發(fā)布時間：2018-08-05 20:41

【摘要】：敦煌莫高窟254窟壁畫以其高超的藝術(shù)水準被敦煌研究院列為限制開放的特級洞窟。254窟南壁的《舍身飼虎圖》更是壁畫中的精品，張大千、董希文、李其瓊、謝成水等先生先后多次對本幅壁畫進行了臨摹、研究。因?qū)�業(yè)相關(guān)，作者有幸多次到254窟內(nèi)進行考察并校對畫稿。本文就是以254窟《舍身飼虎圖》為個例，發(fā)掘本窟的藝術(shù)成就，探析歸納254窟《舍身飼虎圖》變色原因并對其進行了嘗試性的色彩還原修復。 全文分為四章，第一章簡要介紹254窟的歷史與現(xiàn)狀；第二章分析了254窟《舍身飼虎圖》的藝術(shù)成就；第三章是本文重點，對引起《舍身飼虎圖》變色的原因進行了詳細的分析考證，第四章則是對《舍身飼虎圖》色彩還原修復的考證并探討其繪制技法對于當下藝術(shù)創(chuàng)作的借鑒。 有的專家說敦煌壁畫是因為變色才“好看”，而本文作者在分析歸納的基礎(chǔ)上認為古代壁畫在不變色的情況下同樣具有觀賞性并具有其內(nèi)在價值。北魏時期的壁畫一直給人以“古樸”、“粗狂”的感受，，但是經(jīng)作者考證和色彩還原后發(fā)現(xiàn)了其最初細膩艷麗的特點。本文既是對莫高窟254窟《舍身飼虎圖》藝術(shù)成就的總結(jié)，又是以特例來分析壁畫變色成因的歸納，同時又是作者色彩還原修復的總結(jié)報告。通過系統(tǒng)考證壁畫最初色彩，分析本窟色彩構(gòu)成和基本規(guī)律，還原歷史現(xiàn)場，進而轉(zhuǎn)化為藝術(shù)創(chuàng)作的經(jīng)驗，同時為壁畫色彩修復與保護提供可鑒性和可行性參考。
[Abstract]:The murals of Cave 254 in Mogao Grottoes, Dunhuang, with their superb artistic standard, are listed by the Dunhuang Research Institute as the restricted opening of the South Wall of Cave .254. The picture of feeding tigers on the south side of Cave 254 in Dunhuang is even more exquisite in the murals, Zhang Daqian, Dong Xiwen, Li Qiqiong. Xie Chengshui and so on has carried on the copy to this mural many times, studies. As a result of the major, the author had the honor to visit the 254 Grottoes and proofread the drawings. In this paper, the art achievement of the cave 254 is excavated by taking the picture of feeding tiger in the cave 254 as an example, and the causes of color change in the picture of feeding tiger in the cave 254 are analyzed and summarized, and the tentative restoration of color reduction is carried out. The first chapter briefly introduces the history and present situation of the cave 254; the second chapter analyzes the artistic achievements of the cave 254; the third chapter is the focus of this paper. This paper makes a detailed analysis and textual research on the causes of the discoloration of "feeding tiger picture". The fourth chapter is the textual research on the restoration of color restoration of "feeding tiger chart" and discusses its drawing techniques for reference to the present art creation. Some experts say that Dunhuang murals are "beautiful" because of discoloration. On the basis of the analysis and induction, the author thinks that the ancient murals have the same appreciation and intrinsic value without discoloration. The murals of the Northern Wei Dynasty have always given people the feeling of "ancient simplicity" and "rough madness", but after the author's textual research and color restoration, they have found their original exquisite and beautiful features. This paper is not only a summary of the artistic achievements of the cave 254 of Mogao Grottoes, but also a summary of the causes of color change of murals by a special case, and a summary report of the restoration of the author's color. Through systematic textual research on the original color of murals, this paper analyzes the composition and basic law of color in this cave, restores the historical scene, and then transforms it into the experience of artistic creation, and at the same time provides references for the color restoration and protection of murals to be instructive and feasible.
【學位授予單位】：中國美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：K879.41

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