本文關(guān)鍵詞：北朝刻碑之風盛行原因考論，由筆耕文化傳播整理發(fā)布。

網(wǎng)友lu37777353近日為您收集整理了關(guān)于北朝刻碑之風盛行原因考論（藝術(shù)）的文檔，希望對您的工作和學習有所幫助。以下是文檔介紹：山西師范大學碩士學位論文北朝刻碑之風盛行原因考論姓名:胡俊樂申請學位級別:碩士專業(yè):美術(shù)學指導教師:楊吉平20120606中文摘要論文題目:北朝刻碑之風盛行原因考論專業(yè):美術(shù)學碩士生:胡俊樂指導教師:楊吉平簽名簽名摘要在我國歷史上,南北朝時期是一個動蕩的時期,戰(zhàn)亂頻仍,帝祚屢更,百姓苦不堪言。但是這個變亂的時代卻促使了同時期文化的興盛與藝術(shù)的繁榮,最明顯的莫過于北朝之刻碑。由于北魏立國最久,所以,北碑又稱為魏碑,魏碑成為北朝刻石書法的通稱。北朝時期,刻碑蔚然成風,大體可分為碑刻、墓志、造像題記和摩崖刻石四種。其興盛時期為公元439年北魏孝文帝遷都洛陽之后,開始推行一系列的“漢化”政策。孝文帝漢化改革中最重要的就是提倡書寫漢文字,他沉酣于書法,廣豎碑石紀文,并且大力提倡民間刻碑紀事,所以在中原各地留下了大量的民間書法碑刻作品。由此可見,北朝有著廣泛的書法社會基礎(chǔ),民間書家與士族書家,甚至全社會都承認書法的地位。北朝士族重厚葬,或褒揚先世,或顯露家業(yè),立碑亦甚多。北朝期間佛教也很興盛,孝文帝又尊佛尚道,從行政上給予刻立碑碣極大鼓勵,一度佛寺遍天下,碑碣無數(shù),同時促進了造像題記與摩崖刻經(jīng)的興起,一時間刻碑風氣愈演愈烈�，F(xiàn)存魏碑作品的種類數(shù)量巨大,僅僅發(fā)現(xiàn)于龍門石窟的造像記,就有數(shù)千方,而北朝的墨跡***卻絕少。北朝大量的碑刻作品構(gòu)成了北朝龐大的石刻體系,無疑成為書法史上一個巨大的藝術(shù)寶庫。但其藝術(shù)價值卻長期未被重視,直到清代以后,阮元倡導“南帖北碑”的說法后引起書法界的關(guān)注,而后又有包世臣、康有為等學者的附和與贊賞,一時間北碑書法名氣大盛。當前,我國書法領(lǐng)域研究北朝的書法主要是研究其書法藝術(shù)風格,而很少探究北朝刻碑之風的原因所在,所以不能充分了解其書法風格的形成。本文從北朝時期刻碑之風盛行的原因著手研究,對大量的碑刻作品進行了更深一步的探索,從政治制度、社會環(huán)境、書法基礎(chǔ)、宗教影響等因素對書法風格的成因及其演變進行分析。充分了解其書法風格的形成,使人們對魏碑書法藝術(shù)有了更進一步的了解。本文通過對這一領(lǐng)域的研究,希望能使我國書法界對北朝碑刻書法藝術(shù)能夠重新審視,充分認識其價值。山西師范大學學位論文Ⅱ【關(guān)鍵詞】北朝刻碑漢化政策佛教魏碑【論文類型】基礎(chǔ)研究英文摘要Title: An Exploration on Reasons of Stone Sculpnlr.es’PreValence inNorthen DynastyMajor:Fine ArtsName:Hu JunleSuperVisor:Y.ang JipingAbstractSignaturSignaturI n Chinese history,the Southen and Northen Dynasties were aturbuIent period in whiCh States、Ⅳere often at war with each othebemper口rS were Changed frequentIy and people suff_ered more misery:But it was a time for the booming of art at that period.The mostremarkabIe YVas stone scuIptures in Northen Dynasty-Because of theIongest history of Northen Wel,it VVas aIso ca¨ed stone scuIptures inWei which、ⅣaS a.generaI term for Stone SCUIptureS at that time。lnNorthen DynaSty;Stone scuIptureS had e mon practiCe.Genera¨y;it can be diVjded into f6ur types:scuIptures on monument,epigraph,insCrjptions and Moya CIiff CarVing.1t preVailed jn 439 BC when the emperor Xiao in Norten DynastyremoVed the capitaI to Luoyang and p陽moted some-Chinesize刀po¨Cy.The most inportant in hiS reVoIution waS adVocating to wrjteChinese characters.He was addicted to handwriting,estab¨shedstone SCuIptureS wideIy and Suggested peopIe to note importantthingS with Stone scuIptUreS,which resUIted in Some handwritingIⅡ山西師范大學學位論文works of scuIptures Ie住in peopIe.From aboVe expIaination,we canknow that there waS wide handwriting basis. RegardIesS ofhandwriters in peopIe or impericaI paIace,they a¨admitted theposition of handwriting. In Northen Dynasty, emperors paidattention to be buried with moSt valuabIe thingS So more StoneScuIptures were estab¨Shed.Buddism was aISo popuIar at that timeand the emperor Xiao Showed more enCouragement to eStab¨shingStone SCulptUreS.Therefore, the buddiSt templeS Can be SeeneVen胛here and epigraph were numorous.Meanwhile,it promotedthe upsurge of inscription and Moya C¨ff carVing.The tendency ofstone scuIpture was ing increasingIy fierce.The types ofStone ScuIptureS exiSted are VariouS.onIy in Longmen Gottoes,there are thouSandS of inscr-ptureS whiIe in nonh the nUmber iSIeSS.Most works on Stone ScuIptureS in Northe

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  本文關(guān)鍵詞：北朝刻碑之風盛行原因考論，，由筆耕文化傳播整理發(fā)布。