【摘要】：正1990年代以來,億萬新工人在城鄉(xiāng)之間的大規(guī)模流動成為當下中國一道宏大的社會景觀。這一景觀塑造了我們獨特的政治、經(jīng)濟和文化形態(tài)。新世紀以來,打工文學(xué)、打工詩歌、新工人搖滾、新工人戲劇等文化現(xiàn)象異軍突起,引起學(xué)界普遍關(guān)注。底層文藝的提出正是來自于這一新鮮而特殊的社會文化現(xiàn)象,并最初由文學(xué)界和批評界的注意逐漸延至戲劇、音樂、美術(shù)等其他領(lǐng)域。底層文藝具有哪些特殊的文化特征,對于當下社會文化格局發(fā)展又將帶來何種啟示?本刊特邀請三位年輕學(xué)者共同討論。
[Abstract]:Since the 1990 s, the massive flow of hundreds of millions of new workers between urban and rural areas has become a great social landscape in China. This landscape shapes our unique political, economic and cultural forms. Since the new century, literature, poetry, rock, drama and other cultural phenomena have aroused widespread concern. It was from this new and special social and cultural phenomenon that the bottom literature and art was put forward, and the attention of literary and critical circles was gradually extended to other fields such as drama, music, fine arts and so on. What are the special cultural characteristics of the underlying literature and art, and what kind of enlightenment will they bring to the development of the current social and cultural pattern? We invite three young scholars to discuss it.
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