發(fā)布時(shí)間：2018-01-07 10:04

  本文關(guān)鍵詞：萬方小說創(chuàng)作論　出處：《廣西師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 萬方小說 創(chuàng)作歷程 情感立場(chǎng) 文化立場(chǎng)

【摘要】：萬方是一位有著獨(dú)特風(fēng)格的當(dāng)代作家,在三十多年的創(chuàng)作中,她不斷地調(diào)整自己的寫作姿態(tài),追求藝術(shù)的真淳,為讀者奉獻(xiàn)了諸多一個(gè)有社會(huì)責(zé)感的作家對(duì)人生、命運(yùn)、人性等問題所投入的觀察與思考。論文以萬方的小說及其創(chuàng)作歷程為研究對(duì)象,考察了萬方幾十年文學(xué)追求之不同階段的藝術(shù)目標(biāo)、特質(zhì)、走向和創(chuàng)作所遇“瓶頸”,分析了萬方的創(chuàng)作兩次遭遇自我挑戰(zhàn)而“轉(zhuǎn)向”的緣由,探討了萬方融于筆端的情感立場(chǎng)和作品所呈現(xiàn)的“寬容”的文化立場(chǎng),對(duì)萬方及其作品中的價(jià)值取向也予以了相應(yīng)的闡釋。論文三章的主要內(nèi)容如下:初登文壇時(shí),萬方刻意選擇“以重?fù)糁亍钡臄⑹乱燥@示自己的與眾不同。這時(shí)期的敘事之“重”首先體現(xiàn)在她小說人物性格的塑造上。這時(shí)期,萬方塑造的小說人物性格都過于偏執(zhí),情感始終囿于狹隘的自我天地中。當(dāng)面對(duì)生命不可承受之重時(shí),他們選擇以暴力極端的方式來反抗矛盾沖突,而人物的結(jié)局多指向死亡。這時(shí)期的敘事之“重”也體現(xiàn)在小說結(jié)構(gòu)的安排上。萬方將“戲劇沖突”運(yùn)用在小說結(jié)構(gòu)中,她喜歡用“突轉(zhuǎn)”和“巧合”等戲劇手法來推動(dòng)故事情節(jié)的發(fā)展,制造和化解矛盾。這時(shí)期的敘事之“重”還體現(xiàn)在小說的結(jié)局上。萬方這時(shí)期的小說大多是沒有結(jié)局的結(jié)局,她或者不設(shè)定小說人物的未來,或者在小說情節(jié)發(fā)展的高潮處戛然而止,追求給讀者留下想象空間。這既是萬方對(duì)小說結(jié)構(gòu)的理解與選擇,也是她對(duì)生活與命運(yùn)的一種認(rèn)知與判斷。2000年,萬方的創(chuàng)作經(jīng)歷了第一次“轉(zhuǎn)向”,她意識(shí)到“以重?fù)糁亍钡姆绞狡�離了生活原本的軌道,開始思考創(chuàng)作的“平和”、“緩慢”與“松弛”等問題。萬方的創(chuàng)作“轉(zhuǎn)向”經(jīng)歷了一段力圖對(duì)“人生狀態(tài)”予以“準(zhǔn)確”表達(dá)的癡迷求索。一方面,她通過書寫種種愛情問題,不斷追問并回答“愛情對(duì)生命究竟意味著什么”;另一方面,她“糾纏”于命運(yùn)和中年婚姻帶給人們的一些說不清、道不明的“混沌感”,一心想通過對(duì)這種“混沌感”的“準(zhǔn)確”表達(dá),更真實(shí)地傳達(dá)一個(gè)作家對(duì)人生、人性、命運(yùn)等問題的觀察與思考。小說鮮明的情感價(jià)值取向,體現(xiàn)了萬方作為一個(gè)有社會(huì)責(zé)任感的作家的崗位意識(shí)。然而,“人生狀態(tài)”的千差萬別也讓萬方對(duì)一些問題的苦苦追求顯得有些自我糾纏,但這也為萬方走向另一個(gè)新的創(chuàng)作目標(biāo)留下了空間。2008年,萬方的創(chuàng)作又接受了一次自我挑戰(zhàn)。她受惠于自己的人生變故和精神創(chuàng)痛,終于能夠從“糾纏”于人生的某些狀態(tài)中跳出,放下“計(jì)較”和偏執(zhí)面對(duì)人生和寫作。她不再苦苦追蹤生活的真相,選擇了與生活“和解”,并理性接納多種“差異性”,對(duì)人生、社會(huì)、生命、人性有了更多包容性理解。此后,萬方塑造了一個(gè)個(gè)如“粘合劑”般的女性形象,這些形象“粘合”不同人生的能力與萬方的審美理想一起,體現(xiàn)著作家心中所持守的“對(duì)不同價(jià)值標(biāo)準(zhǔn)的客觀理解”和一種“對(duì)人本身的寬容”。同時(shí),萬方也書寫了一系列和諧與不和諧的兩性關(guān)系,其間所強(qiáng)調(diào)的對(duì)兩性“差異性”的理解、包容和接納,也體現(xiàn)了萬方“對(duì)價(jià)值多元化現(xiàn)實(shí)主體的承認(rèn)、尊重和平等看待”。此外,萬方更加看重人的自由心性狀態(tài),提倡“順勢(shì)”、“順流”的達(dá)觀態(tài)度。她不再刻意編織故事,也不再糾纏自己對(duì)人生的種種疑問,她所欣賞的“順流而下”、“順勢(shì)而為”的人生智慧,透露的是她“對(duì)自己價(jià)值觀念的執(zhí)著與恪守”。
[Abstract]:000 square is a contemporary writer with a unique style, in thirty years of writing, she constantly adjust their writing attitude, the pursuit of artistic truth, for many readers have a sense of social responsibility of the writer of life, fate, observation and thinking of human problems. The investment in Wanfang's novels and the creation course as the research object, study target, different stages of Wanfang decades literature pursuit of artistic qualities, and to meet the creation of "bottleneck", analyzes the articles of the two encounter challenges and self creation "to" the edge of the million into pen the emotional position and works as a "tolerant" cultural standpoint, the value orientation and Wanfang works will also be analyzed. The main contents of this thesis are as follows: the three chapter of the literary debut, Wanfang deliberately choose "to hit" the narrative Out of the ordinary. This period show their narrative of "heavy" is reflected in the shape of her novel character. During this period, Wanfang novels characters are too paranoid, emotion is always confined to a narrow self in the world. When faced with unbearable weight when they choose to extreme violence the way to resist the conflict, and the character's ending point to the death. During this period, the narrative "heavy" is also reflected in the novel arrangement. Million "conflict" used in the structure of the novel, her love for "sudden change" and "coincidence" and other drama techniques to promote the development of the story manufacturing, and resolve conflicts. During this period, the narrative "heavy" is also reflected in the ending of the novel. Wanfang novel of this period is not the end of the end, or she don't set the characters or plot development in the future, The climax came to an abrupt end, the pursuit of readers' imagination. This is not only the Wanfang structure of the novel understanding and choice, but also to her life and fate is a kind of cognition and judgment in.2000, Wanfang creation experienced the first "turn", she realized that "with a heavy" way away from life the original track, start thinking about the creation of "peace" and "slow" and "Relaxation". Wanfang creation "to" experienced a period of trying to "life" to be "accurate" obsession with seeking expression. On the one hand, through her writing all sorts of love, constantly questioning and answer "love of life what it means"; on the other hand, she "entangled" on the fate of marriage and middle-aged people bring some say, DaoBuMing "chaos", obsessed by this "chaos" was more "accurate" Truly convey a writer of life, human nature, observation and thinking about the fate of other issues. The emotion value orientation distinctive novel, reflects the party as a social responsibility of the writer's consciousness. However, the "life" are also let Wanfang on some problems of struggling to pursue somewhat self entanglement, but also for the million to another new creation goal to leave space in.2008, Wanfang creation received a challenge. She benefited from his life changes and spiritual pain, finally can jump out from some state entanglement in life, put down the "care" paranoid and face life and writing. She is no longer hard to track the truth of life, the life and the "reconciliation", and rational acceptance of various "differences" of life, society, life, human nature has more inclusive understanding. After this, 000 square plastic The female image created such as a "glue" like, the image of "glue" ability of different life and Wanfang aesthetic ideal, embodies the writer's mind adheres to "the different values of the objective understanding" and a "human tolerance". At the same time, Wan Fang also write a series of harmonious and non harmonious relations between the sexes, gender "differences" understanding between stressed, tolerance and acceptance, but also reflects the "million recognition of value diversification of realistic subject, respect and equality". In addition, Wanfang more attention to the freedom of mind, advocating "homeopathy", "downstream" attitude. She no longer deliberately weave stories, no longer entangled their doubts about life, she admired "downstream", "go to" the wisdom of life, said she is "on their own values perseverance And scrupulously abide by.

【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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