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　　約翰克萊爾(1793-1864),英國浪漫主義時期一位農(nóng)民詩人。他的一生是不受重視的,貧困的,但在有生之年,他寫下了大量自然詩歌,觀察和記錄了各種田間勞作,鳥獸蟲魚,季節(jié)流轉(zhuǎn),自然界的一草一木都是他熱愛和歌頌的對象。他的自然詩歌體現(xiàn)出與自然前所未有的親密,以及他對自然真摯深沉的愛。國內(nèi)外不乏關(guān)于他自然書寫的研究,然而鮮有從審美視角系統(tǒng)地分析其自然書寫。本文旨在描述風景入詩的審美過程是如何在克萊爾自然書寫中體現(xiàn)的。出于這種立論,本文試圖將克萊爾的自然書寫置于三個維度加以分析,這三個維度分別是田園詩,“詩如畫”與自然審美哲學。18、19世紀風景如畫的概念風靡歐洲,人們對于自然的認識終于沖破中世紀的禁錮,開始從審美的角度欣賞自然。正在此時,由于克萊爾生于自然,長于自然的天然聯(lián)結(jié),促就了克萊爾風景入詩的天地人合。通過與傳統(tǒng)田園詩異同比較得出,克萊爾繼承了阿卡狄亞式故鄉(xiāng),維吉爾黃金時代,以及農(nóng)諭詩的概念。文章還揭示了克萊爾對田園詩的創(chuàng)新,即其身份認同的獨特性,對自然親密與平等的愛,以及對自然現(xiàn)象中張力的真實描述和語言上直接,清晰,鮮活的敘述性手法�！霸娙绠嫛备拍�,自賀拉斯以降倍受眾多詩人追捧,其...

【文章頁數(shù)】：72 頁

【學位級別】：碩士

【文章目錄】：
Acknowledgement
Abstract
摘要
Chapter One INTRODUCTION
    1.1 INTRODUCTION OF JOHN CLARE
    1.2 LITERATURE REVIEW
        1.2.1 Literature Review Abroad
        1.2.2 Literature Review at Home
    1.3 STRUCTURE OF THE THESIS
Chapter Two NATURE AND LANDSCAPE IN CLARE
    2.1 THE POSITION OF NATURE IN WESTERN WORLD
    2.2 THE CONCEPTION OF LANDSCAPE
        2.2.1 The Definition of Landscape
        2.2.2 The Popularity of Landscape in Britain
    2.3 NATURE WRITING AND CLARE
        2.3.1 The Definition of Nature Writing
        2.3.2 The Beginning of Nature Writing of Clare
Chapter Three PASTORAL POETRY
    3.1 THE PASTORAL POETRY TRADITION
    3.2 THE INHERITANCE AND CREATION IN JOHN CLARE
        3.2.1 Inheritance
        3.2.2 Creation
Chapter Four UT PICTURA POESIS
    4.1 THE TRADITION OF UT PICTURA POESIS
    4.2 CLARE AND UT PICTURA POESIS
        4.2.1 Poetry as a Painting in Mind
        4.2.2 Clare as a Painter in Poetry
Chapter Five NATURE AESTHETIC PHILOSOPHY OF CLARE
    5.1 EXTERNAL COGNITION OF NATURE
        5.1.1 The Definition of External Cognition of Nature
        5.1.2 The Regularization and Rigidification of Nature
    5.2 INNER AESTHETIC OF NATURE
        5.2.1 The Turning of Landscape Into Poetry
        5.2.2 The Inner Aesthetic Mechanism
Chapter Six CONCLUSION
Works Cited
Appendices 攻讀碩士學位期間的學術(shù)活動及成果情況



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