白居易洛詩的文創(chuàng)產(chǎn)品設(shè)計(jì)及開發(fā)研究
本文關(guān)鍵詞:白居易洛詩的文創(chuàng)產(chǎn)品設(shè)計(jì)及開發(fā)研究 出處:《四川師范大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 白居易 洛詩 文創(chuàng)產(chǎn)品 文化符號(hào) 五種感知能力
【摘要】:白居易洛詩是指詩人晚年歸洛以后所創(chuàng)作的閑適詩,本文從中精選出20首最能代表白居易在洛陽期間一種閑舒、清閑、恬淡的生活方式,且都是藝術(shù)水平、思想特征很高的作品。從視覺、聽覺、嗅覺、味覺、觸覺五種審美體驗(yàn)感知能力為視角,將文學(xué)與美學(xué)進(jìn)行碰撞,從中挖掘出洛詩文化視覺符號(hào)以致服務(wù)于后期白居易洛詩文創(chuàng)產(chǎn)品設(shè)計(jì)的開發(fā),從而符合洛陽文化創(chuàng)意產(chǎn)品開發(fā)的理念,也讓我國的唐詩文化以一種新的面貌展示在大眾面前。本篇論文主要分為四部分進(jìn)行闡述。第一部分即對(duì)影響白居易洛詩風(fēng)貌的因素進(jìn)行分析與歸納。其中具有代表性的題材歸納為:洛陽景致、履道臺(tái)宅院之景、生活之娛。第二部分即對(duì)洛詩的本體部分進(jìn)行重點(diǎn)分析,以視覺、聽覺、嗅覺、味覺、觸覺為視角對(duì)白居易洛詩進(jìn)行美學(xué)賞析,從中挖掘洛詩文化元素以此為點(diǎn)達(dá)到面的輻射,進(jìn)一步提取文化視覺符號(hào)以致服務(wù)于后期的文創(chuàng)產(chǎn)品設(shè)計(jì)制作。第三部分即從市場的角度:問卷調(diào)查(主要解決有關(guān)洛詩文創(chuàng)產(chǎn)品的接納程度與喜愛程度問題)、市場已有優(yōu)秀文創(chuàng)產(chǎn)品案例兩方面進(jìn)行分析,從而總結(jié)出符合白居易洛詩文創(chuàng)產(chǎn)品的設(shè)計(jì)原則和理念,以致服務(wù)于后期本產(chǎn)品的設(shè)計(jì)及開發(fā)。第四部分即白居易洛詩文創(chuàng)產(chǎn)品設(shè)計(jì)及應(yīng)用部分,基于前面第三、四章節(jié)的理論分析基礎(chǔ)上轉(zhuǎn)化為產(chǎn)品設(shè)計(jì)的過程。但值得注意的是,對(duì)于前期從視覺、聽覺、味覺、嗅覺、觸覺五種感官對(duì)其洛詩的理論分析,由于目前制作條件有限,最后體現(xiàn)在產(chǎn)品上帶給用戶的審美體驗(yàn)過程只有視覺、聽覺、觸覺三方面的情感感受。
[Abstract]:Bai Juyi's poetry refers to the leisure poems created by the poet in his later years after returning to Luo. This article selects 20 poems which can best represent the leisure, leisure and tranquil way of life during the Luoyang period, and all of them are artistic level. From the perspective of visual, auditory, olfactory, taste and tactile aesthetic experience perception ability, literature and aesthetics are collided. From the excavation of Luoshi culture visual symbols to serve the later Bai Juyi Luoshi creation product design development, thus in line with the concept of Luoyang cultural creative product development. This paper is mainly divided into four parts to elaborate. The first part is to analyze and summarize the factors that affect Bai Juyi's poetic style and features of Luo. The representative themes are summarized as follows:. Luoyang scenery. The second part focuses on the analysis of the Noumenon of Luoshi, from the perspective of vision, hearing, smell, taste and touch, to aesthetic appreciation of Bai Juyi's Luo poetry. From the excavation of Luoshi cultural elements as a point to reach the surface of radiation. Further extraction of cultural visual symbols to serve the later production of the product design. The third part is from the perspective of the market: questionnaire survey (mainly to solve the problem of acceptance and affection of Luoshi and Wenchuang products). . The market has been excellent Wen Chuang product case analysis in two aspects, so as to sum up the design principles and concepts in line with Bai Juyi Luo Shi Wen Chuang product. So as to serve the design and development of this product in the later period. 4th part, namely Bai Juyi Luo Shi Wen Chuang product design and application part, based on the previous third. Four chapters of theoretical analysis on the basis of the transformation into the process of product design. But it is worth noting that the previous from the vision, hearing, taste, smell, touch sense of five senses of the theoretical analysis of his Luo poetry. Because of the limited production conditions at present, the final aesthetic experience process brought to the users only visual, auditory and tactile emotional feelings.
【學(xué)位授予單位】:四川師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:I207.22
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