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  本文關(guān)鍵詞：地理空間對(duì)宋詞影響之研究　出處：《山東師范大學(xué)》2016年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 地理空間 宋詞 影響 詞風(fēng) 詞學(xué)思想

【摘要】：中國(guó)文學(xué)與地理空間的不解之緣可追溯至《詩(shī)經(jīng)》、《楚辭》的先秦時(shí)期。及至兩宋,詞與地理空間的關(guān)系更為密切,柔美婉約為主的詞作風(fēng)格、多涉南方山水的創(chuàng)作內(nèi)容、詞人多占籍南方的地理分布等現(xiàn)象都為這一密切關(guān)系提供了堅(jiān)實(shí)的立論基礎(chǔ)。宋室南渡的時(shí)代巨變?cè)趯?dǎo)致政治、經(jīng)濟(jì)、文化重心南移的同時(shí),必然導(dǎo)致宋詞創(chuàng)作在地理空間上的移位現(xiàn)象。盡管地理空間在詞體發(fā)生發(fā)展中扮演了重要角色,宋詞研究依然偏重縱向的時(shí)間維度。鑒于此,本文選取"地理空間對(duì)宋詞的影響之研究"為題,來探究環(huán)境與詞人之間的關(guān)系,以增加空間維度上的宋詞研究力度,力求在時(shí)空共筑的生態(tài)環(huán)境中科學(xué)把握和研究宋詞。本文從宏觀和微觀兩個(gè)方面分析論證地理空間對(duì)宋詞的影響,以數(shù)理統(tǒng)計(jì)、文獻(xiàn)史料為支撐,以詞作為根基,以個(gè)案研究為切入點(diǎn),以點(diǎn)帶面,避免限于靜態(tài)和局部研究的偏頗,運(yùn)用動(dòng)態(tài)的、全局性的研究方法來分析兩宋詞人與地理空間之間復(fù)雜多變的關(guān)系,分析地理空間對(duì)宋詞題材內(nèi)容、風(fēng)格特點(diǎn)、詞學(xué)思想、詞人心態(tài)等方面的影響,總結(jié)其規(guī)律性特點(diǎn)。本文共分三部分:引論部分、主體部分和結(jié)語部分。第一部分引論。在對(duì)"地理空間"這一核心概念進(jìn)行界定的基礎(chǔ)上,交代本選題的研究緣起,分析地理空間與宋詞關(guān)系研究的現(xiàn)狀,探求本選題的研究?jī)r(jià)值,闡述本文的研究思路與方法。第二部分主體部分。分上下兩編,上編為宏觀研究,下編為個(gè)案研究,宏觀研究的觀點(diǎn)和結(jié)論建立在個(gè)案研究的堅(jiān)實(shí)基礎(chǔ)之上。上編宏觀研究,共分五章:第一章為地理空間對(duì)宋詞題材內(nèi)容的影響研究。地理空間對(duì)題材內(nèi)容的影響有強(qiáng)弱之分,懷古詠史詞、風(fēng)土詞、寫景詠物詞和羈旅仕宦詞是受影響最大的題材內(nèi)容。地理空間對(duì)懷古詠史詞的影響主要表現(xiàn)在對(duì)登臨地這一特殊地理空間的選擇取舍上;地理空間對(duì)風(fēng)土類題材的影響通過一幅幅極具地方特色的社會(huì)民俗風(fēng)情畫展現(xiàn)出來;寫景詠物詞所寫景物呈現(xiàn)出的流域文學(xué)差異是地理空間影響力的最主要表現(xiàn);就羈旅仕宦詞而言,由東向西、自北向南的空間移位趨勢(shì)明顯,是流動(dòng)性極強(qiáng)的動(dòng)態(tài)地理空間,帶來了不同地域之間的文化交流。第二章為地理空間對(duì)宋詞風(fēng)格的影響研究。本文從影響地域差異的地貌、水文、生物、氣候等多個(gè)要素中選取最強(qiáng)有力的氣候要素為標(biāo)準(zhǔn)展開。地理空間對(duì)宋詞整體風(fēng)格的影響,體現(xiàn)為自北向南六個(gè)氣候帶中暖溫帶和亞熱帶詞人分布最集中,兩大氣候帶成為探析宋詞整體風(fēng)格的有力證據(jù);地理空間對(duì)具體詞人詞風(fēng)的影響,要從本籍和客籍兩個(gè)地理空間入手:一者影響根深蒂固,一者影響受時(shí)間、心境等多方制約,二者之間會(huì)形成碰撞,進(jìn)而產(chǎn)生新詞風(fēng);金源詞和南宋詞均導(dǎo)源于北宋詞,但在發(fā)展過程中與地理環(huán)境發(fā)生雙向選擇,清勁方剛成為金源詞的主導(dǎo)詞風(fēng),婉麗含蓄卻則成為南宋詞的主導(dǎo)詞風(fēng)。第三章為地理空間對(duì)宋代詞學(xué)觀念的影響研究。整體來說,地理空間對(duì)詞學(xué)觀念的影響遠(yuǎn)沒有對(duì)題材內(nèi)容和風(fēng)格的影響直接有力,本章僅分析"詞為艷科"和"自是一家"的詞學(xué)觀念與地理空間的關(guān)系。"詞為艷科"觀念借《花間集》而生,花間詞人以蜀人或仕宦于蜀地者為主;蜀地經(jīng)濟(jì)發(fā)達(dá)、享樂之風(fēng)興盛,四川盆地氣候宜人,風(fēng)景優(yōu)美,物產(chǎn)豐富,這三點(diǎn)說明"詞為艷科"觀念的形成離不開蜀地的涵育之功。"自是一家"觀點(diǎn)雖可從詞體發(fā)展規(guī)律、詞人所處社會(huì)環(huán)境、詞人的稟賦氣質(zhì)等方面入手解讀,但若忽視對(duì)密州一地的地理空間研究,這些解讀就未免隔靴搔癢之嫌。第四章、第五章分析兩種特殊的人地關(guān)系心態(tài):鄉(xiāng)土情結(jié)和戀闕情結(jié)。故鄉(xiāng)具有生命源泉和生命歸宿的雙重內(nèi)涵,終老他鄉(xiāng)卻是宋代詞人較為普遍的生命狀態(tài),這與學(xué)養(yǎng)最深、最講禮法的宋代士大夫形象并不一致,令人費(fèi)解。兩宋詞人筆涉京都之作占全宋詞五分之一強(qiáng),戀闕心理已成宋詞中普遍而典型的情感內(nèi)容。本文對(duì)這兩種詞人心態(tài)分別加以梳理研究后,進(jìn)一步分析故鄉(xiāng)和京都這一組互為反方向的地理空間之間奇特而復(fù)雜的關(guān)系,探究?jī)伤卧~人微妙復(fù)雜的內(nèi)心世界。下編個(gè)案研究,共分六章。根據(jù)兩宋各階段詞人的貢獻(xiàn)大小,分別從北宋前期詞壇、中期詞壇、后期詞壇、南渡詞壇、南宋中期詞壇、后期詞壇選取最具有代表性的七位詞人進(jìn)行深入細(xì)致的個(gè)案研究,以點(diǎn)帶面,分析總結(jié)地理空間影響兩宋詞的表現(xiàn)及其規(guī)律性特點(diǎn)。北宋前期詞壇,柳永的人生地圖南起武夷、北及華陰、東瀕定海、西至成都,其《樂章集》中仕宦漂泊的焦灼感顯示出其思想體系并未能融合儒釋老的不成熟狀態(tài),其"汴京情結(jié)"不容忽視。北宋中期詞壇,蘇軾足跡遍及大半個(gè)中國(guó),地理意義上的鄉(xiāng)土概念日漸被精神層面的故鄉(xiāng)概念取代,與此相應(yīng),其詞學(xué)觀念由"詞為艷科"的傳統(tǒng)觀念漸變?yōu)樵~乃"詩(shī)之苗裔"的詞學(xué)思想,題材內(nèi)容呈現(xiàn)出前所未有的深廣程度,以陶淵明為參照,從時(shí)代環(huán)境、氣質(zhì)稟賦等因素切入,會(huì)發(fā)現(xiàn)蘇軾大鄉(xiāng)土情懷的獨(dú)特性和人文價(jià)值。北宋中后期詞壇,周邦彥詞由軟媚清麗向內(nèi)斂滄桑的詞風(fēng)變化,既與年齡和閱歷有關(guān),又與地理空間的廣闊性和豐富性有著密切聯(lián)系。南渡詞壇,朱敦儒與故鄉(xiāng)洛陽的距離越大,詞中凄涼孤苦的低沉情調(diào)就越濃厚,對(duì)南方流寓地的疏離感就越強(qiáng)烈,尤以嶺南詞為最。這種南北地域文化的碰撞實(shí)質(zhì)上是對(duì)主流政治不舍之情的表現(xiàn)。南宋中期詞壇,辛棄疾詞中齊魯?shù)赜蛏�彩與信州山水共生,呈現(xiàn)出南北文化滲透融合的大趨勢(shì),并最終通過多樣化的稼軒詞風(fēng)表現(xiàn)出來,傳遞出南宋詞發(fā)展日漸多元的訊息。南宋后期詞壇,劉克莊廣闊開放的人生地圖與吳文英局限于一隅的人生圖景直接影響著二人的創(chuàng)作視野、詞情內(nèi)容和詞學(xué)觀念,呈現(xiàn)為開放式和內(nèi)斂式兩種宋詞書寫范式,顯示出詞壇分流的大趨勢(shì)。第三部分余論。本部分總結(jié)強(qiáng)調(diào)地理空間對(duì)宋詞發(fā)揮影響力時(shí)兩個(gè)極為重要的研究維度,即廣度和深度。從廣度視角審視地理空間對(duì)宋詞的影響,要重視詞人對(duì)地理空間的拓展力度,這正是詞體發(fā)展的重要表現(xiàn)。作家人生行跡的廣度與詞作的題材類型、風(fēng)格特色的變化是一種正相關(guān)關(guān)系。從深度視角來審視地理空間對(duì)宋詞的影響,要意識(shí)到地理空間對(duì)詞人的影響深淺有別,考量深淺程度的標(biāo)尺是作家的心靈世界。外在地理空間與詞人心靈世界發(fā)生的碰撞越激烈,其轉(zhuǎn)化為文學(xué)地理空間的能動(dòng)性就越大,文學(xué)作品的藝術(shù)感染力也越強(qiáng)烈。重視廣度和深度兩個(gè)維度,才能描繪出地理空間與宋詞奇妙關(guān)系的生動(dòng)畫卷。
[Abstract]:Chinese literature and geographical space the indissoluble bound can be traced back to Book of Songs, < >. When the Qin Dynasty Chu two song, relation between word and geographical space more closely and graceful as Ci style, creative content and more involved in the landscape of the south, the poet accounted for the geographical distribution of the Southern nationality phenomenon are provided the argument is the foundation for the close relationship between the Southern Song Dynasty. The era of great changes in political economy, culture leads to, movement at the same time, will inevitably lead to the creation in the geographical space shift phenomenon. Despite the geographical space in the CI has played an important role in the development of Ci study, still lay particular stress on the vertical time dimension in view. For this, this paper selects the topic of "Research on" the impact of geographical space on the song, to explore the relationship between the environment and the people, in order to increase the spatial dimensions of the CI research efforts, and strive to build the ecological environment in space and time Scientific grasp and study of Song Ci. This paper analyzes the impact of geographical space demonstration of Song Ci from the two aspects of macro and micro, with statistics, historical documents as the support, with the word as the foundation of the case study as the starting point, to avoid static and local research bias, using the dynamic analysis of the complex relation. Between two Song Dynasties and the geographical spatial research methods of overall, analysis of geographical space of song themes, styles, thoughts of Ci, influence of mentality etc., summarizes its characteristics. This paper is divided into three parts: introduction, main part and conclusion part. The first part is an introduction on the definition. Based on the "geographical space" of the core concept, origin of the explanation of this topic, analysis of the current situation of research on the relationship between geographical space and Ci, explore the topics of research value, this article research The ideas and methods. The second part is the main part is divided into two parts. The first part is the research, macro research, the case study, based on a solid foundation of macro view and conclusion based on case study. The macro research, is divided into five chapters: the first chapter is the study of geographical space effect on the theme song content. Influence of geographical space on the theme content vary, meditate on the history intoned CI describing thescenery, vernacular words, words and the official word is affected by the largest theme. Influence of geographical space to meditate on the history intoned CI mainly manifested in the choice of boarding this special geographical space on the influence of local geographical space; theme paintings by very local characteristics of the social custom painting show; literature describing thescenery basin differences showing the word written scene is the main manifestation of geographical space is an official influence; The word, from the east to the west, from the north to the south of the space shift trend is obvious, is a dynamic spatial mobility is very strong, has brought the cultural exchange between different regions. The second chapter is the study of spatial influence of the Song Ci style. This paper from the impact of regional difference of landforms, hydrological, biological and climatic factors for standards the most powerful selection of multiple elements of climate. The influence of geographical space on the song of the overall style, embodied in the six climatic zones from north to south in the warm temperate and subtropical CI distribution most concentrated, strong evidence of two climatic zones become of the overall style of the song; influence of geographical space on specific Ci and Ci of the wind, to start from the country of origin and two Hakka geographical space: influence one ingrained, influenced by time, mood etc. various constraints, between the two will form a collision, and then produce new wind; and the Southern Song Dynasty are derived from the Jin Yuan word In the Northern Song Dynasty, but in the process of development and geographical environment has two-way choice, fresh 6 become the wind leading words of Jin Yuan's Ci, Wanli has become the leading word implicit is the wind in Southern Song Dynasty. The third chapter is to study the impact of geographical space on the concept of Ci in Song Dynasty. Overall, spatial effects on the concept of CI far has no effect on the theme and style of direct and powerful, this chapter only analyze the relationship between "concept of Ci and geographic space for Yan Ke" and "a" word. "Word for Yan Ke" concept by Hua Jian Ji > and <, Hua Ci to Shu people or officials in the main Sichuan; Sichuan developed economy, prosperous pleasures of the wind in Sichuan basin, pleasant climate, beautiful scenery, rich natural resources, the three points that "the word formation of Yan division" concept cannot do without Shu Hanyu's work. "Is a" point of view is from the law of development of human body words, words the social environment, CI Natural temperament and other aspects of interpretation, but ignore the research on a Missouri geographical space, the interpretation would be too attempt an ineffective solution. In the fourth chapter, the fifth chapter analyzes the two kinds of special human relations mentality: local complex and complex. The hometown has double que love meaning of life and life source of home, home is. The Song Dynasty poet common life state, the knowledge and the deepest, most say the song literati image is not consistent, puzzling. Two people involved in Kyoto for song pen total 1/5 song, love song has become a common psychological Que and emotional content. This paper study the typical of the two kind of mentality, further analysis of this group of Kyoto home and mutual relations between the opposite direction of the strange and complex geographical space, exploring the two Song Dynasties subtle and complex inner world. The research is divided into the case The six chapter. According to the contribution of each stage two Song Ci, respectively from the early Northern Song Dynasty CI CI Ci, middle, late, Nandu CI CI Ci, the middle late, select the most representative of the seven poets to study in-depth and detailed case study performance and regularity of the characteristics of the two poetry analysis of geography the effects of space. The early Northern Song Dynasty Ci, Liu Yong's life map of South and North Wuyi, Huayin, Dinghai East, west of Chengdu, the < > official movement set drifting anxiety shows its ideological system and not the fusion of Confucianism and Buddhism old immaturity, it should not be ignored. The Northern Song Dynasty Kaifeng complex "the middle had Su Shi footprint across half Chinese, geographically local concept is gradually the spiritual home concept replaced, corresponding to this, his concept of Ci Poetry from" traditional Ci poem concept for the word "gradual branch of poetry" Thinking of the word, the theme content showed a profound degree of hitherto unknown, with Tao Yuanming as the reference, starting from the era environment, temperament and other factors, will find Su Shi local feeling is unique and humanistic value. In the late Northern Song Dynasty Ci, CI change Zhou Bangyan word by Mei Qingli soft inward vicissitudes, is associated with age and experience, the vast and rich and geographical space are closely linked. Nandu Ci, Zhu Dunru's hometown of Luoyang and the greater the distance, the word desolate lonely deep sentiment is more intense, more intense sense of alienation in the south, especially in south of the Five Ridges. The essence of this word is the collision between North and South regional culture is the mainstream political affection performance. In the mid Southern Song Dynasty Ci, symbiotic geographical Qilu color and Xinzhou landscape in Xin Qiji's poetry, showing the trend of cultural integration of North and south, and finally through diversification The Jiaxuan style show, passing out in Southern Song Dynasty. The development of information more diversified the late Southern Song Dynasty Ci, Liu Kezhuang wide open life map and Wu Wenying confined in the picture of life directly affects two people's creative vision, ideological content and word sentiment words, is open and reserved two song writing paradigm, shows the trend of CI shunt. The third part is conclusion. This part summarizes the emphasis on geographical space influence on the song at two of the most important research dimensions, namely the breadth and depth of influence. From the angle of view of geographical space of Song Ci breadth, attention should be paid to the development efforts of writers in geographic space, this is is an important manifestation of CI development. The breadth and the word writer for life whereabouts theme type, change style is a positive correlation between the impact. From the depth of perspective to examine the geographical space of Song Ci, to Aware of spatial effects on CI depth, depth gauge is the consideration of their spiritual world. The external geographic space and collision happened in the world poets mind more intense, the initiative into the literature of geographical space is bigger, the literary works of artistic appeal more strongly. The emphasis of the two dimensions of breadth the depth and geographical space and can depict a vivid picture of the song wonderful relationship.

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.23

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