本文關(guān)鍵詞：古代文學(xué)入世進(jìn)取主題的憂(yōu)患意識(shí)與悲劇色彩，，由筆耕文化傳播整理發(fā)布。

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    The Worrying Mentality and Tragic Color of the Theme of Being Ambitious in Chinese Ancient Literature

    古代文學(xué)入世進(jìn)取主題的憂(yōu)患意識(shí)與悲劇色彩

短句來(lái)源

    The book of songs` worrying mentality not only breeds some worrying masterpieceswhich occupies the important position of literary world, but also acts on culture and learning,political transform, social custom and so on.

    《詩(shī)經(jīng)》的憂(yōu)患意識(shí)不但直接影響了中華民族深層心理結(jié)構(gòu),孕育繁殖了占據(jù)后世文壇重要地位的憂(yōu)患杰作,而且作用于文化學(xué)術(shù)、政治變革、社會(huì)習(xí)俗等等各方面。

短句來(lái)源

    The theme of being ambitious in Chinese ancient literature is full of worrying mentality and even tragic color.

    中國(guó)古代文學(xué)入世進(jìn)取主題中充滿(mǎn)著憂(yōu)患意識(shí)乃至于悲劇色彩。

短句來(lái)源

    This article will discuss three aspects of his consciousness of life through his poems: worrying mentality will of seeking for life,spirit of sacrificing his life.

    通過(guò)文天祥的詩(shī)歌來(lái)透視其生命意識(shí)的三個(gè)方面:憂(yōu)患意識(shí)、求生意志、舍身精神。

短句來(lái)源

    In'May the 4th'era of modern Chinese literature,writers formed the worrying mentality under the influence of traditional literati while opposing the traditional culture.

    “五四”時(shí)期,新文學(xué)家們?cè)跊Q絕地反傳統(tǒng)時(shí),又不自覺(jué)地傳承著傳統(tǒng)文人的歷史品格,形成了基于民族危機(jī)感的憂(yōu)患意識(shí);

短句來(lái)源

    The Worrying Mentality and Tragic Color of the Theme of Being Ambitious in Chinese Ancient Literature

    古代文學(xué)入世進(jìn)取主題的憂(yōu)患意識(shí)與悲劇色彩

短句來(lái)源

    The book of songs` worrying mentality not only breeds some worrying masterpieceswhich occupies the important position of literary world, but also acts on culture and learning,political transform, social custom and so on.

    《詩(shī)經(jīng)》的憂(yōu)患意識(shí)不但直接影響了中華民族深層心理結(jié)構(gòu),孕育繁殖了占據(jù)后世文壇重要地位的憂(yōu)患杰作,而且作用于文化學(xué)術(shù)、政治變革、社會(huì)習(xí)俗等等各方面。

短句來(lái)源

    The theme of being ambitious in Chinese ancient literature is full of worrying mentality and even tragic color.

    中國(guó)古代文學(xué)入世進(jìn)取主題中充滿(mǎn)著憂(yōu)患意識(shí)乃至于悲劇色彩。

短句來(lái)源

    This article will discuss three aspects of his consciousness of life through his poems: worrying mentality will of seeking for life,spirit of sacrificing his life.

    通過(guò)文天祥的詩(shī)歌來(lái)透視其生命意識(shí)的三個(gè)方面:憂(yōu)患意識(shí)、求生意志、舍身精神。

短句來(lái)源

    In'May the 4th'era of modern Chinese literature,writers formed the worrying mentality under the influence of traditional literati while opposing the traditional culture.

    “五四”時(shí)期,新文學(xué)家們?cè)跊Q絕地反傳統(tǒng)時(shí),又不自覺(jué)地傳承著傳統(tǒng)文人的歷史品格,形成了基于民族危機(jī)感的憂(yōu)患意識(shí);

短句來(lái)源

查詢(xún)“worrying mentality”譯詞為用戶(hù)自定義的雙語(yǔ)例句
    我想查看譯文中含有：的雙語(yǔ)例句

The theme of being ambitious in Chinese ancient literature is full of worrying mentality and even tragic color. The worrying mentality embodies people's life will and even sometimes forms an active trend of the times. The model of Qu Yuan and spirit of Fan Zhong\|yan are good examples of the worrying mentality of the theme of being ambitious. The tragic color emerges into the theme of being ambitions for many reasons, but in general ,it is a lofty tragedy, which inspires people greatly.

中國(guó)古代文學(xué)入世進(jìn)取主題中充滿(mǎn)著憂(yōu)患意識(shí)乃至于悲劇色彩。憂(yōu)患意識(shí)是人的生命意志的體現(xiàn) ,甚至形成一種積極的時(shí)代風(fēng)尚。屈原模式和范仲淹精神是入世進(jìn)取主題中憂(yōu)患意識(shí)的集中體現(xiàn)。入世進(jìn)取主題中悲劇色彩的出現(xiàn) ,具有多方面原因及意義

Wen Tianxiang was an excellent statesman and writer in Song Dynasty (960-1279).He created many poems in his life,which conveyed his consciousness of life.This embodied his caring for his country and his people.This article will discuss three aspects of his consciousness of life through his poems: worrying mentality will of seeking for life,spirit of sacrificing his life.

文天祥是宋朝杰出的文學(xué)家和政治家,他一生創(chuàng)作大量詩(shī)歌,傳達(dá)了內(nèi)在的生命意識(shí),充分體現(xiàn)出憂(yōu)國(guó)憂(yōu)民的意識(shí)、百折不撓的斗爭(zhēng)精神和崇高的舍身精神。通過(guò)文天祥的詩(shī)歌來(lái)透視其生命意識(shí)的三個(gè)方面:憂(yōu)患意識(shí)、求生意志、舍身精神。

In'May the 4th'era of modern Chinese literature,writers formed the worrying mentality under the influence of traditional literati while opposing the traditional culture.In their works,they pronounced sentimentality based on their sensitivity and awareness.Being in a state of violent atmosphere with powerful opposite,the writers commonly had radical ideas. Along with the moving forward of political campaign,they presented strong hesitation in their works.

“五四”時(shí)期,新文學(xué)家們?cè)跊Q絕地反傳統(tǒng)時(shí),又不自覺(jué)地傳承著傳統(tǒng)文人的歷史品格,形成了基于民族危機(jī)感的憂(yōu)患意識(shí);在個(gè)性解放的大潮中,又形成了基于青年敏感性的濃重的感傷情緒;狂飆突進(jìn)的時(shí)代氛圍和舊文學(xué)陣營(yíng)的強(qiáng)大,使他們普遍有著激進(jìn)的心態(tài);隨著中國(guó)現(xiàn)代史上政治斗爭(zhēng)和內(nèi)憂(yōu)外患的加劇,“五四”作家們因?yàn)閷?xiě)作的幼稚、空洞而走向了十字街頭的徘徊。

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  本文關(guān)鍵詞：古代文學(xué)入世進(jìn)取主題的憂(yōu)患意識(shí)與悲劇色彩，由筆耕文化傳播整理發(fā)布。