【摘要】：技術(shù)的迅速更新和大眾觀念的逐漸轉(zhuǎn)變,使建筑的發(fā)展具有多樣性。對(duì)材料的片面認(rèn)知和不完全使用會(huì)導(dǎo)致建筑表皮的純藝術(shù)趨向,偏離建筑的本質(zhì)�；趯�(duì)于這些問題的反思,文章提出了關(guān)于金屬在建筑應(yīng)用中的構(gòu)造邏輯,并附加大量的案例論述了這種構(gòu)造邏輯的可行性和普遍性。本文先從材料的建造層面詳細(xì)描述了常見金屬構(gòu)件所呈現(xiàn)的形態(tài),以及這種形態(tài)的特征�？臻g的逐漸整合突出了建筑表皮的關(guān)鍵作用,建筑的表皮形態(tài)不僅僅是表皮—視覺所達(dá)到的界面,同時(shí)還是關(guān)乎于建構(gòu)與空間的一種“皮膚”。“皮膚”在保護(hù)建筑的同時(shí),也以自身某種意識(shí)或者邏輯展現(xiàn)著材料、建造和形態(tài)�；谄渌I(lǐng)域?qū)饘俦砥さ挠绊?分別在意識(shí)、數(shù)理、自然、文化等方面闡述了現(xiàn)代建筑中金屬表皮的構(gòu)造邏輯。結(jié)合大量的案例的剖析,從空間與現(xiàn)象學(xué)的層面論述了透明性的邏輯呈現(xiàn);以及功能層面上金屬表皮形態(tài)所產(chǎn)生的“連續(xù)性”、“不連續(xù)性”、“場(chǎng)所性”和“空間誘導(dǎo)”;最后從時(shí)間層面上敘述了材料與“歷史”的聯(lián)系以及實(shí)踐中的處理方法。文章通過對(duì)金屬材料的形態(tài)進(jìn)行了一系列的研究與歸納分析,然后結(jié)合國(guó)內(nèi)外的建筑實(shí)例,對(duì)關(guān)于金屬表皮的構(gòu)造邏輯作了詳細(xì)的闡述,最后從“視覺”、“空間”和“時(shí)間”三個(gè)角度對(duì)現(xiàn)代建筑金屬表皮中的形態(tài)呈現(xiàn)進(jìn)行了總結(jié)。
[Abstract]:With the rapid renewal of technology and the gradual change of public concept, the development of architecture has diversity. The one-sided cognition and incomplete use of materials will lead to the pure artistic tendency of architectural skin and deviate from the essence of architecture. Based on the reflection of these problems, this paper puts forward the structural logic of metal in building application, and discusses the feasibility and universality of this kind of structural logic with a large number of cases. In this paper, the shape and characteristics of the common metal members are described in detail from the material construction level. The gradual integration of space highlights the key role of architectural epidermis. The form of architectural epidermis is not only the interface of epidermis and vision, but also a kind of "skin" related to construction and space. Skin, while protecting architecture, also exhibits material, construction, and form with a sense or logic of its own. Based on the influence of other fields on metal epidermis, this paper expounds the structural logic of metal epidermis in modern architecture in the aspects of consciousness, mathematics, nature, culture and so on. Based on the analysis of a large number of cases, this paper discusses the logical presentation of transparency from the perspective of space and phenomenology, as well as the "continuity", "discontinuity", "place" and "spatial induction" produced by metal epidermis at the functional level. Finally, the relationship between material and history and the methods of dealing with it in practice are described from the time level. Through a series of research and analysis on the shape of metal materials, combined with the architectural examples at home and abroad, this paper makes a detailed exposition on the structural logic of metal epidermis. Finally, from the perspective of "vision", This paper summarizes the appearance of metal epidermis in modern architecture from three angles of "space" and "time".
【學(xué)位授予單位】：吉林建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU201

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 楊得賀;現(xiàn)代建筑中金屬表皮的構(gòu)造邏輯與形態(tài)表達(dá)[D];吉林建筑大學(xué);2017年

2 陳寅;不規(guī)則形體建筑表皮的結(jié)構(gòu)邏輯和材料構(gòu)造邏輯研究[D];清華大學(xué);2011年

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本文編號(hào)：2266968