《地下鐵道》的后現(xiàn)代歷史敘事書(shū)寫(xiě)研究
發(fā)布時(shí)間：2024-06-14 22:07
在后現(xiàn)代主義思潮觸及歷史哲學(xué)范疇之后,宏大歷史敘事的真實(shí)性和權(quán)威性受到了普遍的質(zhì)疑。研究者開(kāi)始從“真實(shí)”和“虛構(gòu)”來(lái)重新思考?xì)v史本質(zhì)和歷史書(shū)寫(xiě)的使命。歷史的書(shū)寫(xiě)總是離不開(kāi)權(quán)力關(guān)系和意識(shí)形態(tài)的約束。對(duì)歷史問(wèn)題和歷史敘述的重新認(rèn)知也從歷史哲學(xué)范疇延伸到文學(xué)維度。建構(gòu)于后現(xiàn)代主義的小說(shuō)有著鮮明的自我指涉特征,既回歸歷史又質(zhì)疑歷史,試圖揭示歷史掩蓋下的文化政治意味。非裔美國(guó)作家科爾森·懷特黑德的長(zhǎng)篇小說(shuō)《地下鐵道》對(duì)美國(guó)內(nèi)戰(zhàn)前的社會(huì)背景進(jìn)行歷史性關(guān)照,充分發(fā)揮想象,虛構(gòu)人物和故事情節(jié),既反映了黑奴的生存狀態(tài),又體現(xiàn)了作者對(duì)邊緣化的黑人族群命運(yùn)的深切關(guān)懷。本文將《地下鐵道》置于后現(xiàn)代歷史語(yǔ)境,擬用海登·懷特的后現(xiàn)代歷史敘事學(xué)和琳達(dá)·哈琴的后現(xiàn)代歷史書(shū)寫(xiě)元小說(shuō)作為主要理論框架,探討《地下鐵道》的后現(xiàn)代歷史敘事書(shū)寫(xiě)手法,從而深究懷特黑德的文化政治意圖和策略。首先,從“歷史書(shū)寫(xiě)元小說(shuō)”的角度解讀作品,認(rèn)為其既具有元小說(shuō)強(qiáng)烈的自我指涉性,又悖謬地關(guān)注外在的歷史現(xiàn)實(shí)。懷特黑德把小說(shuō)建立在歷史和現(xiàn)實(shí)的基礎(chǔ)上,采用后現(xiàn)代反諷和戲仿的寫(xiě)作手法達(dá)到自揭虛構(gòu)的目的,突顯了歷史的主觀(guān)性和虛構(gòu)性,暴露出深藏于文本的權(quán)力...
【文章頁(yè)數(shù)】：81 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract in Chinese
Abstract in English
Chapter 1 Introduction
1.1 Colson Whitehead and The Underground Railroad
1.2 Literature Review
1.3 Related Literary Theories
1.4 Thesis Statement and Structure
Chapter 2 The Postmodern Historical Narrative Writing in the Novel
2.1 Postmodern Irony
2.1.1 Verbal Irony
2.1.2 Situational Irony
2.2 Postmodern Parody
2.2.1 Parody of Classics
2.2.2 Parody of History
Chapter 3 Power Relations Revealed in the Postmodern Historical Narrative Writingof the Novel
3.1 Power Confrontation
3.1.1 Power Confrontation between the Black and the White
3.1.2 Power Confrontation between the Black Male and the Black Female
3.1.3 Power Confrontation between the Lower-class and the Upper-class
3.2 Power and Trauma
3.2.1 History and Memory
3.2.2 Aphasia and Alienation
3.2.3 Treatment and Recovery
3.3 Black Power and Cultural Intervention
3.3.1 Black English
3.3.2 Black Music
Chapter 4 Ideological Criticism in the Postmodern Historical Narrative Writing ofthe Novel
4.1 Colonialism Criticism
4.2 Racism Criticism
4.3 Patriarchy Criticism
Chapter 5 Conclusion
Bibliography
Papers Published During the Study for M. A. Degree
本文編號(hào)：3994487
【文章頁(yè)數(shù)】：81 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract in Chinese
Abstract in English
Chapter 1 Introduction
1.1 Colson Whitehead and The Underground Railroad
1.2 Literature Review
1.3 Related Literary Theories
1.4 Thesis Statement and Structure
Chapter 2 The Postmodern Historical Narrative Writing in the Novel
2.1 Postmodern Irony
2.1.1 Verbal Irony
2.1.2 Situational Irony
2.2 Postmodern Parody
2.2.1 Parody of Classics
2.2.2 Parody of History
Chapter 3 Power Relations Revealed in the Postmodern Historical Narrative Writingof the Novel
3.1 Power Confrontation
3.1.1 Power Confrontation between the Black and the White
3.1.2 Power Confrontation between the Black Male and the Black Female
3.1.3 Power Confrontation between the Lower-class and the Upper-class
3.2 Power and Trauma
3.2.1 History and Memory
3.2.2 Aphasia and Alienation
3.2.3 Treatment and Recovery
3.3 Black Power and Cultural Intervention
3.3.1 Black English
3.3.2 Black Music
Chapter 4 Ideological Criticism in the Postmodern Historical Narrative Writing ofthe Novel
4.1 Colonialism Criticism
4.2 Racism Criticism
4.3 Patriarchy Criticism
Chapter 5 Conclusion
Bibliography
Papers Published During the Study for M. A. Degree
本文編號(hào)：3994487
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