論景德鎮(zhèn)現(xiàn)代陶藝觀念的創(chuàng)新
發(fā)布時間：2018-07-25 08:14
【摘要】：從藝術(shù)形式和風格來看，盡管景德鎮(zhèn)制瓷業(yè)的發(fā)展經(jīng)歷了1000多年的歷史，然而其真正意義上的創(chuàng)新是從上世紀50年代才開始的，這源于其設(shè)計觀念的創(chuàng)新。而從陶瓷藝術(shù)走向陶藝的演變則出現(xiàn)在80年代以后，由于西方現(xiàn)代藝術(shù)思想的大量涌入，部分藝術(shù)名家為景德鎮(zhèn)陶瓷藝術(shù)注入新鮮血液，以及人們對工業(yè)化大生產(chǎn)反思及傳統(tǒng)工藝美術(shù)審美的批評和質(zhì)疑，促成了具有30多年歷史的景德鎮(zhèn)現(xiàn)代陶藝觀念創(chuàng)新之路。在這條道路上，現(xiàn)代陶藝逐漸脫胎于傳統(tǒng)陶瓷藝術(shù)，在景德鎮(zhèn)成型、發(fā)展、成熟，并逐漸形成了自身的藝術(shù)風格，融入了新的觀念元素的現(xiàn)代陶藝作品大量涌現(xiàn)。景德鎮(zhèn)現(xiàn)代陶藝已經(jīng)成為景德鎮(zhèn)陶瓷藝術(shù)中一個獨立的門類，雖然這些作品并未形成一種統(tǒng)一的樣式和風格，，但從他們對傳統(tǒng)的反叛、對藝術(shù)的思考以及對現(xiàn)實的超越中可以看到，景德鎮(zhèn)現(xiàn)代陶藝區(qū)別于傳統(tǒng)陶瓷的自我提升，以及與西方現(xiàn)代陶藝開放化創(chuàng)作觀念的區(qū)別。近年來，在景德鎮(zhèn)陶瓷發(fā)展歷程中，現(xiàn)代陶藝觀念逐漸展現(xiàn)出個性獨特的審美趣味和藝術(shù)特點，主要呈現(xiàn)為多樣性，自主性和開放性。但同時我們也應看到其發(fā)展過程中出現(xiàn)的問題，由于西方開放式文化與中國本土性傳統(tǒng)保守文化的沖突，純藝術(shù)與商品化之間的矛盾，技術(shù)和工藝等因素的影響，景德鎮(zhèn)現(xiàn)代陶藝創(chuàng)作觀念也正面臨著新一輪的改革和創(chuàng)新。本文通過對景德鎮(zhèn)現(xiàn)代陶藝發(fā)展歷程和背景進行詳細的分析，運用觀念藝術(shù)的概念解釋其觀念中的創(chuàng)新元素，總結(jié)出其發(fā)展中一些進步成果和可取之處；同時，試圖發(fā)現(xiàn)景德鎮(zhèn)現(xiàn)代陶藝觀念創(chuàng)新遇到的困惑和瓶頸，并從掙脫盲目的功利化創(chuàng)作觀念的羈絆、對現(xiàn)有陶藝觀念的拓展和對民族精髓文化觀念的傳承這三個方面提出可行性的解決思路。
[Abstract]:In terms of artistic form and style, although the development of Jingdezhen porcelain industry has experienced more than 1000 years of history, its real sense of innovation began from the 1950s, which originated from the innovation of its design concept. However, the evolution from ceramic art to ceramic art appeared in the 1980s. As a result of the influx of western modern art ideas, some famous artists injected fresh blood into Jingdezhen ceramic art. The introspection of industrialization and the criticism and doubt of traditional arts and crafts aesthetics have promoted the innovation of Jingdezhen's modern ceramic art concept with a history of more than 30 years. On this road, modern ceramic art gradually emerged from the traditional ceramic art, formed, developed, matured in Jingdezhen, and gradually formed its own artistic style. Jingdezhen modern ceramic art has become an independent category in Jingdezhen ceramic art. Although these works have not formed a unified style and style, they have rebelled against tradition. From the thinking of art and the transcendence of reality, we can see that Jingdezhen's modern ceramic art is different from the self-improvement of traditional ceramics and the difference between Jingdezhen's modern ceramic art and the western modern ceramic art's open creative idea. In recent years, in the development of Jingdezhen ceramics, modern ceramic art concept gradually shows unique aesthetic taste and artistic characteristics, mainly for diversity, autonomy and openness. But at the same time, we should also see the problems in its development, because of the conflict between western open culture and Chinese traditional conservative culture, the contradiction between pure art and commercialization, the influence of technology and craft, etc. Jingdezhen modern pottery creation concept is also facing a new round of reform and innovation. Through the detailed analysis of the development process and background of Jingdezhen's modern ceramic art, this paper uses the concept of conceptual art to explain the innovative elements in its concept, and summarizes some progress achievements and desirable points in its development, at the same time, Trying to find out the confusion and bottleneck encountered in the innovation of Jingdezhen's modern ceramic art concept, and break away from the fetters of blind utilitarian creative idea, To the existing ceramic art concept expansion and to the national essence cultural idea inheritance these three aspects proposed the feasible solution thought.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J527
本文編號：2143190
[Abstract]:In terms of artistic form and style, although the development of Jingdezhen porcelain industry has experienced more than 1000 years of history, its real sense of innovation began from the 1950s, which originated from the innovation of its design concept. However, the evolution from ceramic art to ceramic art appeared in the 1980s. As a result of the influx of western modern art ideas, some famous artists injected fresh blood into Jingdezhen ceramic art. The introspection of industrialization and the criticism and doubt of traditional arts and crafts aesthetics have promoted the innovation of Jingdezhen's modern ceramic art concept with a history of more than 30 years. On this road, modern ceramic art gradually emerged from the traditional ceramic art, formed, developed, matured in Jingdezhen, and gradually formed its own artistic style. Jingdezhen modern ceramic art has become an independent category in Jingdezhen ceramic art. Although these works have not formed a unified style and style, they have rebelled against tradition. From the thinking of art and the transcendence of reality, we can see that Jingdezhen's modern ceramic art is different from the self-improvement of traditional ceramics and the difference between Jingdezhen's modern ceramic art and the western modern ceramic art's open creative idea. In recent years, in the development of Jingdezhen ceramics, modern ceramic art concept gradually shows unique aesthetic taste and artistic characteristics, mainly for diversity, autonomy and openness. But at the same time, we should also see the problems in its development, because of the conflict between western open culture and Chinese traditional conservative culture, the contradiction between pure art and commercialization, the influence of technology and craft, etc. Jingdezhen modern pottery creation concept is also facing a new round of reform and innovation. Through the detailed analysis of the development process and background of Jingdezhen's modern ceramic art, this paper uses the concept of conceptual art to explain the innovative elements in its concept, and summarizes some progress achievements and desirable points in its development, at the same time, Trying to find out the confusion and bottleneck encountered in the innovation of Jingdezhen's modern ceramic art concept, and break away from the fetters of blind utilitarian creative idea, To the existing ceramic art concept expansion and to the national essence cultural idea inheritance these three aspects proposed the feasible solution thought.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J527
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