器紋飾除了美學價值和器型斷代價值之外,還包含著人類學、社會學、民俗學等諸多方面的信息,是殷周先民思想觀念、宗教意識、審美訴求、生產生活等的歷史映射。本文試圖通過對考古或傳世出土的殷周青銅器,結合現有的考古資料,爬梳歷史文獻,來對殷周青銅器紋飾進行較為全面的文化考察,來探究殷周文化的特質及其對中國傳統(tǒng)文化及華夏民族心理積淀的影響,以期更好地服務于今日之文化建設。 本文主要包括以下六個部分： 第一部分是緒論。主要簡言選題的緣由及意義,綜述古今中外對殷周青銅器紋飾的研究歷程及研究現狀,點出目前研究成果的薄弱點,并闡述了本文的研究方法、思路及創(chuàng)新之處。 第二部分是殷周青銅器紋飾的概念和分類。首先闡釋青銅紋飾的內涵和外延,并在對紋飾概念闡釋的基礎上再進行對紋飾和器物造型以及圖像銘文、器物用途之間的關系探討,把紋飾放在青銅器的整體中進行考察,以更好的發(fā)掘其文化內涵；其次在闡釋青銅紋飾概念的基礎上對青銅器紋飾分為集合物類紋飾、具象物類紋飾和幾何紋飾和其他紋飾四大類。 第三部分是對殷周青銅器紋飾的歷史考察。首先筆者對殷周青銅紋飾的文化淵源進行探討,將殷周青銅紋飾與史前陶器、玉器藝術之間的傳承關系進行探討,希冀求其源解其意；其次通過縱向的時間軸和立體的空間軸來介紹殷周青銅器紋飾產生的社會背景及其階段性特點和地域性特征,可以讓我們更好的理清殷周青銅器紋飾的流變,理解青銅器紋飾的嬗變的社會因素。 第四部分探討殷周青銅紋飾的創(chuàng)作的文化原理。主要對紋飾素材的選取及對青銅紋飾的產生和表現形式起到主要支配作用的農耕文明意識、政治、審美等文化因素進行分析。 第五部分闡釋殷周青銅器紋飾的文化功能。主要對青銅器紋飾所具有的政治、道德、審美、宗教四方面功能的論述,來展示青銅紋飾除在殷周社會生活中所起的作用。 第六部分為本文結語部分,主要對全文內容做以總結概括,揭示本文立意主旨。
[Abstract]:The Yin and Zhou dynasties were at the height of Chinese bronze culture, leaving tens of thousands of bronze treasures for later generations. These golden treasures are one of the most important carriers of Yin and Zhou culture. They have left us with rich and solid material materials on the historical and cultural aspects of the Yin and Zhou dynasties. It makes up for the shortage of literature in the study of the history of Yin and Zhou dynasties. The patterns, inscriptions and ornaments are the three elements that constitute the study of bronzes. Since the Song Dynasty, the archaeology of bronze has been studied for thousands of years since the beginning of the Song Dynasty. But there has been no escape from the drawback of the study of heavy inscriptions and light ornaments-the classification of the instrumental types of heavy ornaments in archaeological dynasties, or the discussion of the name and substance of one or two ornaments, such as the gluttonous patterns, the Kui dragon lines, and so on. There are few systematic studies on bronze ornaments and deep cultural factors. In addition to aesthetic value and instrumental value, bronze ornaments also contain anthropology, sociology, folklore and many other aspects of information, which is a historical reflection of the ideology, religious consciousness, aesthetic appeal, production and life of the forefathers of Yin and Zhou dynasties. This article attempts to carry on the relatively comprehensive cultural investigation to the Yin and Zhou bronze ornaments through the archaeological or ancient unearthed bronze vessels of the Yin and Zhou dynasties, combined with the existing archaeological materials, and combed the historical documents to make a more comprehensive cultural investigation of the bronze ornaments of the Yin and Zhou dynasties. To explore the characteristics of Yin and Zhou culture and its influence on Chinese traditional culture and Chinese national psychological accumulation in order to better serve today's cultural construction. This article mainly includes the following six parts: the first part is the introduction. This paper briefly discusses the reason and significance of selecting the topic, summarizes the research history and present situation of the bronze ornaments in Yin and Zhou dynasties, points out the weak points of the current research results, and expounds the research methods, ideas and innovations of this paper. The second part is the concept and classification of bronze ornaments in Yin and Zhou dynasties. First of all, it explains the connotation and extension of bronze ornaments, and on the basis of explaining the concept of the ornaments, discusses the relationship between the patterns and objects, as well as the image inscriptions and objects, and puts the ornaments in the whole bronze ware. Secondly, on the basis of explaining the concept of bronze ornaments, bronze ornaments can be divided into four categories: collection ornaments, figurative ornaments, geometric ornaments and other ornaments. The third part is the historical investigation of bronze ornaments in Yin and Zhou dynasties. Firstly, the author probes into the cultural origin of the bronze ornaments of the Yin and Zhou dynasties, and probes into the inheritance relationship between the bronze ornaments of the Yin and Zhou dynasties and the art of prehistoric pottery and jade, in the hope of seeking its source and understanding its meaning. Secondly, through the longitudinal time axis and the three-dimensional space axis to introduce the social background, stage characteristics and regional characteristics of Yin and Zhou bronze ornaments, we can better clarify the rheology of Yin Zhou bronze ornaments. Understand the social factors of the evolution of bronze ornaments. The fourth part probes into the cultural principle of the creation of bronze ornaments in Yin and Zhou dynasties. This paper mainly analyzes the selection of decorative materials and the cultural factors such as the consciousness of agricultural civilization, politics, aesthetics and so on, which play a dominant role in the emergence and expression of bronze ornaments. The fifth part explains the cultural function of bronze ornaments in Yin and Zhou dynasties. This paper mainly discusses the political, moral, aesthetic and religious functions of bronze ornaments to demonstrate the role of bronze ornaments in the social life of Yin and Zhou dynasties. The sixth part is the conclusion of this paper, mainly summarizes the content of the text, reveals the purport of this article.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K876.41
本文編號：2209919
[Abstract]:The Yin and Zhou dynasties were at the height of Chinese bronze culture, leaving tens of thousands of bronze treasures for later generations. These golden treasures are one of the most important carriers of Yin and Zhou culture. They have left us with rich and solid material materials on the historical and cultural aspects of the Yin and Zhou dynasties. It makes up for the shortage of literature in the study of the history of Yin and Zhou dynasties. The patterns, inscriptions and ornaments are the three elements that constitute the study of bronzes. Since the Song Dynasty, the archaeology of bronze has been studied for thousands of years since the beginning of the Song Dynasty. But there has been no escape from the drawback of the study of heavy inscriptions and light ornaments-the classification of the instrumental types of heavy ornaments in archaeological dynasties, or the discussion of the name and substance of one or two ornaments, such as the gluttonous patterns, the Kui dragon lines, and so on. There are few systematic studies on bronze ornaments and deep cultural factors. In addition to aesthetic value and instrumental value, bronze ornaments also contain anthropology, sociology, folklore and many other aspects of information, which is a historical reflection of the ideology, religious consciousness, aesthetic appeal, production and life of the forefathers of Yin and Zhou dynasties. This article attempts to carry on the relatively comprehensive cultural investigation to the Yin and Zhou bronze ornaments through the archaeological or ancient unearthed bronze vessels of the Yin and Zhou dynasties, combined with the existing archaeological materials, and combed the historical documents to make a more comprehensive cultural investigation of the bronze ornaments of the Yin and Zhou dynasties. To explore the characteristics of Yin and Zhou culture and its influence on Chinese traditional culture and Chinese national psychological accumulation in order to better serve today's cultural construction. This article mainly includes the following six parts: the first part is the introduction. This paper briefly discusses the reason and significance of selecting the topic, summarizes the research history and present situation of the bronze ornaments in Yin and Zhou dynasties, points out the weak points of the current research results, and expounds the research methods, ideas and innovations of this paper. The second part is the concept and classification of bronze ornaments in Yin and Zhou dynasties. First of all, it explains the connotation and extension of bronze ornaments, and on the basis of explaining the concept of the ornaments, discusses the relationship between the patterns and objects, as well as the image inscriptions and objects, and puts the ornaments in the whole bronze ware. Secondly, on the basis of explaining the concept of bronze ornaments, bronze ornaments can be divided into four categories: collection ornaments, figurative ornaments, geometric ornaments and other ornaments. The third part is the historical investigation of bronze ornaments in Yin and Zhou dynasties. Firstly, the author probes into the cultural origin of the bronze ornaments of the Yin and Zhou dynasties, and probes into the inheritance relationship between the bronze ornaments of the Yin and Zhou dynasties and the art of prehistoric pottery and jade, in the hope of seeking its source and understanding its meaning. Secondly, through the longitudinal time axis and the three-dimensional space axis to introduce the social background, stage characteristics and regional characteristics of Yin and Zhou bronze ornaments, we can better clarify the rheology of Yin Zhou bronze ornaments. Understand the social factors of the evolution of bronze ornaments. The fourth part probes into the cultural principle of the creation of bronze ornaments in Yin and Zhou dynasties. This paper mainly analyzes the selection of decorative materials and the cultural factors such as the consciousness of agricultural civilization, politics, aesthetics and so on, which play a dominant role in the emergence and expression of bronze ornaments. The fifth part explains the cultural function of bronze ornaments in Yin and Zhou dynasties. This paper mainly discusses the political, moral, aesthetic and religious functions of bronze ornaments to demonstrate the role of bronze ornaments in the social life of Yin and Zhou dynasties. The sixth part is the conclusion of this paper, mainly summarizes the content of the text, reveals the purport of this article.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K876.41
【參考文獻】
相關期刊論文 前10條
1 常金倉;論現象史學[J];寶雞文理學院學報(社會科學版);2001年03期
2 高至喜;馬簋年代與族屬考[J];東南文化;1988年02期
3 李學勤;良渚文化玉器與饕餮紋的演變[J];東南文化;1991年05期
4 蕭兵;;眼睛紋:太陽的意象——饕餮紋、方相氏黃金四目、獨目人、三眼神及龍舟瀊首之謎的解讀[J];淮陰師專學報(哲學社會科學版);1991年03期
5 周衛(wèi)榮;董亞巍;萬全文;王昌燧;;中國青銅時代不存在失蠟法鑄造工藝[J];江漢考古;2006年02期
6 ;洛陽北td西周墓清理記[J];考古;1972年02期
7 ;寶雞竹園溝等地西周墓[J];考古;1978年05期
8 陳國安;;湖南桃江縣出土四馬方座銅簋[J];考古;1983年09期
9 張增祺;;云南青銅時代的“動物紋”牌飾及北方草原文化遺物[J];考古;1987年09期
10 ;1969—1977年殷墟西區(qū)墓葬發(fā)掘報告[J];考古學報;1979年01期
，本文編號：2209919
本文鏈接：http://www.lk138.cn/shekelunwen/kgx/2209919.html
